CALIFICACIÓN DE IMDb
6.8/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaAfter his schoolmate and master is killed and he loses an arm, student Tien Lung has to learn the art of one-arm boxing.After his schoolmate and master is killed and he loses an arm, student Tien Lung has to learn the art of one-arm boxing.After his schoolmate and master is killed and he loses an arm, student Tien Lung has to learn the art of one-arm boxing.
- Dirección
- Guionista
- Elenco
Jimmy Wang Yu
- Yu Tien Lung
- (as Yu Wang)
Shih-Wei Chen
- Trainee Chan
- (as Shih Wei Chen)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
"The One Armed Boxer" is to "The Master of the Flying Guillotine" what "Star Wars" was to "The Empire Strikes Back."
This is the film that catapulted Jimmy Wang Yu to superstar status, and for good reason. This film set the standards that you'll find in all of Wang Yu's films...superbly choreographed, arcade-style fights, exotic weaponry, colorful foreigners challenging the supremacy of Chinese boxing, and Jimmy's "aw-shucks" hero, an introspective but ultimately hardcore fighter that BARELY makes it out of his misadventures alive.
I saw "Master of the Flying Guillotine" first, and I still believe that this film is Wang Yu's greatest achievement. However, seeing "The One Armed Boxer" only increased my appreciation for "MFG" tenfold. In this film, we find out how the One Armed Boxer became One Armed, but we also learn how he became such a badass...attaining a level of kungfu (as well as cleverness) that would be put sorely to the test in "MFG."
The whole epic melodrama begins, incredibly enough, over some thugs stealing a poor man's pet bird. Wang Yu (at this point, a Two Armed Boxer) refuses to stand for such knavery, and he proceeds to challenge these scum to a fight. Of course he and his fellow students clean the floor with these clowns. Not suprisingly, the defeated thugs go crying to their sifu and fabricate a story that Jimmy insulted the sifu. The sifu then goes to Jimmy's school and challenges Jimmy's sifu to a fight. Once again, these troublemakers get beat up for their trouble.
Enraged over his defeat, the evil sifu hires a bunch of highly skilled foreign mercenaries who, unlike his incompetent students, can do the job right. This team of mercenaries are trademark Wang Yu villians...three Osaka karate experts, a Tae Kwan Do expert, a judo expert, two Thai kickboxers, two Tibetan lamas (I imagine these violent Tibetan lamas inspired "Shaolin vs. Lama"!), and a Yoga fakir who fights by bouncing on his head. (No, I'm not making this up.)
A bloody massacre ensues, and a half-dead, One Armed Wang Yu drags himself from the dojo. He is rescued by a kindly doctor and his daughter, who teach him the vital pressure points as well as a horribly painful technique that makes his One Arm the Unstoppable Killing Machine that we all know and love.
This flick is just wall to wall fistfights, with those occasional touches of utter brutality among the often graceful choreography. The head Osaka fighter is one Bad Mutha...you know he's Bad News when you see his fangs! The Tibetan lamas are no walk in the park, either. Their techniques include the dreaded Iron Palm and some weird inflation technique. But if you watched "MFG" carefully, you'll notice these two lamas are none other than the students of Evil Incarnate, The Master of the Flying Guillotine!! (the rest is history, as they say...)
Jimmy Wang Yu is one of the most under-rated masters of kungfu cinema...in terms of directing as well as acting and fighting. Of course I dig Jet Li, Jackie Chan, and the rest of the New Wavers, but there's nothing more satisfying than going back to Old School to see where Tsui Hark and Ringo Lam got it all from. Jimmy Wang Yu is a straight-up O.G., in every sense of the word.
This is the film that catapulted Jimmy Wang Yu to superstar status, and for good reason. This film set the standards that you'll find in all of Wang Yu's films...superbly choreographed, arcade-style fights, exotic weaponry, colorful foreigners challenging the supremacy of Chinese boxing, and Jimmy's "aw-shucks" hero, an introspective but ultimately hardcore fighter that BARELY makes it out of his misadventures alive.
I saw "Master of the Flying Guillotine" first, and I still believe that this film is Wang Yu's greatest achievement. However, seeing "The One Armed Boxer" only increased my appreciation for "MFG" tenfold. In this film, we find out how the One Armed Boxer became One Armed, but we also learn how he became such a badass...attaining a level of kungfu (as well as cleverness) that would be put sorely to the test in "MFG."
The whole epic melodrama begins, incredibly enough, over some thugs stealing a poor man's pet bird. Wang Yu (at this point, a Two Armed Boxer) refuses to stand for such knavery, and he proceeds to challenge these scum to a fight. Of course he and his fellow students clean the floor with these clowns. Not suprisingly, the defeated thugs go crying to their sifu and fabricate a story that Jimmy insulted the sifu. The sifu then goes to Jimmy's school and challenges Jimmy's sifu to a fight. Once again, these troublemakers get beat up for their trouble.
Enraged over his defeat, the evil sifu hires a bunch of highly skilled foreign mercenaries who, unlike his incompetent students, can do the job right. This team of mercenaries are trademark Wang Yu villians...three Osaka karate experts, a Tae Kwan Do expert, a judo expert, two Thai kickboxers, two Tibetan lamas (I imagine these violent Tibetan lamas inspired "Shaolin vs. Lama"!), and a Yoga fakir who fights by bouncing on his head. (No, I'm not making this up.)
A bloody massacre ensues, and a half-dead, One Armed Wang Yu drags himself from the dojo. He is rescued by a kindly doctor and his daughter, who teach him the vital pressure points as well as a horribly painful technique that makes his One Arm the Unstoppable Killing Machine that we all know and love.
