Sendas tortuosas

As simple case of mistaken identity puts wanted bank robber Audie Murphy in position of Sheriff in a small but fast growing Western Town - with its own large bank. The film plods along nicely giving enough to keep the viewer interested and when it does begin to delve into Murphy's character, it still manages to keep the question 'will he or wont he' wide open. Walter Mattau provides the comedy as the drunken judge who rules with an iron fist. Enjoyable..

Ride a Crooked Trail is directed by Jesse Hibbs and adapted to screenplay by Borden Chase from a story written by George Bruce. It stars Audie Murphy, Walter Matthau, Gia Scala, Leo Gordon, Henry Silva and Eddie Little. A CinemaScope/Eastman Color production, music is by Joseph Gershenson and cinematography by Harold Lipstein.

A blend of the breezy and the beefy here as Audie saddles up as Joe Maybe, a bank robber who after assuming the identity of the detective who was sent to capture him, winds up as the sheriff of a corrupt town. Ironically it's the town he and his dastardly cohorts had planned for their next big robbery. But as Joe insinuates himself into the company of the town's better citizens, he begins to doubt his dark side.

It's pretty routine as per the bad man trying to turn good axis of Western movie plotting, but there's a good sense of fun running throughout. Murphy himself seems to really be enjoying himself in the role of Joe Maybe. Leading the front of frivolity is Matthau as the town judge, his capacity for alcohol is as legendary as his ability to find a quip or sarcasm in the most trying of situations. Many of the scenes shared between the two men are most funny, be it hangovers, court room shenanigans or generally sounding each other out, they make for a great pair of characters.

Of course all this good fun has to ease off for the plot to take its darker turn. Which brings in the villains and the action scenes just as Joe's conscience starts to gnaw away at him. Costuming is appealing, especially when modelled by Scala, Gershenson provides another one of his lively Western musical scores and Lipstein's Scope photography makes good use of the gorgeous scenery. It's a bit creaky in parts and Hibbs sometimes lets the pace sag, but this is good entertainment for Audie and Matthau fans. 7/10

i really enjoyed this western as i always liked audie murphy westerns. also a great performance by walter matthau as the crusty old judge. also gia scala is great as the bad girl with a big heart

i wish they would show this, other audie murphy movies and all the 50's westerns

from universal-international on tcm. also what do we have to do to get these great old western from universal on DVD? "ride a crooked trail" rates up there with me with "the cimmaron kid" "night passage" "the duel at silver creek" and the "unforgiven" as audie's great westerns. they put out old black & white westerns from the 30's and 40's from other studios but why don't they put universal's great color westerns from the 50's out on DVD

This is quite a good, light-hearted little western featuring Audie Murphy as an escaping bank robber who arrives in a town only to be mistaken by the local judge - a feisty Walter Matthau - for a likely candidate for sheriff. When Gia Scala - Murphy's old flame gets off the river boat she almost lands him it, so to avoid discovery he claims that they are married so as he can carry out his own nefarious plans. When her real beau and his gang arrive in town things all start to get a bit complicated... It's an entertaining hour and a half; with a good rapport between all three principals and Eddie Little as the young "Jimmy". It's got an half decent script and some good action thrown in too. The ending is a bit poor, but I suppose it was inevitable...

For a modestly budgeted, unambitious horse opera, this is as good as it gets. Audie Murphy's Western vehicles of the 50s don't command the respect of Randolph Scott's or Joel McCrea's, but they are just as entertaining. A few of them ("No Name On The Bullet," "Posse From Hell") have an unusual edge that makes them noteworthy, but this one simply transcends its limitations to be a damned good entertainment. Walter Matthau steals every scene he's in as an alcoholic judge, while Murphy's subtly nervous performance as the would-be outlaw pretending he's a respected lawman may remind one of David Janssen as TV's "The Fugitive." Audie reportedly was uncomfortable with romantic scenes, but here he handles some innuendo-laden dialogue with Gia Scala quite nicely. Henry Silva and Mort Mills provide some surprisingly restrained (for this sort of thing) villainy. The premise (good-at-heart outlaw is reformed by wearing a badge) was old hat, but the execution is great! Set your expectations for a medium budgeted Western with no pretensions, and you won't be disappointed. You may even be pleasantly surprised.