Doctor Jekyll y el Hombre Lobo

Dr. Jekyll vs. the Werewolf (1972)

*** 1/2 (out of 4)

Waldemar Daninsky (Paul Naschy) falls in love with the beautiful Justine (Shirley Corrigan) who convinces him to travel to London to see if Dr. Jekyll (Jack Taylor) can cure his curse of turning into a werewolf. Once in London Jekyll's evil assistant injects Daninsky to where he turns into Mr. Hyde. I've now seen three different versions of this film. The Spanish "clothed" version was a highly entertaining gem. The American "nude" version brought a little added sleaze and T&A to the film. Now, the third version from Germany was just recently found and is making its way through various fan boards and it features extended nudity, which just takes this film to a whole new level and actually makes it even better. Even though this print is in Spanish without any subtitles, I've never enjoyed this film more and I think the added dirty bits really makes this one of the sleazier Spanish films from this era.

With this Germany version, the film just contains a very perverted and sinister feel to it that's not in any other version. It really does take the material and gives it a much darker approach, which is very much a positive and especially when we've already gotten some excellent atmosphere from director Leon Klimovsky. Another great benefit is that Naschy is at the top of his game here. No matter which version you watch, the werewolf here is without question one of the best looking in the series and it also features some of the most graphic violence. There's plenty of blood flowing around for fans of that type of thing. The actor also does a marvelous job in the role of Hyde and this is especially more true when you see the darker, more perverted version. Corrigan makes for one of the more memorable leading ladies in the series and it's great fun getting someone like Taylor on board.

The film also benefits from some very effective scenes. One includes the scene where the woman is attacked by three hoods. Another includes her looking down from her window at her new love who is in his werewolf form. Then, of course, there's the werewolf hitting the streets of London. Seeing Naschy running around the swinging style of London in the 1970s is just a wonderful sight. DR. JEKYLL AND THE WEREWOLF is a "fun" Gothic film even if you watch the non-nude version. You watch the American version and it's just as much fun with the added nudity. However, to get the full impact one really needs to find the German cut as all the added stuff just makes it so much more fun.

I think this is the fifth Paul Naschy werewolf film, but who knows. This one starts out with an English fellow heading out for Transylvania to visit his parent's graves, with his cute wife in tow, only for the both of them to discover a horribly burned man lurking about the place. This film details the seventies approach to disability when the wife starts screaming bloody murder and the English guy throws a brick at the guy.

At a local bar, the barman describes the entire area as being full of thieves and cutthroats and says maybe it's a bad idea to go to the old creepy cemetery that's next to the old creepy castle that the local monster lives in, but off they go anyway, which results in three local brothers robbing their car, killing the English guy, and trying to rape the Justine, his wife. I say try because Paul Naschy turns up and brutally murders two of the brothers (one by dropping a huge rock on the guy's face!).

Paul of course is a werewolf with a witch sidekick and when this robber guy starts going on about revenge and involving the locals it doesn't turn out right for anyone, as more villagers end up dead, the rest get out the pitchforks and torches, and Paul has to high tail it to England so the plot can get even more stupid. I also noted that for some reason one villager had a gigantic pitchfork that was much larger than the others. Must have been compensating for something.

Now Justine has quickly got over her husband being murdered and is in love with Paul, so she goes to Dr Jekyll to get him cured. In a plot move that makes virtually no sense whatsoever, Jekyll proposes that they inject Paul with some injection that will make Mister Hyde manifest in Paul (?) so that they can then isolate the evil in him and kill him. So not only has Paul got to put up with the werewolf stuff, now he's turned into a sex-crazed hedonist too!

This might have actually worked out if Dr Jekyll didn't have a jealous female sidekick who wasn't happy with Jekyll trying to help out an unrequited love. Next thing you know Hyde is out rampaging around London, but then again you only get to see that if you have the uncut version as it involves ravaging hookers and whipping Justine.

Best thing about this film (apart from the crazy storyline) was that any time you started to think it would get boring - it didn't! I thought things would slow down a lot once Paul got to London for his cure, but then, in the lift on the way up to his appointment, the lift broke down and trapped him with a nurse until the moon rose, causing a werewolf rampage! I love these films!

It doesn't skimp on the gore and the only thing missing from the Mill Creek version is the nudity*, which you're not going to miss anyway if you watching an endless list of these films. Naschy's Mr Hyde was funny too, including the way he just exits the film without any fuss.

*I'm talking crap - it's also missing the opening credits.

This is the first Waldemar Daninsky movie I've seen, even though it is (the box says) the fifth in a series (perhaps IMDb's years for the titles are off?). I bought it primarily because I've liked all the other Mondo Macabro DVDs I've bought.

It's also the first Paul Naschy movie I've seen, or at least the first one I've seen while knowing him to be a big Spanish horror star.

A couple return to the husband's homeland so he can visit his parents' graves. Unfortunately, the graveyard they're in was abandoned during World War II, and is neglected, rumored to be haunted, and a place where murderous bandits can be found. It's also located near the Black Castle, where a monster lives. The monster is Daninsky, who turns into a wolf-man when the moon is full. As a wolf-man, he kills people or bites chunks of flesh out of them. As Daninsky, well, he kills people too, but he has more of a choice as to who he attacks: he only goes after bad guys.

Daninsky gets taken to see Dr. Jekyll, the grandson of the infamous one, in England. Dr. Jekyll has a plan to cure Daninsky's lycanthropy, but I confess I did not understand it. It involved turning Daninsky into Mr. Hyde, and then somehow having the Mr. Hyde and Werewolf in Daninsky battle it out. That isn't what seems to happen, so perhaps I'm way off. I thought it peculiar that Daninsky turns into Mr. Hyde - Mr. Hyde had been the evil part of Dr. Jekyll. Daninsky's evil side might have been similar, but identical, and they give him the same name...?