This flick is just wall to wall fistfights, with those occasional touches of utter brutality among the often graceful choreography. The head Osaka fighter is one Bad Mutha...you know he's Bad News when you see his fangs! The Tibetan lamas are no walk in the park, either. Their techniques include the dreaded Iron Palm and some weird inflation technique. But if you watched "MFG" carefully, you'll notice these two lamas are none other than the students of Evil Incarnate, The Master of the Flying Guillotine!! (the rest is history, as they say...)
Jimmy Wang Yu is one of the most under-rated masters of kungfu cinema...in terms of directing as well as acting and fighting. Of course I dig Jet Li, Jackie Chan, and the rest of the New Wavers, but there's nothing more satisfying than going back to Old School to see where Tsui Hark and Ringo Lam got it all from. Jimmy Wang Yu is a straight-up O.G., in every sense of the word.
What ever happened to the good old days? Sitting in a Times Square movie theater all day watching the 3 or 4 movies for the price of one. Well onto the movie, I also remember this movie from the good old days, the effects and story are wild. Watching this one armed man running around on 2 fingers to beat an opponent or popping a hole in the inflating monk. I would love to see this and some of the other oldies ( Duel of the iron fist, Chinese Hercules ) released on DVD. I will keep hoping.
This review is for DU BEI CHUAN WANG/ONE ARMED BOXER from Red Sun. The print is pretty good for a 1970s martial arts film and amazingly the film has subtitles--not those stupid dubbed voices--a major plus. As far as the quality of the subtitles go, they are fair. There are a reasonably high number of misspellings but compared to many films of the genre, this one ain't bad--it's not good, either, but at least you can understand what they are trying to say.
The plot is a very, very familiar one in many ways. First, it's the standard fight between two schools of martial arts and the bad guys cheat...a lot. Second, it's probably the fourth film I've seen involving a one-armed martial artist, so it's a bit of a cliché. However, oddly, none of the films are sequels--it just seems that getting your arm torn off in a fight is an everyday occurrence. And, when this happens you eventually train and return to whip the entire gang--a relatively common event in China if these films can be taken seriously. However, despite having so many familiar plot elements, it is a very good film. I liked seeing all the different styles of martial arts that were supposedly brought from all over Asia. But, more importantly, despite a very simple plot, the film is all about the action--non-stop and insane action, actually. While the fighting isn't among the top echelon of martial arts films (you won't mistake this for a Bruce Lee or Sonny Chiba flick), it is far better than average and so much is going on, it's eye-popping and occasionally brutal action from start to finish.
If you like martial arts films, then this one is a must. If you don't, well it's worth a look--maybe you'll see something you like.
The plot is a very, very familiar one in many ways. First, it's the standard fight between two schools of martial arts and the bad guys cheat...a lot. Second, it's probably the fourth film I've seen involving a one-armed martial artist, so it's a bit of a cliché. However, oddly, none of the films are sequels--it just seems that getting your arm torn off in a fight is an everyday occurrence. And, when this happens you eventually train and return to whip the entire gang--a relatively common event in China if these films can be taken seriously. However, despite having so many familiar plot elements, it is a very good film. I liked seeing all the different styles of martial arts that were supposedly brought from all over Asia. But, more importantly, despite a very simple plot, the film is all about the action--non-stop and insane action, actually. While the fighting isn't among the top echelon of martial arts films (you won't mistake this for a Bruce Lee or Sonny Chiba flick), it is far better than average and so much is going on, it's eye-popping and occasionally brutal action from start to finish.
If you like martial arts films, then this one is a must. If you don't, well it's worth a look--maybe you'll see something you like.
I don't want to write a great deal about this film as I only saw it once in 1971. My best friend and I went downtown and then the film disappeared. We were so struck with the concepts, effects and storyline that we have remembered it still even after all these years. I look forward to finally getting a copy and re seeing it. Perhaps I can add more then.
Although not well known in the US, this is one classic kung-fu movie that has its place in the annals of kung-fu action movies starring Yu Wang, and probably the movie that catapulted him to big stardom. Before Bruce Lee, and Jackie Chan he was THE martial action star.
Format was very innovative as many of Jimmy Wang's movie is. This movie features a martial artist with only one arm, and like the blind swordsman series that made Shintaro Katsu a big star, his name will be associated with this movie for a long time. When you see this movie, you'll see how good of an athlete Jimmy Wang is, and he can play a good guy character like nobody else.
A martial arts movie classic, and a must see if you are a martial arts movie fan.
Format was very innovative as many of Jimmy Wang's movie is. This movie features a martial artist with only one arm, and like the blind swordsman series that made Shintaro Katsu a big star, his name will be associated with this movie for a long time. When you see this movie, you'll see how good of an athlete Jimmy Wang is, and he can play a good guy character like nobody else.
A martial arts movie classic, and a must see if you are a martial arts movie fan.
¿Sabías que…?
- TriviaThe American TV spots for the film's 1973 release by National General Pictures (under the title "The Chinese Professionals") used the international main theme for Bruce Lee's film El gran jefe (1971) (a fellow Golden Harvest production, also distributed in the US by National General Pictures), composed by Peter Thomas. The original Mandarin language versions of both films had music arranged by Fu-Ling Wang, and both films were censored shortly after their Hong Kong releases due to violent content.
- ErroresShortly after singeing his hand, there is a scene at the restaurant in which the hand is its original color with no singe marks.
- Versiones alternativasThe UK cinema version was heavily cut for violence by the BBFC with edits to most of the fight scenes including slow motion stomach and knee blows, an arm breaking, closeups of weaponry, a two fingered blow, head kicks, and a scene where a diagram is used to show fatal pressure points on a human body.
- ConexionesFeatured in Kung Fu Killers (1974)
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Detalles
- Tiempo de ejecución1 hora 33 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was Du bei chuan wang (1972) officially released in Canada in English?
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