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IMDbPro

The Seven-Ups

  • 1973
  • PG
  • 1h 43min
CALIFICACIÓN DE IMDb
6.8/10
7.4 k
TU CALIFICACIÓN
Roy Scheider in The Seven-Ups (1973)
A tough detective who is part of an elite New York City unit is trying to find out who killed his partner, but uncovers a plot to kidnap mobsters for money.
Reproducir trailer2:19
1 video
65 fotos
Cop DramaHard-boiled DetectiveActionCrimeDramaMystery

Un detective que forma parte de una unidad de élite de la ciudad de Nueva York está tratando de averiguar quién mató a su compañero, pero en el camino descubre un complot para secuestrar maf... Leer todoUn detective que forma parte de una unidad de élite de la ciudad de Nueva York está tratando de averiguar quién mató a su compañero, pero en el camino descubre un complot para secuestrar mafiosos por dinero.Un detective que forma parte de una unidad de élite de la ciudad de Nueva York está tratando de averiguar quién mató a su compañero, pero en el camino descubre un complot para secuestrar mafiosos por dinero.

  • Dirección
    • Philip D'Antoni
  • Guionistas
    • Albert Ruben
    • Alexander Jacobs
    • Sonny Grosso
  • Elenco
    • Roy Scheider
    • Tony Lo Bianco
    • Victor Arnold
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.8/10
    7.4 k
    TU CALIFICACIÓN
    • Dirección
      • Philip D'Antoni
    • Guionistas
      • Albert Ruben
      • Alexander Jacobs
      • Sonny Grosso
    • Elenco
      • Roy Scheider
      • Tony Lo Bianco
      • Victor Arnold
    • 103Opiniones de los usuarios
    • 51Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Official Trailer
    Trailer 2:19
    Official Trailer

    Fotos65

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    Elenco principal36

    Editar
    Roy Scheider
    Roy Scheider
    • Buddy - Seven-Up
    Tony Lo Bianco
    Tony Lo Bianco
    • Vito Lucia
    Victor Arnold
    Victor Arnold
    • Barilli - Seven-Up
    Jerry Leon
    • Mingo - Seven-Up
    Ken Kercheval
    Ken Kercheval
    • Ansel - Seven-Up
    Larry Haines
    • Max Kalish
    Richard Lynch
    Richard Lynch
    • Moon
    Bill Hickman
    Bill Hickman
    • Bo
    Lou Polan
    • Carmine Coltello
    Matt Russo
    • Festa
    Joe Spinell
    Joe Spinell
    • Toredano
    Robert Burr
    Robert Burr
    • Lt. Hanes
    Rex Everhart
    Rex Everhart
    • Inspector Gilson
    David Patrick Wilson
    David Patrick Wilson
    • Bobby
    • (as David Wilson)
    Ed Jordan
    • Bruno
    Mary Multari
    • Mrs. Pugliese
    Frank Macetta
    Frank Macetta
    • Barber
    • (as Frank Mascetta)
    Frances Chaney
    • Sara Kalish
    • Dirección
      • Philip D'Antoni
    • Guionistas
      • Albert Ruben
      • Alexander Jacobs
      • Sonny Grosso
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios103

    6.87.3K
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    Opiniones destacadas

    6pderocco

    Crime in the 70's

    This is not a great movie, but it evokes a time and a place, and a style that goes along with it. A gritty 70's police drama, it takes place in a New York winter of gray skies, bare trees, wet gutters, litter and graffiti, when the crooks had no cell phones, cars smelled of vinyl and exhaust fumes, and the computer was the noisy thing that printed the suspect's rap sheet on a roll of yellow paper. The acting, it must be admitted, is routine, but Roy Scheider and the rest portray an undercover squad of calm professionals to whom danger has become routine. The story manages to be interesting, punctuated by one exciting Popeye Doyle style car chase through the Sunday streets (judging by the light traffic) and up the Taconic State Parkway, and two nerve-wracking scenes in the belly of an automatic car wash. But for all the occasional bursts of violence, it's also a quiet story of a friendship that can't withstand the temptations of crime.
    8RocketeerFlyer

    Gritty 70's 'CULT' Cop Thriller you MAY HAVE MISSED?

    I saw 'Jaws' for the first time aged 7 but a good chunk of why i LOVED that film was Roy Scheider's Brody, I honestly can't imagine that film without him and his "SMILE YOU SON of a B...H"

    Back to "The Seven-Up's"

    I'd read a little about this film in movie magazines and books over the years but had never ever seen it until yesterday (thanks I have to say to YouTube), had wanted to see it for over 30 years and finally I have done so.

    I'm with the majority of reviewers here...

    it's gritty, well made with some good performances especially Schnider who with his brown leather jacket makes it his 'Bullitt' there is even a scene in which he removes the cool jacket to reveal a black turtle-neck and holster (a knowing nod to McQueen's classic film perhaps?) I have to admit that the first 40 minutes or so are kinda slow as with many of the 1970's cop thriller's/drama's of the time but stick with it as the pace builds and it gets better and better from this point.

    The CAR CHASE is a stand-out as many here have stated (and might be worth the watch for this wonderfully filmed sequence alone) it starts out as a fairly ordinary affair but turns into a terrific pursuit.

    Richard Lynch always had the look of a good villain and he is again here.

    One of the reasons I'd wanted to see it (apart from Scheider) was I had read it almost played out like an unofficial "French Connection" sequel and it kinda does.

    Tony Lo Bianco is terrific as Buddy's (Scheider) friend and he was also in Connection, it could be argued that this is a far better film than that films sequel and I would subscribe to this as the French Connection II was to me very disappointing.

    Fans of 1970's Cop Thrillers will find much to enjoy in the second half of this film...the ending is terrific with shades of Blue Thunder's ending, speaking of which that is another terrific Roy Scheider film along with '2010', 'Jaws', 'Jaws II" (yes really, Scheider makes it thanks to Brody and that "I know what a shark looks like up close and I don't intend on going through that hell Again" speech) and "Marathon Man.

    Roy was a terrific actor and has left us with some wonderful performances in some wonderful films...God Bless.

    Now to track down "Sorcerer" (aka Wages of Fear) another I've never managed to see.
    9stpetebeach

    Best car chase, period.

    It is now clear that the true golden age of American film was from the mid-60s until just before the release of Star Wars. Before then, there was too much Hays Code-constricted pap. With Star Wars, the green light was lit for most films to be directed at children and morons, a practice which continues to this day. THE SEVEN-UPS, truth be told, contains a couple hackneyed lines of dialogue -- "We can do this the easy way, or we can do it the hard way" is one -- but I'm damned if I can find anything else wrong with it. (In fact, that line may not even have been stale when this film was made.) THE SEVEN-UPS demonstrates all that was right with the best films of the golden age: sparse dialogue, realistic acting, real locations (winter in a dirty New York has never looked better/worse), propulsive stories, and, yes, the best car chase ever filmed. Bill Hickman is the driver Scheider is chasing (you will recognize him from Bullitt), and the structure of the chase is fairly similar to the McQueen one, but I prefer Scheider's facial intensity here, the pacing, the terrific close-ups of the schoolchildren, and the shattering conclusion. (That VW bug going about 2 mph always bothers me in the Bullitt chase.) A stringy, screechy score by Don Ellis sets the perfect mood. THE SEVEN UPS: bleak, grim, action-oriented, grown-up. This is a film that couldn't be made today; there's no "gimmick" for the kiddies or preposterous ending. Thank you, Philip D'Antoni, Roy Scheider and Tony Lo Bianco: for as long as cop films are watched, THE SEVEN-UPS and its 1970s brethren (e.g., THE FRENCH CONNECTION), will set the standard.
    8lost-in-limbo

    "We don't make mistakes."

    From the man who brought cinema-goers 1968 "Bullit" and 1971 "The French Connection", Philip D'Antoni goes on to produce, but also make his directorial debut with the realistic, tough-as-nails crime thriller "The Seven-Ups" starring an unwavering Roy Scheider as the leader of a secret squad of the New York police who got their name from the minimum sentence of their targeted gangsters. Things go pear shape when their own is killed in action and the men seek their own justice.

