Ma Yong Zhen

Pre-Venom Mob martial arts film from director Cheh Chang finds the film's hero working his way out of poverty by traveling to Shanghai, only to find himself drawn into the criminal underworld. The Shanghai underworld looks pretty much like every other Shaw Brothers backlot set and the story and characters are not particularly compelling, but the fight sequences are excellent, particularly a wildly bloody finale, where the hero battles the main villain's minions with a hatchet lodged in his side!

BOXER FROM SHANTUNG (aka KILLER FROM SHANTUNG, 1972) successfully combines gangster and kung fu genres to create a compelling two-hour rags-to-riches tale of a poor drifter in early 20th century Shanghai who rises up in the local mob by virtue of his kung fu skills. Ma Yung Chen (played by Chen Kuan-Tai) so impresses the local bosses that he is quickly given his own teahouse and protection racket, yet he remains loyal to his friends, including a hapless little sidekick, and friendly to the poor. He has a run-in with another local gangster, Tan (David Chiang in an extended cameo), but they soon develop mutual respect.

The kung fu comes in when Ma is confronted by rival gangster Yang, whose henchmen consist of the Four Champions. When Ma beats three of the Champions in their very first encounter, an enmity develops that finally culminates in a massive brawl at a neutral teahouse where Ma takes on dozens of Yang's thugs. In this remarkable fight scene, Ma is hit with an ax but continues to fight up and down the two stories of the building with the ax imbedded in his stomach. It's all shot in the Shaw Bros. studio and backlot in Hong Kong, with some additional work on HK locations familiar to kung fu fans.

Chen Kuan-Tai (EXECUTIONERS FROM SHAOLIN) was bigger and stronger-looking than most Shaw Bros. kung fu stars and carries the right air of brute force and intimidation in what is essentially the role of a petty gangster. Yet his broad smile, outgoing manner and protective nature give his rough-hewn character a likability that attracts audience sympathy. Ma is not just a standard vengeance-seeking kung fu student forced to learn new styles to beat a more powerful opponent. He is more at loose ends, trying to find his way in the world and not necessarily on the straight and narrow path.

Aside from Chen and David Chiang, the few familiar kung fu faces in the cast include Cheng Kay Yeh (as Chen's sidekick), Ku Feng (as one of the champions) and Wang Ching. Top-billed actress Ching Li co-stars as Chen's love interest, a singer in the restaurant he runs, although her role is less significant than the billing would indicate. The film was directed by kung fu specialist Chang Cheh, with Pao Hsueh Li given a co-directing credit. The action directors are an impressive lot and include Tang Chia, Liu Chia Liang (Lau Kar Leung), and Liu Chia Yung.

ADDENDUM: A follow-up of sorts is the similarly-styled MAN OF IRON (1972), also reviewed on this site, which also co-stars Chen Kuan Tai and Ching Li, but gives Ms. Ching a larger, more interesting role. QUEEN BOXER (1974), also reviewed on this site, is an unofficial non-Shaw sequel to SHANTUNG and focuses on the sister of Ma Yung Chen as she arrives in Shanghai and begins a quest for vengeance. She is played by the phenomenal kung fu diva, Chia Ling (billed as Judy Lee).

In December 2003, Celestial/IVL released a restored, remastered, letter-boxed, subtitled Region 3 DVD of BOXER FROM SHANTUNG. That's the one to see.

There are a few issues with The Boxer from Shantung that keep it from being a great martial arts movie, but when it's firing on all cylinders, it's thrilling stuff. It's hard to even remember many of the problems after the huge final battle, which takes up basically the last half-hour of the movie, and features just about every surviving character getting absolutely drenched with blood and/or sweat, all the while tearing apart the interior of a restaurant to the point where I was surprised the fight didn't end with the building imploding. Anyone who's seen Kill Bill Vol. 1 might come away from this finale thinking Tarantino was heavily influenced by The Boxer from Shantung's best action sequence (it wasn't shot-for-shot remade in Tarantino's movie, but the build-up, location, and some of the specific shots looked very similar).

At 134 minutes, The Boxer from Shantung does feel a little overlong. It has a premise that sometimes feels a little simplistic, while at other times feeling a little convoluted. It's easy enough to follow that it's about gang warfare and territorial disputes, but some of the plot specifics are a little harder to fully understand. When it comes to the action though, it largely delivers, and I'd say even those who find the first 90 minutes or so a little rough around the edges should stick with it for that finale.

Once the fighting's over, the ending to the movie itself also feels a little tacked on and rushed, but it's a nitpick, at the end of the day/movie. If you want very exciting (and very bloody) martial arts action and a decent gangster storyline, I reckon this one largely delivers. I always like it when a martial arts movie saves what's easily its best action scene for the end, and in that regard, The Boxer from Shantung really satisfies.

'Ma yong zhen' or 'Boxer from Shantung' in the dubbed videocassette version I viewed is a long film but engrossing, showing the rise of Ma Yung Chen from lowly labourer to gang boss.

The film has a strange melancholy air, ending with some of the characters fleeing from Shanghai as war approaches. The music has also a sad feel to it. Avarice is the main driving force of most of the characters as they go about their business but over all there is a doomed air.

Kuan Tai Chen who plays Ma Yung Chen (very well) has a pleasant appealing smile but there is something sad in him too. His yearning to be somebody is touching. He is plausible in the fight scenes too, particularly the tremendous gory fight at the end, which seems to go on endlessly like a nightmare you can't wake up from. David Chiang as usual is great, though not on the screen long enough. The 'four champions' in the film include the Shaw Brothers regular Feng Ku who is always good value.

I believe John Woo worked as an assistant director on the film and is a fan of the director, Cheh Chang. Compare the end of this film with the end of Woo's 'The Killer'.

There is a lot of combat in this film but it sits well with the narrative and the characters. Some martial art films are all fighting and no plot but 'Boxer from Shantung' has both in equally good measures.

Occasionally too gluey Eastern about the rising of Ma Yongzhen [ Chen Kuan Tai, in the German title he's giving a pirate, not a boxer ] , who hast to recognize later, the air up there is quite thin. The formal data's of the movie are quite impressing: John Woo as assistant director, Chen Kuan Tai became one the Top Actors thru it, it's with KING BOXER and FIST OF FURY one of THE influential movies of the time, followed by a somehow sequel [ IRON MAN ] and a remake [ Corey Yuen Kwai's HERO, with Takeshi Kaneshiro and the then-comeback of Yuen Biao ].

An epic is aimed, the premise is well, but due to the missing pace and the lacking dramatic and elaboration it isn't reached. The action scenes are either rigid or way too exaggerated, and some sequences could have been cut; a running time of 2hrs is too much for that. For example the Wrestling episode, which is terribly long, but also some sections with Ching Li as eye-catcher and secret love interest of Ma Yongzhen, which adds nothing at all to the film. So there's only struggle to the next, the opponents are always increasing, Ma himself is little impressed by that. At the end he runs around a tea house, collapsing it and beating the sh*t out of estimated 200 thugs, and already has an Axe cut in his belly. Thats too silly.

Movie has sure his strengths, production values is as high as the body count, Chen Kuan Tai does very well in his first leading role, there's an expanded cameo of David Chiang and the gangster story is something new, compared to the usual revenge - plot. The prologue and epilogue are quite fine, between them is a good film, but not an outstanding one.