CALIFICACIÓN DE IMDb
3.7/10
634
TU CALIFICACIÓN
Un lider bandido, cuya madre hechicera le ha otorgado poderes sobrenaturales, asalta un poblado cada año. Pero este año, las mujeres del pueblo han venido a poseer una espada mágica.Un lider bandido, cuya madre hechicera le ha otorgado poderes sobrenaturales, asalta un poblado cada año. Pero este año, las mujeres del pueblo han venido a poseer una espada mágica.Un lider bandido, cuya madre hechicera le ha otorgado poderes sobrenaturales, asalta un poblado cada año. Pero este año, las mujeres del pueblo han venido a poseer una espada mágica.
- Dirección
- Guionista
- Elenco
Kendal Kaldwell
- Anakora
- (as Barbara Pesante)
Emilio Messina
- Goliath
- (as Ivan Beshears)
Giovanni Cianfriglia
- Festo
- (as Jody Wanger)
Sal Borgese
- Glafiro
- (as Michael Franz)
Françoise Perrot
- Cornelia
- (as Kristin Kline)
Antonella Giacomini
- Diana
- (as Claudia Bridges)
Giuseppe Mattei
- Dex
- (as Philip Bard)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
When Conan the Barbarian became a hit in 1982, the Italians where superbly equipped to exploit that fad with a vengeance given their long history of producing bad Hercules and Hercules rip off films. Directed by Italian schlockmaster, Bruno Mattei (Rats Night of Terror, Robowar, Cruel Jaws), it features terrible dubbing, some nice actual Roman ruins for outdoor sets (they already existed and were likely free), the incomparable bad acting team of Lou Ferrigno AND Sybil Danning (who were also both in the Italian 1983 Hercules film), and it has a women's wresting scene where the competitors wear some very non-Roman tiny gold bikinis. The plot is pretty straight forward. Good guy (Ferrigno) gets a magic sword, recruits a team of gladiators, which includes sword & sandal veteran Brad Harris, and kills of a bunch of bad guys terrorizing a group of women. My personal favorite scene is when the "Emperor" tries to wield the magic sword, gets burned since he is not "divine" like Ferrigno. As the Emperor is wildly over acting getting "burned" by the magic sword handle, his cheap plastic crown falls off his head and bounces down a bunch of steps making very audible noises which clearly indicate the crown is very much made of plastic. The film does drag in places, but overall it's an entertaining piece of garbage for bad film fans and fans of director Bruno Mattei's work.
The mighty Lou Ferrigno stars in this swords & sandal take on Akira Kurosawa's classic The Seven Samurai, brought to us in this case by the ever maligned Bruno Mattei.
Big Lou's mission, along with his assembled warriors, is to defend a small village from the annual onslaught of a sadistic immortal and his cronies. To aid him in his task, Lou wields a magic sword, a sword in fact that only he can hold and formerly the trusted side arm of none other than Achilles - or so we're told.
Cue plenty of fairly enjoyable (if slightly handled) battles as our hero's fight for justice on behalf of the victimised community.
OK despite the title this is sadly most definitely NOT magnificent stuff, but it is nonetheless a harmless enough way to pass an hour and a half or so. Besides, how can any man really complain when none other than the gorgeous (and wonderfully buxom!) Sybil Danning is present?!
Big Lou's mission, along with his assembled warriors, is to defend a small village from the annual onslaught of a sadistic immortal and his cronies. To aid him in his task, Lou wields a magic sword, a sword in fact that only he can hold and formerly the trusted side arm of none other than Achilles - or so we're told.
Cue plenty of fairly enjoyable (if slightly handled) battles as our hero's fight for justice on behalf of the victimised community.
OK despite the title this is sadly most definitely NOT magnificent stuff, but it is nonetheless a harmless enough way to pass an hour and a half or so. Besides, how can any man really complain when none other than the gorgeous (and wonderfully buxom!) Sybil Danning is present?!
This Italian made, Lou Ferrigno lead remake of Seven Samurai (1954) is the epitome of atrocious.
It tells the Seven Samurai story, tweaked with Gladiators instead of Samurai and instead of excellent it's ruddy awful.
Ferrigno may have been an outstanding human specimen but he was certainly no actor. Surrounded by people honestly not much better, with poor action sequences and an excessively simplified version of the original plot and this is a a travesty.
One for fans of bad films? No. Good films? No. Seven Samurai fans? No. Basically this is for, Ferrigno fans? And hardcore ones at that.
Yikes!
The Good:
Nope
The Bad:
Cringe inducing acting
Cheesy score
The villians outfit, yikes!
Things I Learnt From This Movie:
The Hulk didn't do Ferrigno's physique justice
It tells the Seven Samurai story, tweaked with Gladiators instead of Samurai and instead of excellent it's ruddy awful.
Ferrigno may have been an outstanding human specimen but he was certainly no actor. Surrounded by people honestly not much better, with poor action sequences and an excessively simplified version of the original plot and this is a a travesty.
One for fans of bad films? No. Good films? No. Seven Samurai fans? No. Basically this is for, Ferrigno fans? And hardcore ones at that.
Yikes!
The Good:
Nope
The Bad:
Cringe inducing acting
Cheesy score
The villians outfit, yikes!
Things I Learnt From This Movie:
The Hulk didn't do Ferrigno's physique justice
Not all of them can be winners, even Buñuel and Fernando de Fuentes had their own lower tier films, while this isn't exactly on the same level as La hija del engaño (1951) or something like that it's still a very tepid entry for Mattei, devoid of life and stimulating ideas, it never rises above being a slightly above average peplum/Conan rehash/parody. Mattei and Fragasso only made one of these after all.
Bruno, predictably, has zero interest in this story and directs a lot of the action sequences with laziness and carelessness, which sort of works considering the style of his oeuvre as in that the parodic elements and complete degradation of the genres and subjects he touches can easily flourish even on auto-pilot but this outing lacks compelling images, expressive touches and a cohesive sense of direction that typically unites all of the elements of a good film, things we usually find on Mattei films but not here, making it one of his least interesting ones.
The first person sequence with Sybil Danning and a couple of the delirious scenes kind of bring this one up a notch but the poor budget restricts much of it. With the classically mostly static camera, the kitschy outfits and the abundant wide shots that capture the fights, one can understand that it's totally a peplum send up, after all, it's on Italy's DNA regardless of whether or not they try to rip-off Conan. As its own peplum tribute/parody it works just fine even in its poor condition.
Bruno, predictably, has zero interest in this story and directs a lot of the action sequences with laziness and carelessness, which sort of works considering the style of his oeuvre as in that the parodic elements and complete degradation of the genres and subjects he touches can easily flourish even on auto-pilot but this outing lacks compelling images, expressive touches and a cohesive sense of direction that typically unites all of the elements of a good film, things we usually find on Mattei films but not here, making it one of his least interesting ones.
The first person sequence with Sybil Danning and a couple of the delirious scenes kind of bring this one up a notch but the poor budget restricts much of it. With the classically mostly static camera, the kitschy outfits and the abundant wide shots that capture the fights, one can understand that it's totally a peplum send up, after all, it's on Italy's DNA regardless of whether or not they try to rip-off Conan. As its own peplum tribute/parody it works just fine even in its poor condition.
I had the misfortune of seeing this movie at the theater as a kid. We did not come to see this movie, but rather the science fiction film "Dreamscape". Unfortunately, for whatever reason that movie was taken out and this one inserted in its place. Whatever you may think of that movie it was certainly better than this one which seems to be some sort of gladiator version of "The Seven Samurai". Well it is not, it is not even in the caliber of a Conan movie, it is not even in league with the Marc Singer film "Beastmaster". The film just plays out in the most absurd possible way, I saw this under the title "The Seven Magnificent Gladiators" and let me just say that there just not seven gladiators for very long in this film. They drop like flies in this movie with only Lou Ferrigno being a sure survivor. Poor Lou, I am guessing he was hoping he could have a career in acting other than being the powerful Hulk. He just never became the big star Arnold was and you have to feel a bit sorry for him as he was deaf and that impeded his ability to act. Still, I enjoyed his brief performance in "The Incredible Hulk" movie and I hear he did the voice of the Hulk and he did a good job with that as well. Hear, he is dubbed and the movie is just laughable. I laughed at the theater when that one woman gave that one guy the magical sword and he died and the lady who gave him the sword did not really seem that concerned.
¿Sabías que…?
- TriviaThe film is the 2nd remake of "The Seven Samurai" to star actress Sybil Danning. The first was "Battle Beyond The Stars", which a futuristic remake of the Akira Kurosawa classic.
- ConexionesFeatured in The World According to Smith & Jones: The Romans (1987)
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By what name was Los siete magníficos gladiadores (1983) officially released in Canada in English?
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