CALIFICACIÓN DE IMDb
7.1/10
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TU CALIFICACIÓN
Se trata del estudio del personaje de un médico que salva a un criminal local de una mafia que intenta colgarlo, pero luego trata de controlar la vida del joven, dándose cuenta de que puede ... Leer todoSe trata del estudio del personaje de un médico que salva a un criminal local de una mafia que intenta colgarlo, pero luego trata de controlar la vida del joven, dándose cuenta de que puede descubrir su secreto.Se trata del estudio del personaje de un médico que salva a un criminal local de una mafia que intenta colgarlo, pero luego trata de controlar la vida del joven, dándose cuenta de que puede descubrir su secreto.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 1 premio ganado y 4 nominaciones en total
Emile Avery
- Townsman
- (sin créditos)
Fern Barry
- Mother
- (sin créditos)
William 'Billy' Benedict
- Trapper
- (sin créditos)
Oscar Blank
- Townsman
- (sin créditos)
Danny Borzage
- Dan
- (sin créditos)
Annette Claudier
- Dance Hall Girl
- (sin créditos)
Tex Driscoll
- Townsman
- (sin créditos)
Martin Eric
- Father
- (sin créditos)
Frank Hagney
- Townsman
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
No need to recap the sprawling plot.
For a western, the movie is generously produced. The Washington state locations are scenic as heck and a great backdrop to the rushing crowds and boisterous miners. In fact, the gold camp recreation is one of the most realistic I've seen. Then too, the production has one of the most underrated directors of westerns of the period, Delmer Daves, whose list includes such classics as 3:10 to Yuma (1957), Jubal (1956),and the generally overlooked Cowboy (1958). All of these are tightly written and efficiently directed little gems.
But I have to say that despite the first-rate production values and a first-rate cast, this more epic sized western doesn't achieve the impact of Daves' smaller movies. The problem is a loose script and a dawdling camera that stretches out the dramatics and the movie's length to a sometimes tedious degree. I'm guessing that Warner Bros. wanted a production equal to Gary Cooper's iconic standing. I suspect they were also promoting newcomer Schell's career, and thus much time is split between her, Cooper, and the always reliable Malden. All perform well, but add up to bits and pieces that don't fit together very well, while padding the screen time unnecessarily.
I wish Scott's truly fearsome religious zealot had gotten a bigger role. He might have made the movie memorable, so strong is his spotty presence. Something I don't usually notice in films is the movie score. But here the music is blended nicely into the screenplay, without overdoing it. Perhaps revealingly, this is Daves' final western. From here, he went on to teenage fare, such as the blockbuster A Summer Place (1959) that despite its teen angst of the day is not without notable compensations. Anyway, this film's a scenic delight at the same time the narrative unfortunately is not, which adds up to a very mixed result.
For a western, the movie is generously produced. The Washington state locations are scenic as heck and a great backdrop to the rushing crowds and boisterous miners. In fact, the gold camp recreation is one of the most realistic I've seen. Then too, the production has one of the most underrated directors of westerns of the period, Delmer Daves, whose list includes such classics as 3:10 to Yuma (1957), Jubal (1956),and the generally overlooked Cowboy (1958). All of these are tightly written and efficiently directed little gems.
But I have to say that despite the first-rate production values and a first-rate cast, this more epic sized western doesn't achieve the impact of Daves' smaller movies. The problem is a loose script and a dawdling camera that stretches out the dramatics and the movie's length to a sometimes tedious degree. I'm guessing that Warner Bros. wanted a production equal to Gary Cooper's iconic standing. I suspect they were also promoting newcomer Schell's career, and thus much time is split between her, Cooper, and the always reliable Malden. All perform well, but add up to bits and pieces that don't fit together very well, while padding the screen time unnecessarily.
I wish Scott's truly fearsome religious zealot had gotten a bigger role. He might have made the movie memorable, so strong is his spotty presence. Something I don't usually notice in films is the movie score. But here the music is blended nicely into the screenplay, without overdoing it. Perhaps revealingly, this is Daves' final western. From here, he went on to teenage fare, such as the blockbuster A Summer Place (1959) that despite its teen angst of the day is not without notable compensations. Anyway, this film's a scenic delight at the same time the narrative unfortunately is not, which adds up to a very mixed result.
