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IMDbPro

Contrato perverso

Título original: Hard Contract
  • 1969
  • R
  • 1h 46min
CALIFICACIÓN DE IMDb
5.7/10
642
TU CALIFICACIÓN
James Coburn and Lee Remick in Contrato perverso (1969)
DramaMisterioRomance

Agrega una trama en tu idiomaA cold hearted American hit man goes to Europe for 'one last score'. His encounter with a beautiful young woman casts self doubt on his lifeblood, and influences him to resist carrying out t... Leer todoA cold hearted American hit man goes to Europe for 'one last score'. His encounter with a beautiful young woman casts self doubt on his lifeblood, and influences him to resist carrying out the contractA cold hearted American hit man goes to Europe for 'one last score'. His encounter with a beautiful young woman casts self doubt on his lifeblood, and influences him to resist carrying out the contract

  • Dirección
    • S. Lee Pogostin
  • Guionista
    • S. Lee Pogostin
  • Elenco
    • James Coburn
    • Lee Remick
    • Lilli Palmer
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.7/10
    642
    TU CALIFICACIÓN
    • Dirección
      • S. Lee Pogostin
    • Guionista
      • S. Lee Pogostin
    • Elenco
      • James Coburn
      • Lee Remick
      • Lilli Palmer
    • 25Opiniones de los usuarios
    • 14Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 nominación en total

    Fotos24

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    + 17
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    Elenco principal26

    Editar
    James Coburn
    James Coburn
    • John Cunningham
    Lee Remick
    Lee Remick
    • Sheila Metcalfe
    Lilli Palmer
    Lilli Palmer
    • Adrianne
    Burgess Meredith
    Burgess Meredith
    • Ramsey Williams
    Patrick Magee
    Patrick Magee
    • Alexi
    Sterling Hayden
    Sterling Hayden
    • Michael Carlson
    Claude Dauphin
    Claude Dauphin
    • Maurice
    Helen Cherry
    Helen Cherry
    • Evelyn Carlson
    Karen Black
    Karen Black
    • Ellen
    Sabine Sun
    Sabine Sun
    • Belgian Prostitute
    Miquel Bordoy
    • Minor Role
    • (sin créditos)
    Dominique Davray
    Dominique Davray
    • Barmaid
    • (sin créditos)
    Allen Emerson
    Allen Emerson
    • Slick Haired Men
    • (sin créditos)
    Sig Frohlich
    • Minor Role
    • (sin créditos)
    Laura Hale
    • Asst. in Stock Exchange
    • (sin créditos)
    Barbara Howard
    • Minor Role
    • (sin créditos)
    Gerda Marchand
    • Minor Role
    • (sin créditos)
    Vic Moeremans
    • Minor Role
    • (sin créditos)
    • Dirección
      • S. Lee Pogostin
    • Guionista
      • S. Lee Pogostin
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios25

    5.7642
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    Opiniones destacadas

    6drjgardner

    Murder is Obsolete, but Great Acting isn't

    If you like hit man films, this one is not for you. But if you want to see some fine acting, there is a scene near the end of this film between James Coburn and Sterling Hayden which is absolutely superb. Coburn is the young hit-man (he's 41) and Hayden is the retired hit-man who has given up killing (he's 53 at the time).

    Other than this, it's a pretty ordinary film and is less a hit-man film than it is an existential film

    My favorite hit-man films are Leon: The Professional 1994, Pulp Fiction 1994, In Bruges 2008, La Femme Nikita 1990, The Killers 1964, This Gun for Hire 1942, The Long kiss goodnight 1996, The Bourne Identity (2202, Supremacy (2004), Ultimatum 2007, Kill Bill 2003. 2004, Gross Pointe Blank 1997, Hit-man 2007, Memory of a Killer (2003), Collateral 2004, and Colombiana 2011
    4moonspinner55

    American hit-man finds love in Spain; nothing if not bizarre...

    Hired American assassin (with a predilection for prostitutes but an aversion to kissing--or, indeed, feeling anything) gets a new assignment: kill three men for one client, all in Europe. Once there, he meets a chatty jet-setter who works steadily to break down his walls, though getting to know her and her wealthy friends means becoming sociable with one of his targets. Modern-day story, an original from writer S. Lee Pogostin (who also directed), has plush production, beautiful cinematography by Jack Hildyard and lovely scoring by Alex North, but it cannot manage an even balance between drama, romance, intrigue and travelogue. Pogostin enjoys 'deep,' prattling conversations about the meaning of life, but his metaphor-heavy narrative (with political and fascist undertones and finger-pointing at the media for making us all immune to the horrors of violence) just isn't gripping. The scene transitions often overlap in a lazy, dream-like fashion, and the dazed performers are equally as narcotizing. Not a good vehicle for star James Coburn, who weighs in once in a while with a villainous, mischievous smile but otherwise seems at half-mast. Lee Remick plays his love-interest, Sterling Hayden is a bearded mystery man, Burgess Meredith is Coburn's boss, and a young Karen Black turns up as a hooker who loves to say "I love you." Curious, but memorable only because it is so blatantly odd. *1/2 from ****
    7sol-kay

    He then saw the Light. And it was GOOD!

    **SPOILERS** Should have been titled "Redemption of a Hit Man" the movie "Hard Contract" is really a good film that's just a bit over philosophical in it's message but still well worth watching. Super-cool CIA assassin John Cunningham, James Coburn, gets to see the light but it takes John to go almost halfway through the movie for him to finally see it.

