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Banner Cole es un ayudante del sheriff duro que forma un pequeño grupo para perseguir a 4 fugitivos del corredor de la muerte que mataron al sheriff, junto con otros 3 hombres, y secuestraro... Leer todoBanner Cole es un ayudante del sheriff duro que forma un pequeño grupo para perseguir a 4 fugitivos del corredor de la muerte que mataron al sheriff, junto con otros 3 hombres, y secuestraron a una mujer con idea de violarla.Banner Cole es un ayudante del sheriff duro que forma un pequeño grupo para perseguir a 4 fugitivos del corredor de la muerte que mataron al sheriff, junto con otros 3 hombres, y secuestraron a una mujer con idea de violarla.
Rodolfo Acosta
- Johnny Caddo
- (as Rudolph Acosta)
Opiniones destacadas
Posse From Hell is my second favorite Audie Murphy western, his best being No Name On The Bullet. It's Audie who is leading the men who make up the Posse From Hell, he's a deputy tracking down the killer of the marshal and another citizen from his town of Paradise.
Four prize specimens scheduled to hang escape from territorial prison and come upon the town and terrorize it, taking with them as hostage and sex toy Zohra Lampert. The leader of the four is Vic Morrow who packs a deadly shotgun. Morrow is absolutely riveting in his evil, this may very well be his career role.
In fact Posse From Hell has many good supporting parts, Robert Keith plays a vain Civil War soldier looking to recapture some of his former prestige or acquire some he never had. John Saxon also stands out as a bank clerk who's from the east who joins the posse to see if he has the right stuff. Rudolfo Acosta who usually plays bad guys plays an Indian who joins the posse as a tracker and takes a lot of guff from the more self righteous whites.
Seeing how deadly Morrow is with a shotgun this is an image that will disturb you and stay with you a long time.
A nice cast of familiar players help Audie Murphy make this one of his best westerns. An absolute must for his fans.
Four prize specimens scheduled to hang escape from territorial prison and come upon the town and terrorize it, taking with them as hostage and sex toy Zohra Lampert. The leader of the four is Vic Morrow who packs a deadly shotgun. Morrow is absolutely riveting in his evil, this may very well be his career role.
In fact Posse From Hell has many good supporting parts, Robert Keith plays a vain Civil War soldier looking to recapture some of his former prestige or acquire some he never had. John Saxon also stands out as a bank clerk who's from the east who joins the posse to see if he has the right stuff. Rudolfo Acosta who usually plays bad guys plays an Indian who joins the posse as a tracker and takes a lot of guff from the more self righteous whites.
Seeing how deadly Morrow is with a shotgun this is an image that will disturb you and stay with you a long time.
A nice cast of familiar players help Audie Murphy make this one of his best westerns. An absolute must for his fans.
I've long been a fan of Audie Murphy and event his lesser movies are better than most of the drivel that comes out of Hollywood today.
This is a good movie on its merits and not just as a vehicle for Murphy. It works well on all levels - story, acting, and directing. What I most enjoyed is the fact each actor is given screen time to rise above the stereotypes and create a memorable character - even if they only have a few lines.
The two I remember most are the young banker Seymour Kern (John Saxon) and the Mexican cowboy Johnny Caddo (Rudolph Acosta). Saxon in particular does well showing true, believable growth; he isn't just there as a foil/sidekick for Murphy to play off of but as a genuine character treated as equally important to the storyline. Acosta, usually a villain in the movies, plays an equally important role as a Spanish cowboy who joins simply because "it's the right thing to do".
This is a good movie on its merits and not just as a vehicle for Murphy. It works well on all levels - story, acting, and directing. What I most enjoyed is the fact each actor is given screen time to rise above the stereotypes and create a memorable character - even if they only have a few lines.
The two I remember most are the young banker Seymour Kern (John Saxon) and the Mexican cowboy Johnny Caddo (Rudolph Acosta). Saxon in particular does well showing true, believable growth; he isn't just there as a foil/sidekick for Murphy to play off of but as a genuine character treated as equally important to the storyline. Acosta, usually a villain in the movies, plays an equally important role as a Spanish cowboy who joins simply because "it's the right thing to do".
Four men scheduled to be hanged escape, kill the sheriff and three other men, and kidnap Zohra Lampert for their personal amusement. Deputy Audie Murphy forms a posse of untried men to pursue them.
It's an Audie Murphy western, and so most of the scenes center around him. Happily for the movie, he's up to it, with a grim attitude and a lack of concern for details in how he gets the job done. John Saxon is an easterner stuck out west for some reason. Drafted into the posse, he is at first more concerned with what it's going to do to his clothes and his inexperience at riding a horse; nonetheless, he's game. Other performers are also good, as the movie western slides from the simple tropes of the classic B western towards the darkness of the violent spaghetti western. There's still a veneer of law and order, but it's more about order at any price.
DP Clifford Stine spent more of his career doing second-unit work than main photography, but he shoots the Alabama Hills as grimmer than any other movie I've seen. They're not just a backdrop, they're physically oppressive.
