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IMDbPro

Gimme Shelter

  • 1970
  • GP
  • 1h 31min
CALIFICACIÓN DE IMDb
7.8/10
13 k
TU CALIFICACIÓN
Mick Jagger, Keith Richards, Mick Taylor, Bill Wyman, and The Rolling Stones in Gimme Shelter (1970)
Trailer for Gimme Shelter
Reproducir trailer0:31
1 video
61 fotos
ConcertDocumentaryMusicThriller

Cuando trescientos mil miembros de la Generación del Amor chocaron con unas pocas docenas de Hells Angels en San Francisco, la barra sangrienta que transformó los sueños de una década en des... Leer todoCuando trescientos mil miembros de la Generación del Amor chocaron con unas pocas docenas de Hells Angels en San Francisco, la barra sangrienta que transformó los sueños de una década en desilusión quedó inmortalizada en esta película.Cuando trescientos mil miembros de la Generación del Amor chocaron con unas pocas docenas de Hells Angels en San Francisco, la barra sangrienta que transformó los sueños de una década en desilusión quedó inmortalizada en esta película.

  • Dirección
    • Albert Maysles
    • David Maysles
    • Charlotte Zwerin
  • Elenco
    • Mick Jagger
    • Keith Richards
    • Mick Taylor
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.8/10
    13 k
    TU CALIFICACIÓN
    • Dirección
      • Albert Maysles
      • David Maysles
      • Charlotte Zwerin
    • Elenco
      • Mick Jagger
      • Keith Richards
      • Mick Taylor
    • 104Opiniones de los usuarios
    • 60Opiniones de los críticos
    • 85Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 3 premios ganados y 1 nominación en total

    Videos1

    Gimme Shelter (1970)
    Trailer 0:31
    Gimme Shelter (1970)

    Fotos61

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    Elenco principal44

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    Mick Jagger
    Mick Jagger
    • Self
    Keith Richards
    Keith Richards
    • Self
    • (as Keith Richard)
    Mick Taylor
    Mick Taylor
    • Self
    Charlie Watts
    Charlie Watts
    • Self
    The Rolling Stones
    The Rolling Stones
    • Themselves
    Bill Wyman
    Bill Wyman
    • Self
    Marty Balin
    Marty Balin
    • Self
    • (as Jefferson Airplane)
    Sonny Barger
    Sonny Barger
    • Self
    Melvin Belli
    Melvin Belli
    • Self
    Dick Carter
    • Self
    Jack Casady
    Jack Casady
    • Self
    • (as Jefferson Airplane)
    Mike Clarke
    • Self
    • (as The Flying Burrito Brothers)
    Sam Cutler
    • Self
    Spencer Dryden
    Spencer Dryden
    • Self
    • (as Jefferson Airplane)
    Chris Hillman
    Chris Hillman
    • Self
    • (as The Flying Burrito Brothers)
    John Jaymes
    • Self
    Paul Kantner
    Paul Kantner
    • Self
    • (as Jefferson Airplane)
    Jorma Kaukonen
    Jorma Kaukonen
    • Self
    • (as Jefferson Airplane)
    • Dirección
      • Albert Maysles
      • David Maysles
      • Charlotte Zwerin
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios104

    7.813.4K
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    Opiniones destacadas

    bob the moo

    Interesting but badly in need of insight and discussion from those involved

    In 1969 the Rolling Stones were on their tour of America and planned to finish it with a surprise appearance at a free concert in Golden Gate park San Francisco. However when this fact came out at a Stone's press conference the numbers predicted to attend swelled and the gig had to be moved. After several changes and at the last minute, the Altamont Raceway was selected as the venue. The organisers asked for a chapter of the Hells Angels to be in charge of security. During the concert many scuffles broke out and one young man was stabbed to death. With the Stones themselves, the Maysles brothers look back over the concert in regards the performances and the wider impact the event had.

    Although not quite as good as I had hoped it would be, this film was still pretty interesting as it captures "the end of the sixties" in the Altamont concert murder and the performances of the Stones in their prime. Although it was the former I had come for, the music was pretty good and the sound quality was surprisingly good. The one big complaint I have about the footage from all the Stone's performances is that I had to assume that the rest of them were on stage with Jagger – because the camera stays tight on him and never leaves him for long. It is a bit annoying but I suppose it doesn't affect the music.

