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IMDbPro

Dernier domicile connu

  • 1970
  • 1h 45min
CALIFICACIÓN DE IMDb
6.9/10
2 k
TU CALIFICACIÓN
Marlène Jobert and Lino Ventura in Dernier domicile connu (1970)
CrimeDramaMysteryThriller

Agrega una trama en tu idiomaPolice inspector Léonetti, a tough, efficient policeman, has been sent to a second-rate police station after being reprimanded. There he is given a partner, young and beautiful Jeanne Dumas.... Leer todoPolice inspector Léonetti, a tough, efficient policeman, has been sent to a second-rate police station after being reprimanded. There he is given a partner, young and beautiful Jeanne Dumas. The duo are soon assigned a very difficult mission: to find a man whose evidence is instr... Leer todoPolice inspector Léonetti, a tough, efficient policeman, has been sent to a second-rate police station after being reprimanded. There he is given a partner, young and beautiful Jeanne Dumas. The duo are soon assigned a very difficult mission: to find a man whose evidence is instrumental in convicting a murderer. They start searching throughout Paris...

  • Dirección
    • José Giovanni
  • Guionistas
    • Joseph Harrington
    • José Giovanni
  • Elenco
    • Lino Ventura
    • Marlène Jobert
    • Michel Constantin
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.9/10
    2 k
    TU CALIFICACIÓN
    • Dirección
      • José Giovanni
    • Guionistas
      • Joseph Harrington
      • José Giovanni
    • Elenco
      • Lino Ventura
      • Marlène Jobert
      • Michel Constantin
    • 17Opiniones de los usuarios
    • 14Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado en total

    Fotos10

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    Elenco principal56

    Editar
    Lino Ventura
    Lino Ventura
    • L'inspecteur principal Marceau Leonetti
    Marlène Jobert
    Marlène Jobert
    • Jeanne Dumas
    Michel Constantin
    Michel Constantin
    • Greg
    Paul Crauchet
    Paul Crauchet
    • Jacques Loring
    Alain Mottet
    • Frank Lambert
    Béatrice Arnac
    Béatrice Arnac
    • Silvia
    Guy Heron
    • Soramon
    Albert Dagnant
    • Arnold
    Monique Mélinand
    • Mme Loring
    Marcel Pérès
    Marcel Pérès
    • Lenoir
    Germaine Delbat
    • Madame Lenoir
    Hervé Sand
    • Gravel
    Pascal Gillot
    François Jaubert
    • Le braqueur
    Régine Lovi
    Paul Beauvais
    Aude Olivier
    • Thelma
    Philippe March
    Philippe March
    • Roger Martin
    • Dirección
      • José Giovanni
    • Guionistas
      • Joseph Harrington
      • José Giovanni
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios17

    6.92K
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    Opiniones destacadas

    8dbdumonteil

    Endearing movie.

    This might be my Jose Giovanni favorite.His third movie,it is perhaps his most endearing one.A really unusual thriller,which uses urban landscapes with great skill.We often seem to be lost in an ocean of windows ,which makes sense,because the plot is actually a search.

    Two cops,a man and a woman, (Ventura and Jobert)are looking for a witness for the prosecution .That man seems to have disappeared.So their investigation looks like a treasure hunt.They meet a lot of people,some of whom have known the mysterious guy.They learn that he is a widower living with his daughter.The girl herself is an enigma,being described as a fairy tale princess by some (Paul Crauchet) or a vicious Lolita (the woman with the cat).The woman cop even dreams of them,and that sequence is really excellent,as they seem more and more to be a mirage.

    There is something of John Huston in the conclusion of "dernier domicile connu" (last known address).It deals with cowardice ,sadness and despair,one of the harshest endings Giovanni ever filmed.Even if they succeeded in their mission,the two cops realize that they have been manipulated and that they have completely destroyed two human beings' happiness.

    Marlène Jobert has perhaps never been better than here.Once a enthusiastic rookie ,her despair is intense when the movie ends.Ventura portrays a fallen cop from the beginning: He was relegated to a local police station after having arrested a drunken rich kid.Disillusioned ,but still believing in what he's doing,he will become a broken man as the last lines read:life is lost when you did not live your life as you would have liked to.

    Good directing,fine acting,and as usual ,wonderful score by François de Roubaix.
    Paulo-25

    Good french thriller/action film

    An undercover policeman goes trough Paris to find a man whose testimony is the pivotal point to convict a murderer. Good action film, with very good use of editing and music to create tension, however the acting and plot seem to make it a middle ground affair.
    6GodeonWay

    Lino Ventura and Marlène Jobert are the whole show...

    In a nutshell, I'd call this police drama 'pretty good'. But not nearly as excellent as some reviewers have made it out to be. On the plus side are the standout performances of tough cop Lino Ventura and his rookie assistant, the enchanting Marlène Jobert.

    In the early 1970s Jobert was probably France's most in-demand actress, so lovely and so endearing that it was hard not to fall in love with her. I succombed immediately on seeing her irresistible performance in René Clément's classic Rider on the Rain, where she is perfectly paired with the redoubtable Charles Bronson.

    Also on the plus side are many gorgeous glimpses of Paris, by day and by night. On the minus side though, is the contrived drama of the movie. Like many French police films of the period, it tries too hard to be more than a police story. It strives to be a meaningful essay on modern society, morality and lost illusions.

    Still, it's pretty good, and if you're a fan of directors like Sidney Lumet, Arthur Penn and Elia Kazan, you'll probably find a great deal to like in Dernier domicile connu.

    But if your taste runs more toward Alfred Hitchcock and Fritz Lang, you can skip this one and go directly to Rider on the Rain.
    9almontin

    Beautiful and well paced

    First of all, this is the first time I have watched a Lino Venture movie, so seeing it with new eyes has perhaps conferred it a special shine. But it is truly a very beautiful movie shot in a 1960s Paris in which only the cars have changed over the years. But the beauty also applies to the cast of actors and to their sensitive acting.

    Lino Ventura is the fallen cop who doesn't bare a grudge and is dedicated as ever to his job, landing him into a painful fist fight with some thugs, and dealing chivalrously with his bright-eyed assistant Marlène Jobert who truly delivers as a newcomer to the job of crime fighting, aptly portraying both excitement and disillusion. The supporting cast, good and evil, deliver very well and accurately depict Paris' diversity (often through gritty character depictions and photography) 40 years back.

    The plot flows well, sometimes interspersed with dream sequences which are beautifully rendered. Never cheesy (like so many movies of the time), well paced and acted, truly a great cop movie which has aged very gracefully.
    9Weirdling_Wolf

    one of the more memorable French thrillers and arguably one of the more influentially hard-nosed policiers of the period.

    Lauded Writer/Director, Jose Giovanni's classic 70s policier 'Dernier Domicile Connu' is, perhaps, one of the more charismatic French thrillers and arguably remains one of the most influentially hard-nosed policiers of the period. 'Dernier Domicile Connu' excitingly initiates many of the signature street-tough dynamics playfully exaggerated in later landmark thrillers like 'Dirty Harry'. A gritty Gallic precursor to the infinitely more lurid poliziotteschi, that violent mainstay of Italian exploitation so popular during the especially turbulent political unrest of the early 1970s.

    Enigmatic, brutally efficient cop Inspector Lionetti (Lino Ventura) suddenly has his stellar, albeit controversial career irreversibly tarnished by some shady internecine political machinations, finding himself humiliatingly demoted to arresting sleazy, cinema-stalking perverts. Lionetti's new female partner, the young, naive, Jeanne Dumas (Marlene Jobert) makes an appealingly sensitive counterpoint to Lionetti's brutalist approach to police procedure. There can be little doubt that a more resplendent union of amiably mismatched cops would be hard to imagine! Unfortunately, this once novel trope is zealously appropriated with infinitely less guile today. Lionetti & Dumas become embroiled in their increasingly fraught, apparently hopeless quest of locating a key witness in a tabloid-splashed murder trial who eluded discovery for 5 years.

    'Dernier Domicile Connu' remains a vital, meticulously plotted example of an especially compelling, beautifully performed, emotionally rewarding 70s crime thriller. Not only expressing a clear mastery of the form but rewarding in its many delightful narrative subtleties, amusing quirks and myriad idiosyncrasies. The sublime cinematic chemistry of charismatic screen icon, Lino Ventura and angelic, Joubert provides additional lustre to their richly detailed characters that you care deeply for. Jose Giovanni's gripping crime classic also features one of maestro, Francois de Roubaix's finest, ear-wormingly brilliant scores that funkily completes a stunning ensemble of creative filmmaking excellence.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      Marlène Jobert tells in her biography that she and her co star Lino Ventura barely spoke to each other on the shooting because she refused to accept the role after she first accepted. But she eventually went back on her decision and she and Ventura forgot the incident several years later.
    • Errores
      The film ends with a quotation: --- car la vie est un bien perdu quand on n'a pas vecu comme on l'aurait voulu and claims it is by Eminescu, a Romanian poet. This is wrong. The quotation is from the work of another Romanian poet, Gheorghe Cosbuc.
    • Conexiones
      Referenced in Robbie Williams: Supreme (2000)

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    Preguntas Frecuentes12

    • How long is Last Known Address?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 25 de febrero de 1970 (Francia)
    • Países de origen
      • Francia
      • Italia
    • Idioma
      • Francés
    • También se conoce como
      • Last Known Address
    • Locaciones de filmación
      • Boulevard Exelmans, Paris 16, París, Francia(Leonetti brings drunken driver to police precinct)
    • Productoras
      • Valoria Films
      • Cité Films
      • Parme Productions
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 45 minutos
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.66 : 1

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