After an unfortunate family incident, embittered doctor Gary Cooper changes his name (to Joseph "Joe" Frail) and moves to 1873 Montana. "Doc" sets up shop in the aptly named Gold Rush town of "Skull Creek" with handsome young Ben Piazza (as Rune) as manservant, after saving the robber lad from death by posse. A stagecoach attack quickly provides Mr. Cooper with another housemate, Swiss emigrant Maria Schell (as Elizabeth Mahler). Baked and blinded by the sun, Ms. Schell heals into an uncommonly beautiful woman. As you might expect, patient and doctor are mutually attracted. Why she and Mr. Piazza amount to naught is not explained. Creepy head-capped Karl Malden (as Frenchy Plante) provides villainy...
"The Hanging Tree" looms forebodingly as we learn more about Cooper's contrary character; it's a good role for the aging superstar, in one of his best later years performances. We may be meant to consider the love of Schell providing Cooper with a possible second chance as the main story, but much more interesting is how the story deals with ownership. Cooper "owns" both Piazza and Schell in saving their lives, but is challenged for the latter by Mr. Malden. The proof that Cooper is a good soul is conveyed early, by his tossing of the bullet he took from Piazza and his gift to the malnourished girl. And, "The Lucky Lady Mine" owners believe the ownership of material wealth will bring happiness. Delmer Daves directs beautifully.
******** The Hanging Tree (2/11/59) Delmer Daves ~ Gary Cooper, Ben Piazza, Maria Schell, Karl Malden
"The Hanging Tree" looms forebodingly as we learn more about Cooper's contrary character; it's a good role for the aging superstar, in one of his best later years performances. We may be meant to consider the love of Schell providing Cooper with a possible second chance as the main story, but much more interesting is how the story deals with ownership. Cooper "owns" both Piazza and Schell in saving their lives, but is challenged for the latter by Mr. Malden. The proof that Cooper is a good soul is conveyed early, by his tossing of the bullet he took from Piazza and his gift to the malnourished girl. And, "The Lucky Lady Mine" owners believe the ownership of material wealth will bring happiness. Delmer Daves directs beautifully.
******** The Hanging Tree (2/11/59) Delmer Daves ~ Gary Cooper, Ben Piazza, Maria Schell, Karl Malden
This movie should be right up there with "High Noon", "The Searchers", "The Magnificent Seven", and other classic westerns. The cinematography and fantastic outdoor location alone make it a must see. Gary Cooper plays a gun-toting frontier doctor, with a mysterious past, Maria Schell, a determined immigrant, who becomes his patient. Karl Malden, a ruthless miner, who becomes her partner. The supporting cast is excellent, including a very slender young actor by the name of George C. Scott, whose performance is compelling. This is one of Cooper's last movies, and one of his best. I'm not really sure why, but this movie has not been enjoyed as much as it should, or received the praise it deserves. If you're a fan of the genre, and you have not seen this movie, you owe it to yourself to check it out.
Hanging Tree, The (1959)
*** (out of 4)
Underrated Western about a doctor (Gary Cooper) with a mysterious past who saves a criminal (Karl Swenson) from being hanged. Later the doctor begins to care for a woman (Maria Schell) whose father was killed in a stagecoach robbery, which also left her badly burned and blind. As the doctor and the woman become closer there are a few in town who begin to think they're up to no good. There's a lot more going on in this Western and it's certainly unlike many that were being made around this period because if you're expecting some sort of shoot 'em up then you're going to be disappointed. I'd have no problem recommending this film to people but at the same time there's no question that it's not going to be for everyone. Those who do appreciate its laid back nature and the more plot-driven device should end up having a good time with it. You also have a terrific cast delivers some very good performances with Cooper leading the way. Around this time James Stewart was showing off his dark side with various Alfred Hitchcock films and it seems Cooper wanted to show off he could do the same thing. The funny thing is that the screenplay allows him to show a dark and good side, which might seem like a cop out but it really isn't. There's an early scene where a poor family brings their sick daughter and the only reason she's sick is because of a lack of food. The tenderness Cooper shows during this scene is why everyone loves him. Then, later in the film, the darkness he shows when his past comes back to him is perfectly handled by the actor. Schell and Swenson are both very good in their roles and play well against Cooper. The supporting cast features Karl Malden playing a pervert who begins to have certain sexual feelings towards the girl. George C. Scott appears in a few scenes playing a drunken Christian who believes Cooper is the devil due to his medicine. The film works on a lot of levels and there's no question a large portion of the film is dedicated to the love story but this works as well. I really enjoyed how the screenplay mixed everything together because we get the love story, the gold rush action and then the character development, which leads up to an action-packed ending and a rather nice finish to things. The film contains some very good cinematography and the color picks up every terrific location shot. THE HANGING TREE has gotten a good sized cult following over the past several years and it's easy to see why as it features the great performances as well as a story that isn't typical told in the genre from this period.
*** (out of 4)
Underrated Western about a doctor (Gary Cooper) with a mysterious past who saves a criminal (Karl Swenson) from being hanged. Later the doctor begins to care for a woman (Maria Schell) whose father was killed in a stagecoach robbery, which also left her badly burned and blind. As the doctor and the woman become closer there are a few in town who begin to think they're up to no good. There's a lot more going on in this Western and it's certainly unlike many that were being made around this period because if you're expecting some sort of shoot 'em up then you're going to be disappointed. I'd have no problem recommending this film to people but at the same time there's no question that it's not going to be for everyone. Those who do appreciate its laid back nature and the more plot-driven device should end up having a good time with it. You also have a terrific cast delivers some very good performances with Cooper leading the way. Around this time James Stewart was showing off his dark side with various Alfred Hitchcock films and it seems Cooper wanted to show off he could do the same thing. The funny thing is that the screenplay allows him to show a dark and good side, which might seem like a cop out but it really isn't. There's an early scene where a poor family brings their sick daughter and the only reason she's sick is because of a lack of food. The tenderness Cooper shows during this scene is why everyone loves him. Then, later in the film, the darkness he shows when his past comes back to him is perfectly handled by the actor. Schell and Swenson are both very good in their roles and play well against Cooper. The supporting cast features Karl Malden playing a pervert who begins to have certain sexual feelings towards the girl. George C. Scott appears in a few scenes playing a drunken Christian who believes Cooper is the devil due to his medicine. The film works on a lot of levels and there's no question a large portion of the film is dedicated to the love story but this works as well. I really enjoyed how the screenplay mixed everything together because we get the love story, the gold rush action and then the character development, which leads up to an action-packed ending and a rather nice finish to things. The film contains some very good cinematography and the color picks up every terrific location shot. THE HANGING TREE has gotten a good sized cult following over the past several years and it's easy to see why as it features the great performances as well as a story that isn't typical told in the genre from this period.
¨Hanging tree¨ results to be a good western set in a gold-mining camp and remains consistently agreeable and attractive . Set in Montana , 1873 , it takes place at a mining village called Skull Creek where arrives a frontier doctor named Joseph Frain (Gary Cooper as a good guy , as usual , being last western Gary Cooper starred in) . The doctor rescues a young thief named Rune (Ben Piazza) from a lynch mob . The doctor temporarily nurses and devotes his time to Elizabeth Mahler (Maria Schell) a strange girl . Unfortunately, however, the doctor with a dark past (it was left ambiguous whether the doctor had killed his unfaithful wife) may place his patient in considerable risk . The nasty (Karl Malden as a bad guy) attempts to rape Elizabeth but Cooper comes to his rescue . Later on , the townspeople took the doctor out to ¨The hanging tree¨ but this time is helped by his friends .
This first-rate but slow-paced Western draws its riveting tale and power from the interaction of finely drawn roles as well as drama and action . A fine and thought-provoking film in which Daves keeps straight face and magnificent control of rhythm in spite of some highly unlikely situations . Masterfully made and including excellent performances , breathtaking background shots and impeccable close-ups . ¨Hanging tree¨ which look a fairly and realist sighting at a mining camp . It stars genre stalwart Gary Cooper as a doctor-gambler-gunslinger who has a rather sinister past , he is a good professional treating a blind girl and saving a rogue thief . Maria Schell as blind woman is awesome too . Furthermore , George C Scott's screen debut as a fanatic preacher . Good adult Western with exciting battle of wits between an obstinate doctor , a beautiful blind woman and a nasty miner . This laid-back Western contains sensitive songs sung at the beginning and ending by Marty Robbing composed by Jerry Livingstone and written Marck Davis , being deservedly nominated for Oscar , in addition an emotive musical score by the classic Max Steiner . Colorful cinematography by Ted McCord , filmed in State of Washington nearly Yakime , where was expressly built a mining village . Well produced by Cooper and his Production Company called ¨Baroda¨ and some scenes were realized by Karl Malden by illness of Delmer Daves . ¨Hanging tree¨ turns out to be stylish, well paced , solid, meticulous and with enjoyable look . This perfectly acted movie is gripping every step of the way . Rating : Above average , worthwhile watching , still a memorable film
The motion picture was well directed by Delmer Daves - including his characteristic use of landscape- , though he fell ill during filming and Karl Malden took over for several days until Daves recovered. Daves was a Western expert for the reason he lived a long time of his boyhood with the Navajo and Hopi Indian tribes as he realized the notorious trail-blazing ¨Broken arrow¨ the first movie for many years not treat the Indians as cannon-fodder for the cavalry , which made the picture unpopular in some quarters . He went on directing the suspenseful ¨3:10 to Yuma¨, other pro-Indian as ¨The last wagon¨ and about Modoc Indians as ¨Drum beat¨ , the Shakespearian style of ¨Jubal¨ , ¨Return of the Texan¨ and ¨Cowboy¨ which a fairly spectacle about a long cattle drive . From 1959 Delmer Daves becomes embroiled for the remainder of his career with teenage love epics and very popular at the Box-office as ¨A summer place¨, ¨Parrish¨, ¨Susan Slade¨, and ¨Rome adventure¨, among others .
This first-rate but slow-paced Western draws its riveting tale and power from the interaction of finely drawn roles as well as drama and action . A fine and thought-provoking film in which Daves keeps straight face and magnificent control of rhythm in spite of some highly unlikely situations . Masterfully made and including excellent performances , breathtaking background shots and impeccable close-ups . ¨Hanging tree¨ which look a fairly and realist sighting at a mining camp . It stars genre stalwart Gary Cooper as a doctor-gambler-gunslinger who has a rather sinister past , he is a good professional treating a blind girl and saving a rogue thief . Maria Schell as blind woman is awesome too . Furthermore , George C Scott's screen debut as a fanatic preacher . Good adult Western with exciting battle of wits between an obstinate doctor , a beautiful blind woman and a nasty miner . This laid-back Western contains sensitive songs sung at the beginning and ending by Marty Robbing composed by Jerry Livingstone and written Marck Davis , being deservedly nominated for Oscar , in addition an emotive musical score by the classic Max Steiner . Colorful cinematography by Ted McCord , filmed in State of Washington nearly Yakime , where was expressly built a mining village . Well produced by Cooper and his Production Company called ¨Baroda¨ and some scenes were realized by Karl Malden by illness of Delmer Daves . ¨Hanging tree¨ turns out to be stylish, well paced , solid, meticulous and with enjoyable look . This perfectly acted movie is gripping every step of the way . Rating : Above average , worthwhile watching , still a memorable film
The motion picture was well directed by Delmer Daves - including his characteristic use of landscape- , though he fell ill during filming and Karl Malden took over for several days until Daves recovered. Daves was a Western expert for the reason he lived a long time of his boyhood with the Navajo and Hopi Indian tribes as he realized the notorious trail-blazing ¨Broken arrow¨ the first movie for many years not treat the Indians as cannon-fodder for the cavalry , which made the picture unpopular in some quarters . He went on directing the suspenseful ¨3:10 to Yuma¨, other pro-Indian as ¨The last wagon¨ and about Modoc Indians as ¨Drum beat¨ , the Shakespearian style of ¨Jubal¨ , ¨Return of the Texan¨ and ¨Cowboy¨ which a fairly spectacle about a long cattle drive . From 1959 Delmer Daves becomes embroiled for the remainder of his career with teenage love epics and very popular at the Box-office as ¨A summer place¨, ¨Parrish¨, ¨Susan Slade¨, and ¨Rome adventure¨, among others .
¿Sabías que…?
- TriviaThe last western in which Gary Cooper starred.
- ErroresThe dresses have zippers, especially obvious when Elizabeth's dress is shown from the back and is partly unfastened. Zippers weren't used in the 1870s.
- Citas
Townsman in wagon: [Reassuringly to wife] Every new mining camp's got to have its hanging tree. Makes it feel respectable.
- ConexionesEdited into Meine Schwester Maria (2002)
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- How long is The Hanging Tree?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- El árbol del ahorcado
- Locaciones de filmación
- Nile, Washington, Estados Unidos(gold mining town set)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,350,000 (estimado)
- Total a nivel mundial
- USD 8,992
- Tiempo de ejecución
- 1h 47min(107 min)
- Relación de aspecto
- 1.85 : 1
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