Salesman

A 1969 documentary about a group of salesman selling bibles to the masses. It's probably most interesting because you see how people lived and worked 40 years ago. The salesmen themselves are interesting but so are the people they meet. Of course they use every trick in their book to sell their bibles ("Did I tell you I'm an Irish catholic?"). Very interesting to see how these men worked in a job which is now very much gone. Alone on the road they share their misery and failings with their fellow salesmen who yawn and offer some half-hearted advice.

Salesman is a real version Glengary Glen Ross 25 years before that movie was made. What we have here is a time capsule of 1969. The decorations in the homes, the clothing, the cars, the way they talk, it's all pretty dated by today's standards. But it's interesting to see how people lived in 1969.

'Salesman" is a stark reminder of the evolution of the modern documentary. As a viewer I did not feel manipulated by the editing or the filmmaker's ego or perspective. The film is a historical recording of an occupation from a by gone era that promised all the perks of the American Dream while leaving many that chose it for their career living lives of quiet desperation, poor and void of any significant contribution to society.

One of the thoughts this film left me with was how many occupations in twenty-first century America are sales dependent. Selling oneself, an idea, candidate, lifestyle, fill in the blank for an alternative to "bible." Pounding the proverbial pavement to pay the mortgage with little regard to the negative impact ones profession may have on society or nameless, faceless individuals. In today's world fortunes are made as life coaches, motivational speakers, politics, infomercials, winning American Idol, all variations of selling something to a consumer society that can ill afford the debt.

"Salesman" is a timeless film and a brilliant reminder of the origins of the documentary.

"Salesman" documents the activities of Bible salesmen as they go on the road to sell their wares to "leads" garnered from Catholic churches. It's a tough life, especially when many prospects cannot afford the cost of these illustrated Bibles.

It is difficult not to compare this film to Mamet's "Glengarry Glen Ross". It details the hardships and humiliations of men who earn their egos through sales. Anyone who has ever sold a product door to door can relate to this film.

The transparent sales techniques. The smug sales aphorisms. The roller-coaster ride from day to day. It is all there.

It is easy to draw conclusions or morals from this documentary. The most obvious refers to the soul-sucking depression that comes from spending your life doing something you do not enjoy or believe in.

As a time capsule of life in the late 60s, the film is enjoyable. Seeing everyone smoking cigarettes nonstop, for example, is a reminder of how things have changed.

"Salesman" isn't quite the Maysles Bros.' (and Charlotte Zwerin's) crowning achievement, although it comes close. I personally feel that "Gimme Shelter" is their best film, but that might have something to do with it being a more enjoyable, if still harrowing film. "Salesman" is an uncomfortable examination of human emotions, and provokes a strong reaction of guilt and sympathy. Some may insist that a documentary has to be somewhat relevant to have any real value, but "Salesman", a film on the lives of door-to-door salesmen, the product of a mostly by-gone era, is pure contradiction of this claim.

A landmark 'cinema verite' film, "Salesman" does not feature any sort of narration or writing, allowing the viewer to take the images presented in the film and interpret them as they wish. There are statements that the Maysles Bros. are probably trying to make with this film, statements about suburbia, statements about the ties between business and organized religion, and more, but the beauty of the film is that it is up to you if you see this in the film or not, because really it is simply a document of an average day for a salesman at the time.

"Salesman" is funny in parts, but taken as a whole it is one of the saddest films you will ever see, a document of the quiet desperation of this lifestyle. The directors of the film make powerful statements, but do so subtly, almost unobtrusively, allowing the viewer to fully engage themselves in the almost routine feel of the film. It is a crime that, despite its strong reputation, relatively few people have seen this essential film from possibly the very best documentary filmmakers there have ever been.

10/10

The camera follows four Bible salesmen as they follow up on names of Catholic parishioners in Boston and then Florida.

I can understand that the documentary is not for all tastes. There's really no narrative, while we know next to nothing about the four principals. Yet, the results, to me at least, are fascinating, if not entertaining. The four Bible salesmen are a harried crew, near the bottom of a commercial food chain. Pressure to sell goes from ownership to management to salesmen, and finally to prospective customers to buy. And throughout, the camera never wavers, at times lingering over a face in rather enigmatic fashion. Nor do the subjects ever acknowledge camera's presence-- quite a cinematic accomplishment. Importantly, these are ordinary faces, certainly not the Hollywood variety.

To me, the most interesting part are the working class customers. They can barely pay the bills they already have, let alone fork over an extra dollar a week. I'm guessing Badger's burnout comes from years of hustling people who should not be hustled. Of course, the pitch revolves around having a Bible with illustrations that will confirm a Catholic's faith and enrich their lives. I'm supposing the salesmen have to believe that at some level, otherwise how could they continue to pressure poor people to buy. And catch the ride by the ritzy Miami Beach hotels, right before the guys start knocking on wear-worn doors.

Overall, this is quite a remarkable 85-minutes, like nothing else I've seen. I'm not sure what to make of the result, that is, whether there's an intended point beyond the momentary. But either way, the unvarnished glimpses the film provides are definitely memorable.