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IMDbPro

The Seven-Ups

  • 1973
  • PG
  • 1h 43min
CALIFICACIÓN DE IMDb
6.8/10
7.4 k
TU CALIFICACIÓN
Roy Scheider in The Seven-Ups (1973)
A tough detective who is part of an elite New York City unit is trying to find out who killed his partner, but uncovers a plot to kidnap mobsters for money.
Reproducir trailer2:19
1 video
65 fotos
Cop DramaHard-boiled DetectiveActionCrimeDramaMystery

Un detective que forma parte de una unidad de élite de la ciudad de Nueva York está tratando de averiguar quién mató a su compañero, pero en el camino descubre un complot para secuestrar maf... Leer todoUn detective que forma parte de una unidad de élite de la ciudad de Nueva York está tratando de averiguar quién mató a su compañero, pero en el camino descubre un complot para secuestrar mafiosos por dinero.Un detective que forma parte de una unidad de élite de la ciudad de Nueva York está tratando de averiguar quién mató a su compañero, pero en el camino descubre un complot para secuestrar mafiosos por dinero.

  • Dirección
    • Philip D'Antoni
  • Guionistas
    • Albert Ruben
    • Alexander Jacobs
    • Sonny Grosso
  • Elenco
    • Roy Scheider
    • Tony Lo Bianco
    • Victor Arnold
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.8/10
    7.4 k
    TU CALIFICACIÓN
    • Dirección
      • Philip D'Antoni
    • Guionistas
      • Albert Ruben
      • Alexander Jacobs
      • Sonny Grosso
    • Elenco
      • Roy Scheider
      • Tony Lo Bianco
      • Victor Arnold
    • 103Opiniones de los usuarios
    • 51Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Official Trailer
    Trailer 2:19
    Official Trailer

    Fotos65

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    Elenco principal36

    Editar
    Roy Scheider
    Roy Scheider
    • Buddy - Seven-Up
    Tony Lo Bianco
    Tony Lo Bianco
    • Vito Lucia
    Victor Arnold
    Victor Arnold
    • Barilli - Seven-Up
    Jerry Leon
    • Mingo - Seven-Up
    Ken Kercheval
    Ken Kercheval
    • Ansel - Seven-Up
    Larry Haines
    • Max Kalish
    Richard Lynch
    Richard Lynch
    • Moon
    Bill Hickman
    Bill Hickman
    • Bo
    Lou Polan
    • Carmine Coltello
    Matt Russo
    • Festa
    Joe Spinell
    Joe Spinell
    • Toredano
    Robert Burr
    Robert Burr
    • Lt. Hanes
    Rex Everhart
    Rex Everhart
    • Inspector Gilson
    David Patrick Wilson
    David Patrick Wilson
    • Bobby
    • (as David Wilson)
    Ed Jordan
    • Bruno
    Mary Multari
    • Mrs. Pugliese
    Frank Macetta
    Frank Macetta
    • Barber
    • (as Frank Mascetta)
    Frances Chaney
    • Sara Kalish
    • Dirección
      • Philip D'Antoni
    • Guionistas
      • Albert Ruben
      • Alexander Jacobs
      • Sonny Grosso
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios103

    6.87.3K
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    Opiniones destacadas

    6pderocco

    Crime in the 70's

    This is not a great movie, but it evokes a time and a place, and a style that goes along with it. A gritty 70's police drama, it takes place in a New York winter of gray skies, bare trees, wet gutters, litter and graffiti, when the crooks had no cell phones, cars smelled of vinyl and exhaust fumes, and the computer was the noisy thing that printed the suspect's rap sheet on a roll of yellow paper. The acting, it must be admitted, is routine, but Roy Scheider and the rest portray an undercover squad of calm professionals to whom danger has become routine. The story manages to be interesting, punctuated by one exciting Popeye Doyle style car chase through the Sunday streets (judging by the light traffic) and up the Taconic State Parkway, and two nerve-wracking scenes in the belly of an automatic car wash. But for all the occasional bursts of violence, it's also a quiet story of a friendship that can't withstand the temptations of crime.
    8thomaswatchesfilms

    Tough, gritty and taut

    One of my favorites. As a child, growing up in the NY Metro area in the late 60s and early 70s, I was often afforded the opportunity to visit NYC with my grandfather or father, as they conducted business there. The gritty, bustling, human, reality of that city, particularly in winter, have stayed with me.

    This film very aptly captures the stark, cold, matter-of-fact feel of the NYC winter season, while keenly exposing the underbelly of the region's infamous underworld of crime and policing. A great snapshot of a place and a time and a culture.

    And the car chase is simply amazing. At least on par with the one in "Bullitt", and surpassing the chase in "The French Connection". I can watch, time and again, as the suspension comes unstuck on that Plymouth Fury police cruiser barreling toward the GW Bridge in pursuit, as it lurches into that sharp right curve, bouncing and scraping into oncoming traffic. The stunt driving coordinator for that scene did "Bullitt" and "The French Connection" as well as many other noatable movie chases. Good acting, too, and a decent plot line. The musical score is edgy and compelling, and the cinematography and direction are top notch. A great, if underrated 1970s cop drama. A keeper. Not out on DVD yet, though.

    Comparable in style and content to: The French Connection and Super Fly. Early 1970's cop dramas set in the bleak NYC winter months.
    8Jakealope

    Good Basic Cop Movie that we need more of

    I love the other reviews of this movie. They mirror my attitude. I am a 70's sort of guy, minus disco and "Star Wars" childishness. There was nothing great about this movie, except for a chase scene. That is why it was good, because it was tough, basic and economical. Roy Scheider carried the movie, which was based on the crew, the 7 Ups, that backed up Gene Hackman in the "French Connection". The people in it were believable and average, who burned themselves pouring coffee, showed fear in chase scene and almost lost it after a close call crash.

    Maybe it would be easier to tell you what it lacked. There was no fancy weapons, just basic revolvers and crude sawed off shotguns. There was no tough guy philosophizing, ala Tarantino. There was no kung fu or samurai nonsense and no fancy trick shooting either. There was no clever guy who carries out some complicated scheme based on hundreds of things going just the way he planned including everyone else's reactions. The criminals were bad guys but they didn't shoot people for the hell of it. As a matter of fact, there was a body count of just three. something that the average movie these days would pass in the opening credits. It could be a G movie today! No bus load of orphan school children were kidnapped nor were terrorists threatening to kill half of the city. There were no high tech hijinks, nor were the crimes themselves very moving or ingenious, the highest tech thing I saw was a touch tone ATT wall phone. It had no subplots or amusing character developments. Also, no sex or women, except for one mobster's wife who did some screaming as the Buddy our hero had her menaced.

    It was some little undertaker who exploited his connections with the local mob and the police to kidnap local mobsters for some easy payoffs. The undertakers. Vito, was played by Tony Lo Bianco who did a great job, as good as Roy Schneider, Buddy the head of 7 Ups cop, whom he informed and exploited. What ever happened to Tony Lo Bianco, he seemed like a Pacino shoe in, good looking and talented? What it did have was a great NYC backdrop to a simple crime story. Locations that were bleak and dehumanizing without being a sociological study. It had a simple plot that involved this kidnapping scheme where one of Buddy's cop got accidentally involved, literally accidentally dragged in then accidentally shot dead. Since Buddy and his 7 ups are a hot dogs unit, both the NYPD Brass and mobsters thought he was involved, since the kidnappers masqueraded as plain clothes cops to lure the mobsters into compliance. Obviously the mobsters figured they had lawyers and rights to protect them from normal police. Even the mobsters were plain, old and ugly, no Godfather royalty or Soprano hipness here.

    It is a good basic movie with a standout chase scene between two 70's d Pontiacs. Even the cars were plain and economical, not even a GTO or a Trans Am, like the acting and the story. In the days of Batman uber-hype or "24" levels of intensity doomsday scenarios, this movie reminds us that less is better. It should be shown to movie screen writers and directors as a caveat not to dazzle, amuse then ultimately insult us with stunts, gadgets and clown psychotic behavior galore.
    jetjag

    Very underrated + Moon!!!

