CALIFICACIÓN DE IMDb
5.4/10
1 k
TU CALIFICACIÓN
Un hombre gasta sin control tras recibir un diagnóstico terminal. Su esposa lo alienta a gastar, causando enormes deudas. Después descubre que el diagnóstico era erróneo.Un hombre gasta sin control tras recibir un diagnóstico terminal. Su esposa lo alienta a gastar, causando enormes deudas. Después descubre que el diagnóstico era erróneo.Un hombre gasta sin control tras recibir un diagnóstico terminal. Su esposa lo alienta a gastar, causando enormes deudas. Después descubre que el diagnóstico era erróneo.
Murray Alper
- Member - Board of Inquiry
- (sin créditos)
Leon Alton
- Burial Spectator
- (sin créditos)
Tom Anfinsen
- Burial Spectator
- (sin créditos)
Pat Armitage
- Nurse
- (sin créditos)
Al Bain
- Burial Spectator
- (sin créditos)
Larry J. Blake
- Chief of Police
- (sin créditos)
Opiniones destacadas
The premise here is pretty familiar: family man and insurance company employee Peter Ingersoll (Jerry Lewis) is told that he's dying by his doctor and supposed "friend" Scott Carter (Peter Lawford). Thinking that he has mere months to live, Peter follows his wife's suggestion to go on an expensive vacation on his company's dime. Peter racks up about six figures in debt, and then is tracked down by Scott, who tells him, guess what? I made a mistake, and you're not dying. Now Peter is embroiled in a variety of fraudulent schemes to avoid any sort of consequences.
"Hook, Line and Sucker" was, in this viewers' humble opinion, one of Jerry's lesser vehicles from this era. The fact that the scenario is routine stuff is just one problem, but the screenwriter, Rod Amateau, and director, George Marshall, don't develop things in any truly interesting or funny ways, and the whole story is mostly uninspired. There are some solid laughs at the outset, as well as a pretty amusing punchline at the end, but overall this is far from Jerry's best.
Jerry gives it a reasonably good performance, falling back on some classic Jerry zaniness. His "heart attack" is hilariously stupid, and when he's required to play the role of an "Australian" character, it's real eye-rolling stuff. He gets decent support from Lawford, and the gorgeous Anne Francis, as Peters' homemaker wife. Jennifer Edwards (daughter of filmmaker Blake Edwards) and Jimmy Miller play Peters' kids, and there is a brief role for Jerry's longtime repertory player Kathleen Freeman as an inattentive babysitter.
This delivers some laughs, and has a fairly bright wrap-up, but there are no genuine comedy fireworks to speak of.
Five out of 10.
"Hook, Line and Sucker" was, in this viewers' humble opinion, one of Jerry's lesser vehicles from this era. The fact that the scenario is routine stuff is just one problem, but the screenwriter, Rod Amateau, and director, George Marshall, don't develop things in any truly interesting or funny ways, and the whole story is mostly uninspired. There are some solid laughs at the outset, as well as a pretty amusing punchline at the end, but overall this is far from Jerry's best.
Jerry gives it a reasonably good performance, falling back on some classic Jerry zaniness. His "heart attack" is hilariously stupid, and when he's required to play the role of an "Australian" character, it's real eye-rolling stuff. He gets decent support from Lawford, and the gorgeous Anne Francis, as Peters' homemaker wife. Jennifer Edwards (daughter of filmmaker Blake Edwards) and Jimmy Miller play Peters' kids, and there is a brief role for Jerry's longtime repertory player Kathleen Freeman as an inattentive babysitter.
This delivers some laughs, and has a fairly bright wrap-up, but there are no genuine comedy fireworks to speak of.
Five out of 10.
Fred C. Dobbs (Jerry Lewis) is on the operating table in a foreign country. He recounts his story for the medical students. Nothing goes right for the insurance agent family man who is actually named Peter Ingersoll. His only joy is fishing but his wife Nancy (Anne Francis) complains about the costs. His doctor Scott Carter (Peter Lawford) tells him that he's dying. With a large life insurance policy, his family is secured. His wife suggests that he takes an epic blow-out tropical fishing trip.
I don't mind that he's unhappy with his suburban life. I'm not rooting that hard for him to go have a single man adventure. He's lusting for the beautiful babes and that seems rather lonely and unfunny. I actually would like him to go into the wilds or get into the local life. He needs to get in touch with himself and get some character growth. Was he pitching for Pepsi back in the day? Sometimes, dated comedic references can go over my head. As for the rest of the premise, I stop caring about it. Jerry is doing some Weekend at Bernie slapstick that would be funny if I actually cared. I see what he's trying to do. It's a comedy that I don't find funny.
