Vuelven los siete magníficos

Look at the stars of 1969's Guns of the Magnificent Seven - George Kennedy, James Whitmore, Monte Markham, Reni Santoni, Bernie Casey, Scott Thomas, Joe Don Baker... though the latter one matches, in sheer inexpressiveness, one Robert Vaughn - the rest of the cast hardly matches up with the star-studded original line-up (the Brynners, McQueens, Bronsons, Coburns & co.). Yet this film is indeed far-more action-packed than its illustrious predecessors (who all had tough gunslinger Yul Brynner in them; but then again, so did Westworld and... ugh... Futureworld! But that is another story...) Thus, I am tempted to theorize that, not just here but around the world, 1969 was dominated by... props! The true stars of so many mainstream releases were the premises, the themes or the sets - and, in this case, as the title clearly emphasizes, the guns! Let's face it, most of these guys are not "magnificent" - but they are reliable TV actors for the most part - and they delivered the goods here! And this was seen in many more 1969 productions - the new Bond was unknown George Lazenby, who mattered less than all the gizmos 007 used... There was a sequel to the Planet of the Apes released too - it mattered not that it really starred James Franciscus all throughout and merely had a cameo by Charlton Heston near the end of the film - what mattered was that the planet was revisited (and re-exploited!). Closer (in spirit as in style) to Guns, The Wild Bunch was all about gunfire and violence - it mattered little to the average moviegoer that it gave a slightly over-the-hill William Holden another chance... and co-starred Ernest Borgnine in the closest thing to a major role he'd get since Marty... Need I go on...? George Kennedy and William Holden almost - ALMOST - could have switched films in 1969... and few would have noticed! (Sam Peckinpah would have though - and that is what really matters!).

James Whitmore is a solid, rock-solid actor - I will always remember his many guest spots on various TV dramas - most notably his turn as an alien in The Invaders! Michael Ansara makes for a debatably adequate villain of service... him I remember for rather silly appearances in shows such as Lost In Space! He matched up well with Guy Williams - when Guy was Zorro too! Note the presence, also, of an illuminary here - Fernando Rey, the Portuguese/Galician actor who, in typical Hollywood supporting role attribution fashion, is given a bit part here... Hey - Hollywood had no clue what to do with enchanting leading ladies such as Romy Schneider and Catherine Deneuve when THEY came to Tinseltown... Thus, it comes as no surprise to me that the pet actor of the great film director Luis Bunuel -Rey- was so poorly treated in the USA! Fernando Rey was, at best, an exotic flavour du jour for casting agents - and on par with the likes of Charles Durning or E.G. Marshall... maybe! He was, by sharp contrast, a major actor in Europe - and Portugal's answer to Laurence Olivier, no less! Then again - what did Hollywood really do for Laurence Olivier himself, ultimately...? Most people will completely miss Fernando Rey's performance here - if they blink an eye! What a shame really...

All in all - in conclusion - Guns of the Magnificent Seven is a good one... a very good one! Lots of action - and more than meets the eye, on many levels!

After the let-down that was Return of the Seven, it's good to know that the Magnificent Seven are in safe hands again. Dropping Yul Brynner and bringing on Georege Kennedy to pay Chris was a risky move, but it pays off. He may not look anything like the Chris from the previous two films, but Kennedy brings confidence and gravity to the role that strangely deserted the ill-at-ease Lee Van Cleef when he played him the for the final sequels, The Magnificent Seven Ride. There is a Zapata-like plot with Chris freeing a Mexican revolutionary, but to be honest, that's about it for Spaghetti Western influences. A Euro-Western it might be labelled, but it's closer to John Wayne than Clint Eastwood. So, don't expect a bloody, gritty Spaghetti with priests ears being cut off and forced to eat it, but an enjoyable Sunday afternoon western that, while it isn't as good as the original and not a violent, savage and sickening death of beating in sight, as you get in the really good Spaghetti Westerns, it can be liked and remembered with fondness.

¨Guns of the magnificent seven¨ (Paul Wendkos,1969) with George Kennedy is a thrilling and truly thunderous sequel next to original and considered to be one of the best . Acceptable following co-produced by US/Spain and filmed in Almeria , Andalucía and Hoyo de Manzanares's Western-film town , Madrid , where were shot lots of Paella/Spaghetti Westerns in the 60s and 70s . This is the third in the original series of four "Magnificent Seven" movies , as The magnificent Seven are back and they don't aim to please . This sequel to ¨Magnificent seven¨ is well played George Kennedy as tough gunslinger named Chris who along a misfit group of gunslingers , all of them set off in rescue a Mexican revolutionary . As one day soldiers of the dictator Porfirio Diaz capture a rebel leader called Quintero (Fernando Rey) . His deputy (Reni Santoni) offers a reward to free Quintero and he sets out to look for Chris , the leader of The Seven for help . Chris is decided to take a squad and strike a blow against the Mexican army and free the captured leader of the revolutionaries . To carry out this assignment Chris has to join a misfit bunch of gunfighters . As Chris and his buddies (James Whitmore , Monte Markham , Bernie Casey , Scott Thomas , Joe Don Baker) , each of whom comes for a different reason , must free a Mexican revolutionary imprisoned by nasty Col. Diego (Michael Ansara) . All of them riding to the rescue of yet another bunch of downtrodden evil people and , at the same time , they get a chance to redeem themselves . Later on , the team develops a plan to secure an enemy attack and to pull off their mission against a fort strongly defended .

