Como salvar un matrimonio y arruinarse la vida
Título original: How to Save a Marriage and Ruin Your Life
CALIFICACIÓN DE IMDb
6.3/10
923
TU CALIFICACIÓN
Cuando un soltero despreocupado intenta que su mejor amigo deje a su amante y regrese con su esposa, también encuentra sus propios problemas románticos.Cuando un soltero despreocupado intenta que su mejor amigo deje a su amante y regrese con su esposa, también encuentra sus propios problemas románticos.Cuando un soltero despreocupado intenta que su mejor amigo deje a su amante y regrese con su esposa, también encuentra sus propios problemas románticos.
- Dirección
- Guionistas
- Elenco
Leon Alton
- Bartender
- (sin créditos)
Dick Cherney
- Restaurant Patron
- (sin créditos)
Bruce Chesse
- Groom
- (sin créditos)
Harry Denny
- Pedestrian
- (sin créditos)
Dotty Ertel
- Minor Role
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A film that is, at times, brilliantly funny and, at other times, mean spirited, "How to Save a Marriage" has many things going for it, including:
Tight writing that interweaves complex, comedic misunderstandings.
Strong casting, including the stars Stella Stevens and Dean Martin, and others like Eli Wallach, Anne Jackson, and Betty Field ("Picnic").
Some notable fashions that adorn the beautiful Ms. Stevens.
This is a prototypical film of the sixties, a battle of the sexes that helps codify the lines of conflict, though it goes too far. As Dean is dragged deeper and deeper into a quagmire of his own making, we might ask: is he getting what he deserves or is he a victim of his own good intentions? The film never clarifies that issue, seeming to equate his character's values with those of the other male characters, who range from benign to predatory. More subtlety might have been achieved with an actor like Jack Lemmon.
Ms. Stevens, in a role written for Marilyn Monroe, comes close to achieving the naivete cum sensuality that Ms. Monroe brings to her performances.
The ending of the film is awkward, if not a cop out. But I still recommend this film for its genuine depiction of the gender war-with all its confusion-of the sixties.
Tight writing that interweaves complex, comedic misunderstandings.
Strong casting, including the stars Stella Stevens and Dean Martin, and others like Eli Wallach, Anne Jackson, and Betty Field ("Picnic").
Some notable fashions that adorn the beautiful Ms. Stevens.
This is a prototypical film of the sixties, a battle of the sexes that helps codify the lines of conflict, though it goes too far. As Dean is dragged deeper and deeper into a quagmire of his own making, we might ask: is he getting what he deserves or is he a victim of his own good intentions? The film never clarifies that issue, seeming to equate his character's values with those of the other male characters, who range from benign to predatory. More subtlety might have been achieved with an actor like Jack Lemmon.
Ms. Stevens, in a role written for Marilyn Monroe, comes close to achieving the naivete cum sensuality that Ms. Monroe brings to her performances.
The ending of the film is awkward, if not a cop out. But I still recommend this film for its genuine depiction of the gender war-with all its confusion-of the sixties.
This is a very well written movie. I missed the very beginning. I wasn't prepared for the articulate war of the sexes theme. Some people might consider it too talky. At times it sounded like a George Bernard Shaw play. Sometimes it seemed that Dino was sleepwalking and this much wordplay was a little too much for him. Perhaps the interesting dimensions owe something to the participation of Wallach his wife. Movies from this period project a particular mise en scene of imperial America at its zenith of hubris and naivitee. The characters Martin and Wallach play are unselfconsciously "upper class" and enjoy the life of extreme privilege without any consideration if they deserve their good fortune. The US was up to its neck in Vietnam at the time and modern consumer society was being born. A nice old chestnut from a time we can remember fondly but not aspire to emulate.
Dean Martin shows his comedic talents in these fast laugh a minute comedy written by the author of Pillow Talk and That Touch Of Mink. It deserves to be re-released. Stella Stevens looks terrific. It just goes to show you that you don't need a large cast to produce a good comedy and this one is better than just good. I'm looking forward to seeing it again.
I found it incredible that fewer than 5 people have voted on this film, as of Oct. 2000. It did reasonably well at the box office and is an enjoyable comedy. This film will appeal to fans of the Rock Hudson and Doris Day comedies of the same era and the plot contains just a pinch more sex dialogue.
The cast is excellent and Dean Martin is as gifted in comedy (please disregard the Jerry Lewis films) as he is a singer. The title song is catchy and worth an extra voting point. The plot concerns bachelor Dean Martin trying to save Eli Wallach's marriage and, of course, creating more problems and confusion. So ditch Rock and watch Dean instead.
The cast is excellent and Dean Martin is as gifted in comedy (please disregard the Jerry Lewis films) as he is a singer. The title song is catchy and worth an extra voting point. The plot concerns bachelor Dean Martin trying to save Eli Wallach's marriage and, of course, creating more problems and confusion. So ditch Rock and watch Dean instead.
May I give a bit of advice to millenials and anyone under 50? Please stop watching films that were made before you were a twinkle in your father's eye. No, really. I am serious. It's good advice.
This film was made 50 years ago. That's half a century ago. In that amount of time things have changed so much you'd think two centuries have passed, not half. Trust me. I went through that change.
Unless you were born ten years before this film was made you could not possibly understand the mentality of the time, much less enjoy the humor.
Unless you are really open-minded andand can therefore make allowances for how things were half a century ago, just stick to films that were made no earlier than the year 2000.
So next time you watch an old film, try to take it in stride, instead of insisting on telling everybody how dated/sexist/un-PC it is.
Of course it is, Dr. Obvious. It was made half a century ago.
This film was made 50 years ago. That's half a century ago. In that amount of time things have changed so much you'd think two centuries have passed, not half. Trust me. I went through that change.
Unless you were born ten years before this film was made you could not possibly understand the mentality of the time, much less enjoy the humor.
Unless you are really open-minded andand can therefore make allowances for how things were half a century ago, just stick to films that were made no earlier than the year 2000.
So next time you watch an old film, try to take it in stride, instead of insisting on telling everybody how dated/sexist/un-PC it is.
Of course it is, Dr. Obvious. It was made half a century ago.
¿Sabías que…?
- TriviaThe part of Carol was originally intended for Marilyn Monroe but the project was shelved after her death.
- ErroresEddie Rankin tosses a bouquet of flowers off Edna Sloane's grave and starts arranging stones he had placed there. The scene switches as he places the stones and the bouquet is back on the grave.
- Citas
David Sloane: I'll never ruin another woman, unless I know she's old enough for Medicare.
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