    Being the #1 killer for his country John has nerves of steel and ice-water in his veins for blood with absolutely no feelings at all for those that he does in. Just give him a name and location, plus a hefty fee, and that's all he needs to be motivated to kill someone.

    On election day John ices a victim in a movie house votes in the local election and spends the rest of the afternoon with a hooker Ellen, Karen Black, to work off his excess energy that John has a lot of. The next day John goes to see his controller or boss a CIA man who uses his job, a physics college professor, as a cover James Ramsey, Burgess Meredith.

    This is the big one or hard contract as Ramesy calls it. The hit that can put John in the money and have him retire from the business of contract killing for good. Three hits in three cities in Spain and Belgium with the last victim being revealed to John after the first two hits and he's home free.

    Going to Spain to get the job, or jobs, done John runs into a number of people and incidents that changes his life forever. And after those experiences he'll never as much hit kill or murder anyone again! Not even Adolf Hitler if he were still alive and John was given a contract on him by the CIA!

    Running into American tourist and jet setter Sheila Mecalfe, Lee Remick, who's also a part-time hooker on the side and her goofy and naive but good hearted friend socialite Adrianne, Lilli Palmer, John learns that killing isn't right. John also learns that being at peace with the world and himself as well is what it's really all about. By the time the movie ends John throws away his weapons of death and destruction his job as a CIA hit-man and his unemotional detachment to the human race and becomes a true pacifist and lover of man and womankind alike!

    Without going into all the details of what happened to John, to open up his eyes to what's good in the world, you have to see the film for yourself to really appreciate it. John has a revelation that's truly a miracle. The type that you find in the Holy Bible. John, or later Saint John, isn't that quickly converted to a good, or non-violent, life. He does knock off the first two persons that he was told to do in by his boss Ramsey. Later as the truth about the saying "Love thy Neighbor as Theyself" slowly takes hold over him John just can't bring himself to knock off the third person former top CIA hit-man Michael Carson, Sterling Hayden, or anyone else for that matter.

    Carson, like his soul-mate Sheila, let's John in to what's good and what's bad and good, as Carson tells him, is far far better in fact there's no comparison what's so ever! Carson a more vicious and effective hit-man in his heyday then even John is now has become so passive he looks like he converted to become a ultra non-violent Quaker of Amish! A person who wouldn't even defend himself or his family even if his or their lives were in danger! There's one thing about being a peaceful and non-violent person but that's going a little bit too far!

    At the end of the movie even the blood thirsty and murderous Ramsey, who's obsessed with killing, saw the light. Ramsey flew to Spain to first save John for the insanity that overtook him. A paid government assassin who doesn't want to kill anyone what kind of CIA hit-man is John anyway! Then not only does Ramsey become as big a pacifist as John but also falls in love with the daffy and zany Adrianne! In the end we see both John and Sheila and Ramsey and Adrianne romping in the grass, as the movie "Hard Conract" ends.

    Everyone in the film only wants the best things, living in peace with their fellow man, out of life instead of the worst,taking one's life, which is all that John and Ramsey knew about and practiced. That was until they saw and experienced the truth: Which is that it's better to live in peace then to kill each other. And it was that truth that finally set them free, from a life of selfishness destruction misery and death, forever.
    8cyril-815-290166

    I Agree with all

    i don't think anyone will just chose this movie to watch out of the blue. if you're watching Hard Contract you either are a Coburn or Remick fan. yes, like others said its boring but (like others said...) it's dullness is something in itself. Movies were more real (if one can make such a statement) back then - kind of raw, intelligent doesn't pander to the viewer. those times are gone but this Coburn movie along with "Duffy" can transport you back in time to 1968/70. The world of movies back then made you think - you didn't have everything spelled out for you. They also challenged your beliefs - if you do that now a days, the PC police will put you in your place.
    8whpratt1

    LEE REMICK TAMES JAMES COBURN

    James Coburn(John Cunninghman) gets very distracted when Lee Remick (Sheila Metcalfe) enters his room as a hooker and gives him plenty of action. He almost forgets about doing his final hit to retire on. This film is filled with great actors, Burgess Meredith( Ramsey Williams) who also played in Rocky 1 and Rocky 2. Karen Black (Ellen) and Sterling Hayden give excellelnt supporting roles along with Lilli Palmer(Adrianne), Lee Remick's close friend. This film cannot be ignored, it has too many veteran actors to make it an all time classic film of the late 60's.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      This was the only cinema film to be directed by S. Lee Pogostin, a well-known television writer. James Coburn later claimed in interviews that Pogostin was the cause of the film's considerable box-office failure, as he had refused to alter his extremely wordy script and then proved to have little idea of how to direct a film. According to Coburn, the actors more or less directed themselves whilst cameraman Jack Hildyard handled the technical details.
    • Citas

      John Cunningham: Murder is obsolete.

      Ramsey Williams: I'm an old-fashioned man and I prefer an old-fashioned contract. Get back to me when death is obsolete.

      John Cunningham: It is obsolete! It's all obsolete! How do you think bitching became so big?

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    Preguntas Frecuentes16

    • How long is Hard Contract?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 23 de enero de 1970 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Hard Contract
    • Locaciones de filmación
      • Torremolinos, Málaga, Andalucía, España
    • Productora
      • Twentieth Century Fox
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 46min(106 min)
    • Color
      • Color
    • Relación de aspecto
      • 2.35 : 1

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