    While this urban cop formula might be overworked, it's rather well-done for its type with exciting passages like the scorchingly intense high- speed car chase. It's masterful in its execution and camera positional work. D'Antoni resourcefully keeps a fast pace, where tension is sustained through good writing, elaborate plotting (where it does show its cards early), vivid performances and well-timed thrills and spills with smooth editing. Really it's quite minimal on the action leaning towards the investigative digging, but when it occurs it's explosive and raw. Just the way the 70s loved it. One thing that did catch my attention was Don Ellis' dangerously impulsive music score. Very unhinged, but it did suit the film's dark, relentless tone.

    The story is very much character based and the performances are assured across the board. Victor Arnold, Jerry Leon and Ken Kercheval make-up the rest of "The Seven-ups". Tony Lo Bianco magnificently holds up alongside Scheider as his go-to-man for information. Then there's Larry Haines as one the head mobsters. However in the bad guy roles it was Bill Hickman and especially the striking Richard Lynch who stood out. Lynch was terrifically menacing. Also in a minor part is genre actor Joe Spinell.

    Compelling, lean and mean 70's cop drama.
    8thomaswatchesfilms

    Tough, gritty and taut

    One of my favorites. As a child, growing up in the NY Metro area in the late 60s and early 70s, I was often afforded the opportunity to visit NYC with my grandfather or father, as they conducted business there. The gritty, bustling, human, reality of that city, particularly in winter, have stayed with me.

    This film very aptly captures the stark, cold, matter-of-fact feel of the NYC winter season, while keenly exposing the underbelly of the region's infamous underworld of crime and policing. A great snapshot of a place and a time and a culture.

    And the car chase is simply amazing. At least on par with the one in "Bullitt", and surpassing the chase in "The French Connection". I can watch, time and again, as the suspension comes unstuck on that Plymouth Fury police cruiser barreling toward the GW Bridge in pursuit, as it lurches into that sharp right curve, bouncing and scraping into oncoming traffic. The stunt driving coordinator for that scene did "Bullitt" and "The French Connection" as well as many other noatable movie chases. Good acting, too, and a decent plot line. The musical score is edgy and compelling, and the cinematography and direction are top notch. A great, if underrated 1970s cop drama. A keeper. Not out on DVD yet, though.

    Comparable in style and content to: The French Connection and Super Fly. Early 1970's cop dramas set in the bleak NYC winter months.

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    • Trivia
      The movie, notable for its car chase, was produced and directed by Philip D'Antoni, who had also produced Bullitt (1968) and Contacto en Francia (1971), two pictures which were also notable for their car chases.
    • Errores
      At around 1min and 30sec into the car chase scene, Buddy and the two criminals pass a large, red white and blue sign that says "BF Goodrich CAR CARE CENTER" bathed in bright sunlight. Roughly 10 seconds later, they pass the same sign, now darkened in the shade.
    • Citas

      Buddy Manucci: You don't have to worry about me. I'm not gonna bag ya. But I think you better think about this: you better worry about Kalish's pals, Festa's pals, because word has a way of getting around.

      Vito Lucia the Undertaker: What are you talking about? You're gonna let them know? You can't do this to me, Buddy.

      Buddy Manucci: No?

      [jabs his finger hard into Vito's chest]

      Buddy Manucci: You watch me!

    • Créditos curiosos
      The 20th Century Fox logo does not appear at the beginning. Instead we get a credit saying "Twentieth Century-Fox Presents".
    • Conexiones
      Featured in The Anatomy of a Chase: Behind the Scenes of the Filming of 'The Seven-Ups' (1973)

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    Preguntas Frecuentes17

    • How long is The Seven-Ups?Con tecnología de Alexa
    • Who are ALL of the actors (besides the obvious) that returned from The French Connection?
    • How did Ken Kerchevals character Ansel find his way into the Antique store? The first time we see him is when he is coming down the stairs with the evidence but we never saw him entering the building.

    Detalles

    Editar
    • Fecha de lanzamiento
      • 14 de diciembre de 1973 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Italiano
    • También se conoce como
      • Specijalni odred
    • Locaciones de filmación
      • Mosholu Parkway, Bronx, Nueva York, Nueva York, Estados Unidos(Buddy and Vito meet a second time at the athletic fields for the DeWitt Clinton High School and they refer to the new twin 41 story Tracey Towers nearby - completed 1972, opened 1974)
    • Productora
      • Philip D'Antoni Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 2,425,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora 43 minutos
    • Color
      • Color
    • Relación de aspecto
      • 1.85 : 1

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