Gamera tai Shinkai kaijû Jigura

Gamera vs Zigra is probably the worst Gamera film ever made. It has an old plot, bad monster action, and pretty stupid dialogue.

Basic plot involves an alien space ship led by an evil Sorcerous named Zigra. Then you pretty much predict what will happen, they try to take over the Earth and Gamera must save the Earth.

There are so many alien invading science fiction films that this one is nothing special. In fact it is really bad. The little kids in this film are so annoying that they make me want to see the other annoying kids in other Gamera Films.

Zigra is a pretty cool looking monster. However he moves around so slowly and really does not do anything exciting like Gamera's other foes. But he does look cool. I guess it is somewhat interesting how Zigra shoots a ray that messes with your chromosones. Also Zigra can talk in comprehendable English which is a first for a Gamera opponent. The fights between Zigra and Gamera are not really very good at all. There is so much standing around and roaring between Gamera and Zigra and it just gets boring.

There are other oddities in this film. The whole concept of Earth's water pressure making Zigra bigger made me scratch my head. Also why does Gamera have to play Zigra like a xylophone? And the song he plays is the Gamera theme song. Pretty lame part. Finally there is no way that Gamera could breathe fire under water and yet he does so in this film.

The dubbing is so bad in this film. I always prefer watching the Japanese films to the American dubbed film so it would be interesting to see the dialogue in Japanese to see how badly they screwed up the dubbing. But that would mean having to watch this film again and I do not want to do that.

So this one is pretty bad. Extremely boring and stupid at parts. Not a recommended Gamera film.

Possibly one of the earliest attempts at cinematic product placement.

Ahh, Gamera. Zigra. Giant Turtle. Giant Fish. Fire. Hypnosis beams. I guess the pleasure from these classic japanese monster films is watching a world, or mostly Japan, where giant mutant monsters exist, children know much much more than the adults, and cities are crushed as easily as cheesy models...oh wait, they are models. Anyway, UFO comes to Japan. The main brats Kenny and Helen (will someone get her a coke already!!) go on zany trying to prevent Zigra and his scantily clad henchwoman (VA-VOOM!) from trying to take over earth. The Zigra woman has the ability to hypnotize people with a simple snap and she must follow Zigra's orders to kill the children who mysteriously manage to survive again and again (duh). People yell AH!!, Gamera shows up, Zigra blows stuff up, a lot of paint...uh blood is spilled, I think there were dolphins, and lots of subplots to keep virtually anyone watching perplexed. Also, the diabolically catchy Gamera song is sung here. Add this all up for a huge laughs and best seen with Joel and da bots (HEY, THAT'S US!!).

After Gamera vs. Jiger this one is a definite upgrade to the level of previous Gamera movies. A real charmer, Gamera vs. Zigra features an alien who controls humans with hypnosis to get what it really wants. The plot runs into two children, the girl, Helen, who, with her older sister Maggie, appears to be bi-racial, and Kennie, who have a psychic link to Gamera. Avoid the non-Japanese print, this one is beautifully shot in wide-screen that is completely lost in the t.v. cut version. Also, the acting is much more restrained than the horrible dubbing would have you believe. It's sort of the ultimate expression of the Gamera idea. Gamera: it can never be said that he fails to get the job done when he racks up another impressive victory over a monster, here Zigra, who is creepy on the space ship (including cobwebs) but out of the ship (and full size) is more attractive than Gamera's other adversaries.

Admittedly, the English-dubbed version I watched may not have done the film justice, but "Gamera vs. Zigra" is pretty awful, even by bargain-basement kaiju-eiga standards. Briefly, an alien spaceship attacks a moonbase, then plunges into the ocean near Japan, from where Zigra kidnaps two kids and their fathers. There is a lengthy expositional scene where an alien space-babe (with '"super-celestial powers"), who seems to be channeling some kind of giant space-shark, explains Zigra's backstory, informs us that resistance is futile, and demonstrates diverse abilities such as causing earthquakes and hypnotising subjects with a snap of her finger. Typical of the Showa-era Gamera series, grownups are ineffectual, but the children manage to rescue their stupefied fathers and escape. Gamera attacks the submerged spaceship, which inexplicably changes into a monster resembling a gigantic, robotic 'goblin shark'. Various adventures and battles follow, with the two children always in the thick of things. As usual, Earth's puny weapons are proven useless and only Gamera, the children's friend, can save us. At times, the film (or at least the dubbed dialogue) makes no sense: explaining Zigra's origins, the space-babe states "We on Zigra planet, we used to live in the sea but your Earth science polluted the water and we could no longer live there", this despite the fact that Zigra is 400 light-years from Earth. The special effects are low-budget and not very effective, with most of the monster action underwater or on a beach. The Gamera suit looks as unconvincing as ever and the silly Zigra costume is on par with most of Gamera's goofy kaiju foes (Gyaos being an exception). In keeping with the drift toward 'environmental values' in the genre ('Godzilla vs the Smog Monster' was released the same year), the film has lots of preachy moments about valuing the oceans, etc., yet opens with what is essentially a plug for "Sea World". There are also several references to Coke, the tiresome little girl's libation of choice. For a kaiju film, there is not a lot of 'action' and far too much time is spent on the space-babe's pursuit of the annoying children, descriptions of carnage and destruction that we don't get to see, and Zigra's continual gloating about his superiority, our dismal fate, etc. His comeuppance for this verbose posturing is to have his dorsal fins played like a xylophone by the triumphant turtle, who then breaks into dance (even sillier than Godzilla's infamous victory jig in 1964's 'Invasion of Astro-Monster'). Incongruously, after this lighthearted song-and-dance moment, Zigra is incinerated while still alive. The Gamera formula was getting pretty tired by 1971 and, perhaps fortunately, this was the last of the original Showa-era films. Other than 'starring' in 1980's dire "Gamera Super Monster" a compilation of fight scenes frame-worked by a ridiculous (and possibly imaginary) story involving 'space women', the giant, jet-powered, flying turtle hibernates until 1995's excellent "Gamera: Guardian of the Universe". One bonus: the score includes the 'Gamera Song', this time with lyrics and sung by a children's choir. If this memorably cheerful ditty doesn't lay an egg in your inner ear, nothing will.

An unconvincing model moon base is blasted by a spaceship (which looks like the crown of The Statue of Liberty has collided with a giant liquorice allsort); the spaceship proceeds to Earth and lands in the sea. On board the craft: a hot Japanese woman (Eiko Yanami) under the control of Zigra, an alien goblin shark/swordfish who causes massive earthquakes (that occur off-screen to stay within budget) in order to force the human race to surrender its oceans. Gamera isn't about to let that happen and steps in to sort out the uppity fish, but when the titanic turtle destroys the spaceship, Zigra grows to massive proportions...

If it wasn't for the presence of yummy Eiko Yanami, who cavorts in a sexy space outfit, a bikini, and a mini-skirt, I would have dozed off during this one: it's easily the worst of the Gamera films thus far, with a hum-drum seen-it-all-before plot, annoying kids, and very little in the way of monster action. Much of the film acts as an advertisement for Kamogawa Sea World, and we're treated to performing killer whales and seals. Meanwhile, Gamera spends a lot of the time face down in the sea, having been zapped by Zigra, and is only revived by a lightning bolt for the finalé, in which he teaches Zigra a lesson by playing his dorsal spines like a xylophone before barbecuing him.

2.5/10, generously rounded up to 3 for the salient environmental message: keep the oceans clean!