    What an underrated flick. Great action.Great tension.The only thing (you could ask for) would have been Friedkin directing it. I know, I know. Same year as Exorcist. Still... One comment which was made referred to the plot being confusing which I slightly agree with. Friedkin might have cracked the whip on that part. I always thought you could do a lot of different things in a car wash. And Moon!!! Thank God for Richard Lynch. What an actor.And the driver. He should have acted more. Great menace.With those little glasses. Also underrated is Roy. He never got his due. He should have won for All That Jazz. FC II is great, but this is too overlooked. p.s. AVOID THE NEW EXORCIST. Wait for Schraeder DVD.
    7CuriosityKilledShawn

    Tastes just like Sprite

    In this spin-off from the French Connection Roy Scheider is the leader of an elite team of cops (the titular soft drinks) who target high-profile crooks. New York's gangsters are being held to ransom by extortionists posing as the Seven-Ups and strike back against the cops.

    Set against the bleak, imposing backdrop of early 70s New York, a time in which almost every building was decaying and all new architecture was a brutalist, concrete nightmare, the Seven-Ups is every bit as old school as it could possibly be. If you like the cold, paranoid atmosphere of movies like Ronin or the retro-style of Bullitt you'll definitely get a kick out of this.

    Aesthetically, the film is horrific, with ugly people and bad fashion all over the place. It's an abomination of bad taste and degradation. But as a simple cop thriller it's got all the right moves. The stand-out car chase at the half-way point is quite impressive and it's a shame that it seems to have been forgotten among the ubiquitous "Best Car Chase" countdowns on TV and on the Internet.

    Fans of the French Connection, cop thrillers or overlooked 70s movies that represent an attitude to filmmaking and life long since gone should definitely check it out.

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    • Trivia
      The movie, notable for its car chase, was produced and directed by Philip D'Antoni, who had also produced Bullitt (1968) and Contacto en Francia (1971), two pictures which were also notable for their car chases.
    • Errores
      At around 1min and 30sec into the car chase scene, Buddy and the two criminals pass a large, red white and blue sign that says "BF Goodrich CAR CARE CENTER" bathed in bright sunlight. Roughly 10 seconds later, they pass the same sign, now darkened in the shade.
    • Citas

      Buddy Manucci: You don't have to worry about me. I'm not gonna bag ya. But I think you better think about this: you better worry about Kalish's pals, Festa's pals, because word has a way of getting around.

      Vito Lucia the Undertaker: What are you talking about? You're gonna let them know? You can't do this to me, Buddy.

      Buddy Manucci: No?

      [jabs his finger hard into Vito's chest]

      Buddy Manucci: You watch me!

    • Créditos curiosos
      The 20th Century Fox logo does not appear at the beginning. Instead we get a credit saying "Twentieth Century-Fox Presents".
    • Conexiones
      Featured in The Anatomy of a Chase: Behind the Scenes of the Filming of 'The Seven-Ups' (1973)

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    Preguntas Frecuentes17

    • How long is The Seven-Ups?Con tecnología de Alexa
    • Who are ALL of the actors (besides the obvious) that returned from The French Connection?
    • How did Ken Kerchevals character Ansel find his way into the Antique store? The first time we see him is when he is coming down the stairs with the evidence but we never saw him entering the building.

    Detalles

    Editar
    • Fecha de lanzamiento
      • 14 de diciembre de 1973 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Italiano
    • También se conoce como
      • Specijalni odred
    • Locaciones de filmación
      • Mosholu Parkway, Bronx, Nueva York, Nueva York, Estados Unidos(Buddy and Vito meet a second time at the athletic fields for the DeWitt Clinton High School and they refer to the new twin 41 story Tracey Towers nearby - completed 1972, opened 1974)
    • Productora
      • Philip D'Antoni Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 2,425,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 43 minutos
    • Color
      • Color
    • Relación de aspecto
      • 1.85 : 1

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