Chris character was played by Yul Brynner in two occasions and one performed by Lee Van Cleef and George Kennedy . Brynner as a two-fisted Pistolero was very good ; in fact , it was Yul Brynner who approached producer Walter Mirisch with the idea of doing a Western adaptation of Akira Kurosawa's classic , The seven Samurais . Despite bearing no resemblance to Yul Brynner, including a full head of hair , George Kennedy and subsequently Lee Van Cleef took over the role of Chris Adams , played by Brynner in the first two films . Even Chris Adams' trademark dark clothing is gone , what remains is the steel resolve and affinity for cigars . Here George Kennedy as Chris is pretty well , giving a forceful interpretation . Besides , Monte Markham as well as James Withmore are unexpectedly lithe and other gunslingers are quite well defined . The remaining cast is a great help and they hold the picture together when it looks disintegrate after a promising start as did other follow-ups in the series . Wonderful ensemble cast playing unforgettable , moving roles with nice performers such as Monte Markham , Joe Don Baker , Frank Silvera , Reni Santoni and feature film debut of Bernie Casie . Being a Spanish/US co-production , there appears several actors usual in Spaghetti-Paella Western such as the Spanish Sancho Gracia , Jorge Rigaud and Fernando Rey playing his ordinary role as a good man . Rey is the only actor besides Yul Brynner to appear in two Magnificent Seven films , as he also played a priest in Return of the magnificent seven (1966) . The story is similar to previous entry , including customary outlaw band formed by an eclectic gang with diverse characters as well as speciality , as dynamite or guns . The film gets action Western , exciting riding , shootouts , it's fun and entertaining , although nothing new but displays a slight style . Despite the familiar framework of the screenplay , the interesting dialog is studded with memorably quotable lines and the flick arranges to raise some fresh entertainment from the vintage tale of the septet of Pistoleros . The movie contains some moment of violence and even touching on the relationships between the Mexican villagers and the Magnificent . Colorful as well as sharp cinematography in Panavision and Color DeLuxe by Antonio Macasoli , being filmed on location in Colmenar Viejo , and , of course , Almeria , Spain . As always , breathtaking and memorable musical score by Elmer Bernstein ; Elmer , whose score for this movie is one of the best-known ever composed , also wrote the soundtrack for the parody of this film, 'Three amigos' . The classic and stirring soundtrack helps highlight the action in the exciting climax . The motion picture was professionally directed by Paul Wendkos , whose works remain undervalued in USA .

This is a decent though inferior sequel to the original and enduringly popular ¨The magnificent seven¨( John Sturges,1960) that is equally remake of ¨The seven samurais¨ (Akira Kurosawa) . After that , followed ¨The return of the seven¨(Burt Kennedy,1966), again with Brynner and and ¨The Magnificent seven ride¨ with Lee Van Cleef by George McCowan and continued with a TV series and a Television movie realized in 1998 . Although this film revisits the village from the first movie, it was shot in Spain , not Mexico and for once doesn't disgrace the original . Among the many reasons were the difficulties that occurred between the American filmmakers and the Mexican crew and government censors during the shooting of the first film .

Guns of the Magnificent Seven is by far the best of the sequels to the classic original. The cast is definitely the second best in terms of "up and coming" actors at that time, and viewers will probably recognize most of them. The plot of this one has Chris (George Kennedy) and a new gang being hired to free a Mexican revolutionary from a prison known as "The Rat Hole". Of course, the prison is run by a highly ruthless colonel, who frowns on dissidents, and tortures and kills for pleasure.

The gang here is an eclectic bunch, each with their own specialty. Although considering more than half the gang gets wiped out in every film, it's beyond me why anyone would still be crazy or desperate enough to join! I guess news doesn't travel over the border much. It's a shame that Yul Brynner didn't do this one (no insult to Kennedy), as it seems more dimension has been added to this character than we've seen before. The character of Keno (Monte Markham) is suspiciously similar to Vin from the previous two movies, but the rest of the gang are wholly original for the series: there's a black explosives expert; a one-armed sharp shooter (who happens to be a Civil War veteran - think of the word play between these two!); an old, fatherly-figure knife thrower; and finally a quiet rope expert who seems to have either cancer or tuberculosis.

What the film lacks in originality is made up for by the characters (and the actors who play them), great action, music and cinematography. The climactic action scene is definitely the second best of the series (although a couple of the gang die way too soon), and the movie moves along at a faster pace then the previous entries. Another interesting note on this entry is that there are parallels within the story to what was happening in the real world at the time of it's release. Racial prejudice, talk of revolution, overly harsh and abusive authority figures, etc. I don't believe any of the other entries touched on modern themes so directly. Yet they don't date the film, and are surprisingly still relevant today.

A couple small complaints: when did Chris's "price" go up to $600 a job??? It was only $100 in the first film and I can't imagine inflation rose that high in a few short years! Although each member is seemingly recruited for their individual expertise, there's no evidence showing any of these skills being used, except as an occasional afterthought. Strangest of all is when Chris says something in Spanish at the end, prompting one of the Mexican children to ask `What did he say?'. I don't know if it's just me, but why wouldn't a child of about 10 understand what was said in his own language?

While the overall execution of this film is standard as both a western and entry in this franchise, it still holds up better than the other two sequels, the earlier "Return of the Seven" and later "The Magnificent Seven Ride". Fans of the `Seven' series, or westerns in general, should find enough excitement here to hold their interest. Just don't go looking for a masterpiece, and accept it as one of the few decent sequels churned out by Hollywood.

**1/2 out of ****

George Kennedy is no Yul Brynner and Monte Markham is no Steve McQueen and on and on and on. Guns of the Magnificent Seven went in a slightly different direction than the two Magnificent Seven movies that preceded it.

What's the same?

Mexico. Farmers. An injustice. Seven fighters. Pretty Mexican woman falling for one of the fighters.

What's different?

The enemy. The cast. The run time.

The differences aid the movie a lot more than the similarities with the exception of the cast. It's not that the cast was bad, it's just that they weren't the original Magnificent Seven and that will always be a negative.