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IMDbPro

The Last Run

  • 1971
  • GP
  • 1h 35min
CALIFICACIÓN DE IMDb
6.6/10
2.8 k
TU CALIFICACIÓN
The Last Run (1971)
AcciónAcción del cocheCrimenDramaThriller

Un conductor de fugas criminales sale de su retiro para llevar a cabo un último escape - uno que podría enviarlo a una tumba temprana en su lugar.Un conductor de fugas criminales sale de su retiro para llevar a cabo un último escape - uno que podría enviarlo a una tumba temprana en su lugar.Un conductor de fugas criminales sale de su retiro para llevar a cabo un último escape - uno que podría enviarlo a una tumba temprana en su lugar.

  • Dirección
    • Richard Fleischer
    • John Huston
  • Guionista
    • Alan Sharp
  • Elenco
    • George C. Scott
    • Tony Musante
    • Trish Van Devere
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.6/10
    2.8 k
    TU CALIFICACIÓN
    • Dirección
      • Richard Fleischer
      • John Huston
    • Guionista
      • Alan Sharp
    • Elenco
      • George C. Scott
      • Tony Musante
      • Trish Van Devere
    • 48Opiniones de los usuarios
    • 31Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos53

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    Elenco principal10

    Editar
    George C. Scott
    George C. Scott
    • Harry Garmes
    Tony Musante
    Tony Musante
    • Paul Rickard
    Trish Van Devere
    Trish Van Devere
    • Claudie Scherrer
    Colleen Dewhurst
    Colleen Dewhurst
    • Monique
    Aldo Sambrell
    Aldo Sambrell
    • Miguel
    • (as Aldo Sanbrell)
    Antonio Tarruella
    • Motorcycle Policeman
    Robert Coleby
    Robert Coleby
    • Hitch Hiker
    Pat Zurica
    Pat Zurica
    • 1st Man
    • (as Patrick J. Zurica)
    Rocky Taylor
    Rocky Taylor
    • 2nd Man
    Robert Rietty
    Robert Rietty
    • Miguel
    • (voz)
    • (sin créditos)
    • Dirección
      • Richard Fleischer
      • John Huston
    • Guionista
      • Alan Sharp
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios48

    6.62.8K
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    Opiniones destacadas

    8udar55

    Time is not on his side

    Syndicate wheelman Harry Garmes (George C. Scott) comes out of a nine year retirement to do one last job that involves ferrying escaped con Paul (Tony Musante) and his girl Claudie (Trish Van Devere) over the French border. Naturally, things do go as planned as their rendezvous is a set-up to kill the duo and Harry takes action. If you like the misanthropy on display in other early 70s Scott flicks like RAGE (1972) and THE NEW CENTURIONS (1972), than this is for you. This is a great little action flick that is really working on two levels, kinda like the same year's VANISHING POINT (what a great time for fans of esoteric action!). Garmes laments about the enemy of time and the car he so meticulously takes care of becomes a symbol of the man himself as it slowly starts to wear down over this tough journey. Apparently Scott feuded so much with original helmer John Huston that he quit and was replaced by Richard Fleisher. Fleisher uses the beautiful mountain roads of Spain to stage some great car chases, all set to a fantastic score by Jerry Goldsmith.
    6Oliver-50

    George C. Scott at his best

    Well made dramatic thriller about an ex-driver for the mob, now retired and living on a beach with nothing else to do, and nothing else he knows how to do. When he's called upon after nine years to perform a job he takes it, simply to see if he can still do it. Scott is the best reason to watch this other-wise standard chase film; As the aging driver who's lost everything and has nothing to do but die, he is masterful. This is one of his finest (and most under-rated) performances. An engaging film with some intense moments of action and a great existentialist feel to it. Doesn't quite hit it's mark at times, but worth-while for Scott. Good photography.

    *** out of ****
    steppling

    the existential crime/road movie

    A really excellent film, written by the wonderful and neglected Alan Sharp (see Night Moves). Scott is great and in an era of endless explosions and car chases, this is a welcome, intelligent relief.

    Richard Fleisher did several good early noir films before his late career as a hack TV director. Also, this background reminds one of Frears film The Hit. (or is it The Last Hit?)...anyway,the writing is first rate, as always with Sharp and the characters quite memorable. Why is it so overlooked? This is the kind of genre piece that simply doesn't get made anymore. All performances are solid --- and I also have to wonder at the career of Richard Fleisher. From something as good as this, to his late work will remain a filmic enigma.
    barnabyrudge

    Existential thriller with some good moments and some dull patches.

    The Last Run was originally a John Huston project, but in the end it was taken up and completed by maverick director Richard Fleischer. Often, a change of personnel affects the film, but in this case, Fleischer has fashioned a decent thriller with picturesque locations and a tight plot.

    It's all about a getaway driver from Chicago who has settled down to a peaceful life in a Portugese fishing village. He is hired to drive a gangster and his girlfriend to the French border, under total assurance that the job is strictly routine. However, it turns out that the whole thing is a set-up, and that the gangster is the target of some killers. Getaway driver, gangster, and gangster's girlfriend all flee back to Portugal, pursued by their enemies.

    The characters are quite cold and cynical and don't appeal to the audience a great deal. This hurts the film, because it's awfully hard to care a damn about what happens to them. The film also suffers from a typically downbeat ending (as, indeed, many films from this era do). However, it has exciting moments and is always pleasing to the eye. The chase plot is gripping throughout and really helps to compensate for some of the not-so-good aspects.
    Oskado

    A splendid film for those with a taste for existentialism

    Other viewers' comments, both negative and positive, have aptly classified this film's genre. Those with inclination toward existentialist thought (e.g., why are we here and what are the best options before embracing the void?) generally like it. I think the film great and wish it were available on DVD. Others find it vapid. Yet I think the theme similar to that found in Blade Runner or Pierrot le Fou - though different from, say, Kafka's Metamophosis, or The Trial, or from Camus' The Stranger, etc., in that this film's protagonist undergoes emotional development - along with another character who fears her fate and sees no other path to follow.

    Our protagonist's past life as an underworld character is significant not in the cops-and-robbers sense, but rather as an earmark of his "loner" personality - like Camus' Stranger. He's a retired individualist - like Blade Runner's Deckard - who after a career on the "outside" is sucked against his will into a melee of action and intrigue. All he'd longed for was to finish out his days in peace - in Portugal - though one can wonder if his automotive hobby (his surrogate child) and petty daily ritual could really have sustained him - yet such is the trap some see themselves born into; perhaps an earlier, unexpected coup de grace isn't to be under-appreciated.

    Más como esto

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      George C. Scott stars with two wives from three marriages. At the time the movie was filmed, he was near the end of his second marriage to Colleen Dewhurst. He married Trish Van Devere the next year.
    • Errores
      Tony Musante's hair goes from short to long several times during the film. This is because he keeps taking off the curly wig he is supposed to be wearing as a disguise.
    • Citas

      Paul Rickard: I never called anything a her in my life. It, a car is an it.

      Harry Garmes: With you, Rickard, everything is an it.

    • Conexiones
      Featured in Portrait of an Actor (1971)
    • Bandas sonoras
      The Last Run
      Written by Jerry Goldsmith, Mack David and Mike Curb

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    Preguntas Frecuentes14

    • How long is The Last Run?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 24 de septiembre de 1971 (Japón)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Portugués
      • Español
    • También se conoce como
      • Wen die Meute hetzt
    • Locaciones de filmación
      • Marbella, Málaga, Andalucía, España
    • Productora
      • Metro-Goldwyn-Mayer (MGM)
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 2,030,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 35min(95 min)
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 2.35 : 1

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