    The most gripping part of the film though is the actual events around the Altamont concert itself. The build up is interesting because you can see the seeds of chaos being planted in the planning stage – with the "secret" coming out being followed by the last minute planning and general disorganisation. This is followed by the concert itself which gradually becomes more and more chaotic. It is gripping to watch the fights break out and see things spiralling out of control – it is impressive how well the footage came out. Having seen Salesman, I knew the Maysles' tended to sit back and just film their subjects but this only works if you can get them to speak or emote. Sadly here Mick and Keith simply watch the concert footage and, aside from looking a bit shocked and asking a few questions they don't say anything. Certainly there is nothing approaching insight or discussion from anyone. Although it is possible to draw your own conclusions from the footage to a degree, it cries out for discussion and reflection which is not forthcoming.

    Without this it is nowhere near as interesting or valuable as it should have been. The performances make it worth seeing and watch the farcical organisation translation into a violent and chaotic concert is an interesting experience. Although their fly-on-the-wall technique is respected amongst filmmakers, I did find myself wishing that someone other than the Maysles' had made this film.
    9lee_eisenberg

    the end of rock 'n' roll

    There's sort of two documentaries here: one shows the actual concert in Altamont, and the other shows the Rolling Stones watching the footage to see where everything went wrong. In the concert part, one can easily tell that all the peace and love inherent in Woodstock was unfortunately not to be here; in the review part, one can see that the Stones are stoned.

    Yes, I guess that we have to admit that the '60s were great while they lasted, but this was unfortunately the end (no doubt the whole Manson thing also contributed). But either way, it's a great documentary. I suspect that the Stones got satisfaction by working on it.
    8dtburr

    Get the DVD

    This sort of "artistic documentary" marks a milestone in our culture and it's really a must-see for people interested in history. The DVD version contains important additional features such as excerpts from a long KSAN call-in show the next day. Some of the callers were principals in this event and their commentary is valuable. In addition, there are some incredible still photo collections on the DVD that go even further to capture the climate at this event.

    There is a lot of talk about "Hells Angels" this and that in the reviews here. The Hells Angels were not the primary problem - it was a terrible combination of sloppy organization, third parties who reneged on deals and contributed to the problem, and the concert-goers themselves. As some callers to the KSAN show commented, "I was at Woodstock, and Altamont was completely different. Nobody came together. We had no spirit of community. The whole thing was hurried and stayed tense throughout." So imagine 300,000 people working hard to get their groove on quickly - since the concert was only confirmed a day or two prior - using whatever they could roll up in a paper, stir into their cheap wine, or drop on a sugar cube. Then their heroes come up onto the 20'x20'x3'-high stage and viola, you have a massive problem on your hands whether security was Superman, Sgt. Joe Friday and his partner Bill Gannon, Acme Security out of Walla Walla, or the Hells Angels. There was going to be violence. It certainly didn't help that the organizers told the HA to park their bikes right next to the stage. With the crowd as it was, that was guaranteed disaster for a few people.

    What a way to end the '60s flower power era.
    10bazibazbaz

    It used to be a lot more than Only Rock'n'Roll

    When you see this movie you really understand how sanitised, safe and corporate the music scene is today.

    The Stones were possibly the biggest band in the world at the time, so by today's standards it seems unbelievable they'd put on a free concert where the venue was changed at the last minute, the set was still being constructed as the 300,000 very fried looking hippies turned up, and there was no security for their satanic majesties except for the San Francisco Hell's Angels who were paid in beer and brought along pool cues with lead weights at the end for added security - as well as the standard knives and baseball bats. And they weren't afraid to use them, even on the bands, especially Jefferson Airplane's Marty Balin.

    Throw in some of the original Satanic rock band's finest sinister creations and you get the real deal, not some pantomime metal/goth horror facsimile. At the time many people really did believe that they could change the world and looked to bands like the Stones as leaders of the counterculture, and you really get the impression things like this mattered a hell of a lot more, but after Altamont, well...