I don't mind that he's unhappy with his suburban life. I'm not rooting that hard for him to go have a single man adventure. He's lusting for the beautiful babes and that seems rather lonely and unfunny. I actually would like him to go into the wilds or get into the local life. He needs to get in touch with himself and get some character growth. Was he pitching for Pepsi back in the day? Sometimes, dated comedic references can go over my head. As for the rest of the premise, I stop caring about it. Jerry is doing some Weekend at Bernie slapstick that would be funny if I actually cared. I see what he's trying to do. It's a comedy that I don't find funny.
I have tried any number of times to understand why the French think Jerry Lewis is the comic equivalent of Charlie Chaplin. I always fail. His sophomoric mugging always leaves me cold. Therefore I was surprised to see him in a new vein in this flick which I caught on American Movie Classics. Gone is the juvenile horseplay of his earlier films with Dean Martin. We have here a more restrained and mature comic style, shown to good form at the start of the movie, which is a series of set pieces showing off comic aspects of life in suburbia. Unfortunately, the film goes downhill as it deals with his extravagant fishing trip.
Underrated Lewis comedy is quite good in parts. The film begins as if it were a TV sitcom with Jerry "happily" married to Anne Francis (of TV's Honey West) with two children and living in none other than the set from TV's Bewitched. We see him trying to outwit a gopher in the garden (who in turn outwits Jerry), trying to unplug the kitchen sink, cope with too many family members in the bathroom, and deal with an unattentive baby-sitter. This is middle-aged Jerry, still zany but a responsible parent earning a good wage. Think Tim Allen on Home Improvement. His wife is both beautiful and smart bringing the art of the housewife's budget duties to almost Wall Street levels. A visit to his doctor reveals he is dying from heart problems. Jerry tells his wife and she suggests that he pretend to abandon the family and use his credit cards to travel around the world. She assures him that his $150,000 life insurance payoff to her would be protected because she can't be held for her husband's debt if he abandon's his family. In addition, she has put in ad in the paper stating she would no longer be liable for his debts and the doctor would testify that a dying man would be too distressed to make rational decisions. Though the audience is signaled that the wife and doctor are scamming poor Jerry, there is no ground work to suggest there was anything wrong with the marriage to warrant such evil action from his wife. I was a little lost for words until I got used to the situation change. I suppose modern audiences weaned on Pulp Fiction and Fargo would find this an asset. After I accepted the new premise I enjoyed the rest of the film, especially a fairly clever last twenty minutes. Jerry Lewis' performance is quite good balancing between drama and comedy. The plot twists are just right to keep the audience interested. Non-Lewis fans might be surprised.
Like an episode of three's company. The usual miscommunications and misunderstandings, although on that show, they never actually tried to commit fraud. Jerry lewis is peter, about to undergo surgery. A starring film role, years after his beakup with dean martin, all told in flashback. This one co-stars peter lawford. And they re-used the same gopher scenes in caddyshack! It's a crazy caper. When peter is told that he doesn't have much longer, he decides to live it up and ring up the bills! It's light on story, so lewis stretches out the various scenes. Lots of filler and scenery. Directed by george marshall, his final full length film. Story by rod amateau and david davis. Sylvia lewis, who plays karlotta, does not seem to be related to jerry lewis, although she appeared in several of his films. It's all just okay. Much silliness.
¿Sabías que…?
- TriviaThe Ingersolls, who live in Southern California, are seen drinking Coors beer. At this point in time, 1969, Coors was not a national product and was found mostly in the Western United States, as well as parts of the South and Midwest, all west of the Mississippi. Due to it being unpasteurized, it wasn't allowed to be sold in most of the Eastern and Southeastern States, and wasn't sold east of the Mississippi at all until 1981, and not nationally until 1986. This is the premise of the 1977 film 2 pícaros con suerte (1977).
- ErroresDuring the deep sea fishing scenes the footage is always of a large blue marlin being caught, but the fish Peter's crew finally hauls on board is a small, gray sailfish.
- Citas
Scott Carter: There's only one decent thing left for you to do: turn yourself in.
Peter Ingersoll: Decent thing? That's insane!
Scott Carter: I'll be behind you all the way.
Peter Ingersoll: Oh, sure you will. A mile behind me.
- ConexionesFeatured in Yo vigilo el camino (1970)
- Bandas sonorasWilliam Tell Overture
(uncredited)
Composed by Gioachino Rossini
[Played immediately after Mrs. Hardtack leaves the Ingersoll house the first time]
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Hook, Line and Sinker?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 1,236,060
- Tiempo de ejecución
- 1h 31min(91 min)
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta