Un niño viviendo en la ciudad industrial de Kawasaki enfrenta su soledad a través de sus fantasías en la Isla de los Monstruos y su amistad con Minilla, el hijo de Godzilla. Todo mientras se... Leer todoUn niño viviendo en la ciudad industrial de Kawasaki enfrenta su soledad a través de sus fantasías en la Isla de los Monstruos y su amistad con Minilla, el hijo de Godzilla. Todo mientras se enfrenta a bullies y un par de ladrones.Un niño viviendo en la ciudad industrial de Kawasaki enfrenta su soledad a través de sus fantasías en la Isla de los Monstruos y su amistad con Minilla, el hijo de Godzilla. Todo mientras se enfrenta a bullies y un par de ladrones.
- Dirección
- Guionista
- Elenco
- Premios
- 1 nominación en total
- Minira
- (Japanese-language version)
- (voz)
- Minira
- (Japanese-language version)
- (voz)
- Gabara
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Much like "Casino Royale" was James Bond without Sean Connery, "Revenge" is Godzilla, sort of. One might look at it as a satire or spoof. It shows Godzilla; he fights and yells, but he isn't laying waste to anyplace in Japan, and *shudder* he's a dad. This is not the Godzilla I grew to love. That having been said, Godzilla does impart wisdom to his son Minya, and by extension to our movie's child.
The idea of fighting one's own battles is important, as well as having the courage to stand up for yourself and your convictions. The lessons taught by Godzilla (I can't believe I'm writing this) are ones needed by children, regardless of their circumstances. It's done in a way that is subtle and fun, yet effective.
On the adult level, however, I'm afraid that you're simply going to have to turn your brain off for this one. I could've sworn one of the bank robbers was Joe Pesci -- but I could be wrong. They are simply too buffoonish to be believed, but it is necessary to make them this way so that the ending can play out as it does. However, there is enough in them to make them more than two-dimensional (i.e., the one robber's drinking problem). It's "Home Alone" without Macauley Caulkin -- and that's a good thing.
Sterno says show "Godzilla's Revenge" to the children in your life.
I like this movie because the story about little Ichiro is so sweet. I like how he learns lessons from Minya (baby Godzilla) about dealing with bullies. And the 'real life' danger the boy faces is both interesting and handled in a comical manner to appeal to children.
But overall, it appeals tob this adult just because it's a cute story, with good actors.
Having all of the monster footage exist in the mind of a small boy almost justifies the stock footage in a way,as if he was remembering previous stuff he'd seen. The 'real'footage takes place in a much more realistic environment than usual,and addresses concerns that might mean a lot to young children-parents spending not enough time with them,loneliness,bullying,etc. Of course things like the son of Godzilla shrinking down to human size and talking irritate some older Godzilla fans,and none of the 'new'monster footage is particularly good,but some films one just has to judge by thinking of the target audience,and as a kid's film it's really quite good,perhaps a perfect film for parents to introduce Godzilla to their children!
People who claim Godzilla movies are all the same should see this and maybe the surreal Godzilla Vs Hedorah,both are very unusual and original variations on the kaiju formula.
One film is a kid's visit to Monster Island, where he witnesses a compilation of fight scenes from "Son of Godzilla" and "G. Vs. the Sea Monster". Some of this footage looks like out-take or alternate take material; the whole Gabara episode may well have been intended for "Son of" and excised, in the way that "Frankenstein Conquers the World" was to include a fight with a giant squid, some footage of which finding its way into "King Kong Vs. Godzilla".
The second film is a story of a young boy of the working class in an overly-industrialized modern Japan, neglected by his parents, bullied in school, who finds himself kidnapped by a gang of bank robbers and has to learn courage and wit in order to deal with his situation.
The first film is notorious as a "stock-footage" fiasco with a talking monster. The edits only make evident weaknesses in the original material.
The second film is staggeringly depressing. When I first saw this, I wasn't sure how to respond, because certainly I wasn't looking for a grim expose of industrialized Japan. But the first episodes of this storyline, with its backdrop of empty lots and factory smokestacks billowing in the background, add up to a truly unpleasant experience.
Finally, at the center of all this is one of the more annoying child actors of the period. Hard to identify with, and easy to wish away, I feel no sympathy with him at all as an individual, only as representative of the thousands of neglected children like him.
It should be noted that the stock-footage here was filmed by the 'other Godzilla director', Jun Fukuda - so why does Ishiro Honda use it, why not use his own Godzilla material? A real enigma of a film, part overly serious tragicomedy, part self-lacerating rip-off.
Obviously not recommended except for Godzilla completists.
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- TriviaDirector Ishirô Honda intended the movie to have a somber ending, but was forced by Toho to add the more cheerful final sequence in which Ichiro goes to school with the children. When the movie was re-released on home video during the 80s, Honda removed this scene, so the movie ends with Ichiro's mother crying due to not being able to spend more time with her son.
- ErroresA few of the jet aircraft that Godzilla are shown to bounce off his chest. However, an actual jet would be destroyed upon impact. This takes place during a dream sequence, so reality may not be the truth.
- Citas
Minira: Oh, it's you.
Ichiro Miki: What are you doing?
Minira: Nothing, I have no friends.
Ichiro Miki: Then you're just like me.
Minira: Why did you come back?
Ichiro Miki: You said you'd help me climb up on Godzilla's back.
Minira: Oh, right. I wonder where he is now?
Ichiro Miki: You're not with him all the time?
Minira: No, he gets mad.
Ichiro Miki: Why?
Minira: Godzilla says I have to learn to fight my own battles.
Ichiro Miki: He's tough on you, huh?
- Versiones alternativasThe Japanese laserdisc is uncut and fully letterboxed (2:35:1)
- ConexionesEdited from Kyô mo ware ôzora ni ari (1964)
- Bandas sonorasKaiju Machi
Performed by Tomonori Yazaki
(Japanese Version Only)
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Detalles
- Tiempo de ejecución
- 1h 9min(69 min)
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1