It is fairly entertaining, and I'm curious to see some other Daninsky werewolf movies now (this wasn't one of Nachy's more favorite ones), and perhaps some more of Nachy's other horror movies. The DVD is good, has some nice extras including an interview with Nachy and a text covering the short history of Spanish horror movies, and the DVD will be staying in my collection.

It seems he's played the Waldemar Daninsky werewolf character in about thirteen movies, of which perhaps only four are readily available (through out of print videotapes and cheap poor quality DVDs), and the original is not one of them! It would seem a box set is needed, though I have not heard rumors of one.

"Dr. Jekyll y el Hombre Lobo," directed by León Klimovsky, is a monster mash-up that pits the infamous Count Waldemar Daninsky, a werewolf played by Paul Naschy, against the grandson of Dr. Jekyll, portrayed by Jack Taylor. This 1972 Spanish horror film is the sixth installment in the Count Waldemar Daninsky werewolf franchise and offers a unique twist on the classic monster mythos.

The film's premise is intriguing: Daninsky, plagued by his lycanthropic condition, seeks a cure and finds himself at the door of Dr. Jekyll's grandson. In a desperate attempt to end his full moon madness, Daninsky injects himself with the Mr. Hyde formula, hoping that his evil side will battle and overcome his werewolf curse. This sets the stage for a battle of monstrous proportions.

Naschy delivers a committed performance, portraying not just Count Daninsky but also embracing the dual roles of the Wolf Man and Mr. Hyde. His physicality and dedication to the transformative nature of the characters are commendable. The makeup and special effects, while paying homage to the classic Universal monster movies, fall short of the impeccable standards set by their predecessors. The Wolf Man design, in particular, while creepy and effective, lacks the refinement of Jack Pierce's iconic creations.

The film's pacing is uneven, with some scenes dragging and others feeling rushed. The plot, though creative, fails to fully explore the intriguing implications of its premise. The potential for a thought-provoking exploration of good versus evil within the context of monstrous identities is sadly underutilized. However, the film does deliver on its promise of a monster mash-up, and fans of over-the-top horror will find some enjoyment in the film's more outrageous moments.

Despite its shortcomings, "Dr. Jekyll y el Hombre Lobo" has its charms. The film's ambition and willingness to play with classic monster tropes are admirable. It offers a fun, if not entirely successful, twist on well-known characters, and Naschy's dedication to his roles is evident.

In conclusion, while this film may not be a masterpiece, it is a serviceable entry in the monster horror genre. It will appeal to fans of Paul Naschy and those with a soft spot for campy, monster-filled mayhem.

While it falls short of a howling success, it offers a few growls and snarls that might entertain those seeking a less-than-serious horror experience.

Paul Naschy has been playing tortured Polish werewolves since 1967, the high watermark being 1970's Werewolf vs the Vampire Women. Made a year later Doctor Jekyll and the Werewolf, if not exactly in the same league is certainly entertaining. After her fiance is murdered by thuggish villagers Justine is saved from death by loner Waldemar. A man with `an illness' Waldemar is of course the hairy side of the title, although the sadistic local villagers seem more violent and pose more of a threat than the beast he becomes. After every distant relative and friend of his has been decapitated or murdered by these apeish normals Waldemar heads off with Justine to a post- swinging London. There he turns to the grandson of Dr Jekyll who tries to help him out by somewhat illogically turning him into a pasty faced eye ball rolling `new' Mr Hyde. Soon all hell breaks loose thanks to Waldemar's triple personality. Let loose on London there is the kinky Mr Hyde who wields a mean whip, and a werewolf attacking Londoners more than a decade before An American Werewolf in London. Despite the Madrid-ish look to some of the London scenes some parts were indeed shot in `Londris', Blimey! Naschy and director Klimovsky found a good locale in Soho, London's notorious red light district back in the days of outdoor bordellos, the neon windmill of the Windmill theatre and sex -education documentary Love in Our Time playing in theatres. Theres a tale Naschy likes to tell about filming these scenes- while dressed as Mr Hyde some Soho regulars, not realising a film was being shot heckled who they thought to be a madman dressed in Victorian clothes. With the shot ruined `Mr Hyde' promptly chased the pesky raincoat dwellers with his cane. Compared to Werewolf Vs the Vampire Women which was a hit world-wide, Dr Jekyll was only fleetingly released in the US and UK, and today can only be found on tape from American public domain companies, releases drawn from badly transferred and tatty looking prints that can't possibly do this 70mm scope production justice. A real melting pot of a film, eclectic doesn't come close- Justine's fiance is built up as a major heroic character, but in a Psycho fashion is shockingly murdered half an hour in, then we settle down for a traditional werewolf picture, then suddenly this becomes a Mr Hyde picture with swinging Sixties overtones before the furballs and claws are brought back for the discotheque set climax. All this was obviously done to avoid routine (this was Naschy's sixth werewolf film). Unfortunately the same factors that made the Werewolf Vs the Vampire Women and the `groovy' Dracula Vs Frankenstein breath taking, seem plodding and unfocussed in Doctor Jekyll and the Werewolf. However the London scenes, the enraged teddy of a werewolf and Naschy's unusual looking Mr Hyde supply the film with more than its fair share of memorable moments, definitely enough to justify digging this up from the grave marked `Spanish horror cinema RIP', its certainly a better film than its obscure reputation suggests.