    Nevertheless, the version of Under My Thumb that Jagger delivers as he's watching the terrible action unfold in front of him is, for whatever reason, devastatingly understated and desperate, compared to all the OTT cavorting earlier in the set. But it's the genuine craziness of the 'fans' that makes this film seem like it was shot on another planet. Gimme Shelter is the most rock'n'roll film ever made, for all the right and wrong reasons.
    7stevenfallonnyc

    Subject is stronger then the film-making

    "Gimme Shelter" is definitely a well-made documentary, although not really better made than many other similar documentaries. The strength is what exactly this one is showing, namely the death of 60's innocence at a sleazy unorganized concert packed with drugged-out hippies watching the world's greatest rock and roll band. With that at hand, it'd be really hard to make a bad film.

    Even though gigantic festivals like Altamont were new at the time, it is hard to imagine just how clueless people were in organizing the event. Even with the parking, when they are talking about how they have room for only a (relatively) small number of cars when they need room for many times more, the answer simply is a suggestion to ask the landowner next door to use his land to park cars and hope for the best, and that's that.

    There probably is no better film where you can get that certain "feel" for the late 60's hippie-rock crowd and scene. It's really sad in a way because unfortunately, all the hippies themselves come across as clueless themselves, as if The Stones have all the answer's to their problems.

    The whole mix was amazingly combustive, with The Stones, 300,000 drugged-out hippies, and plenty of showerless Hells Angels just looking for an excuse to kick someone's ass. It's hard to imagine anyone giving the security responsibilities to such a mammoth event to a group of guys that appear as if they'd have a difficult time simply *spelling* the actual word "security." But it all does make for an amazing portrait of a truly incredible event. Truth is, Altamont never actually changed anything much; instead, it was a wakeup call for those who still for whatever reason, refused to acknowledge that the times have already been changing indeed.

    The footage at Madison Square Garden is actually the best concert footage in the film, interesting seeing how the house lights were on all the time and how the band played on stage without any props or effects (KISS was still 5 years away).

    Many may disagree with this, but on the DVD, the newly remixed music in the film actually sounds too clean, especially during the concert sequences. The audio sometimes sounds so good, that it makes the film, itself gritty and hardcore, look "fake" and "dubbed" all too many times.

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    Argumento

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    • Trivia
      After viewing concert footage, police identified Alan Passaro, a local Hell's Angel, as the man who stabbed Meredith Hunter. He was arrested and charged with murder. At his trial, closer examination of the footage showed that Hunter had pulled a gun before Passaro pulled his knife. Passaro was acquitted on grounds of self-defense.
    • Citas

      Grace Slick: You don't hassle with anybody in particular. You gotta keep your bodies off each other unless you intend love. People get weird, and you need people like the Angels to keep people in line. But the Angels also - you know, you don't bust people in the head - for nothing. So both sides are fucking up temporarily; let's not keep FUCKING UP!

    • Versiones alternativas
      Re-released in 1992 with some uncensored dialog and some more brief nudity; this version is rated R.
    • Conexiones
      Edited into Everything You Always Wanted to Know About Swing But Were Afraid to Ask (1999)
    • Bandas sonoras
      Jumpin' Jack Flash
      Written by Mick Jagger & Keith Richards

      Performed by The Rolling Stones

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    Preguntas Frecuentes18

    • How long is Gimme Shelter?Con tecnología de Alexa
    • What Happened to the Hells Angel Who Stabbed the Man at the Altamont Concert?
    • Why did Meredith Hunter pull out a gun?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 13 de mayo de 1971 (Alemania Occidental)
    • País de origen
      • Estados Unidos
    • Sitios oficiales
      • Criterion (United States)
      • Official site
    • Idioma
      • Inglés
    • También se conoce como
      • The Rolling Stones: Gimme Shelter
    • Locaciones de filmación
      • Muscle Shoals, Alabama, Estados Unidos(Playback of tracks in studio)
    • Productoras
      • Maysles Films
      • Penforta
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Total a nivel mundial
      • USD 999
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    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora 31 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
      • 4-Track Stereo
    • Relación de aspecto
      • 1.37 : 1

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