It's an Audie Murphy western, and so most of the scenes center around him. Happily for the movie, he's up to it, with a grim attitude and a lack of concern for details in how he gets the job done. John Saxon is an easterner stuck out west for some reason. Drafted into the posse, he is at first more concerned with what it's going to do to his clothes and his inexperience at riding a horse; nonetheless, he's game. Other performers are also good, as the movie western slides from the simple tropes of the classic B western towards the darkness of the violent spaghetti western. There's still a veneer of law and order, but it's more about order at any price.
DP Clifford Stine spent more of his career doing second-unit work than main photography, but he shoots the Alabama Hills as grimmer than any other movie I've seen. They're not just a backdrop, they're physically oppressive.
Here stars a lawman called Banner (Audie Murphy) , he is a deputy who goes after bad guys led by Crip (Vic Morrow) , four baddies escapees from death row , they shot his friend and kidnapped a local girl named Helen Caldwell (Zohra Lampert) and with rape in mind . But the posse of the coward inhabitants of the small town gradually abandon him . Only a tenderfoot banker clerk accompanies him at whatever risks .Two steel-nerved and two-fisted men take apart a gang of gun-mad killers who had looted the whole Southwest! Together They Team Up As An Avenging Posse From Hell! Only A Posse From Hell Could Stop The Gun-Mad Spawn Of The Devil!
This exciting Western packs thrills , hard-edged scenes , pursuits , spectacular shootouts , brief character studio and lots of gutsy action . Brawling , sprawling , almost primitive action in which our protagonist is forced to participate in a posse , teeming across the screen by means of gun-play , go-riding , attacks , and ambushes . The picture contains whirlwinds of frantic action , fights , sustained energy and often commendable results with a plot reminiscent of several classic Westerns .The film has a slickness and crude vigour , including impressive outdoors with rocky mountains stunningly photographed by cameraman Clifford Stine , being shot on location in Alabama Hills, Lone Pine, Olancha Dunes, Olancha, California, and Universal studios . Audie Murphy gives a nice acting in his usual style as Banner Cole , a tough sheriff's deputy who forms a small posse to go after some bandits .Murphy won more than 20 medals , being the most decorated American soldier , including the Congressional Medal of Honor and he was also awarded five decorations by France and Belgium . He starred a rendition on his own self-biography titled ¨To Hell and back¨ that was an acceptable picture based on actual events about Audie Murphy who played himself following his Army career in WWII , being professionally directed by Jesse Hibbs and it was a box-office hit for Universal Pictures and its record was apparently not broken until Jaws (1975) . Murphy starred a great number of Westerns as ¨The kid from Texas¨, ¨Cimarron Kid¨, ¨Gunpoint¨, ¨Night Passage¨, ¨The Gunrunners¨, ¨Posse from Hell¨, ¨Gunfight at Comanche¨, ¨Rifles Apaches¨, ¨The Unforgiven¨, ¨Red badge of courage¨, ¨Legend of Sam Ward¨, ¨Whispering Smith¨, ¨40 Guns at Apache pass¨ , ¨Texas kid¨ , among others . Being usually directed by Jesse Hibbs who directed various Audie Murphy vehicles such as : this ¨To hell and Back¨ (1955) , ¨World in My Corner¨ (1956) , ¨Ride a Crooked Trail¨ (1958) , ¨Medal of Honor¨ and ¨To Hell and Back¨.In ¨Posse from Hell¨(1951) Murphy is well accompanied by the young John Saxon as a kind clerk in one of his first films and the unknown Zohra Lampert as a girl abused by the captors , being really rejected by the hostile citizens who feel revulsion for her . Support cast is frankly nice , providing splendid interpretations , such as : Vic Morrow , Robert Keith , Rodolfo Acosta , Royal Dano , Frank Overton , James Bell , Paul Carr , Stuart Randall , Charles Horvath , Ray Teal and Lee Van Cleef pre-Sergio Leone's For a fistful of dollars more .
The motion picture was well written by Western expert Clair Huffaker and competently directed by Herbert Coleman. This professional director Coleman demonstrates a special talent for making the densest action sequences seem uncomplicated and uncluttered and his characters , like the scenes distinguished , often have an unfettered , raw power . He only directed this film and one warlike movie : Battle at Bloody Beach . However he's considered to be a prestigious producer , financing various Alfred Hitchcock films , such as : Vertigo , North by Northwest , To catch a thief , The Wrong Man , The trouble with Harry .Rating : 6.5/10. Acceptable and above average Western . Well worth watching .
This exciting Western packs thrills , hard-edged scenes , pursuits , spectacular shootouts , brief character studio and lots of gutsy action . Brawling , sprawling , almost primitive action in which our protagonist is forced to participate in a posse , teeming across the screen by means of gun-play , go-riding , attacks , and ambushes . The picture contains whirlwinds of frantic action , fights , sustained energy and often commendable results with a plot reminiscent of several classic Westerns .The film has a slickness and crude vigour , including impressive outdoors with rocky mountains stunningly photographed by cameraman Clifford Stine , being shot on location in Alabama Hills, Lone Pine, Olancha Dunes, Olancha, California, and Universal studios . Audie Murphy gives a nice acting in his usual style as Banner Cole , a tough sheriff's deputy who forms a small posse to go after some bandits .Murphy won more than 20 medals , being the most decorated American soldier , including the Congressional Medal of Honor and he was also awarded five decorations by France and Belgium . He starred a rendition on his own self-biography titled ¨To Hell and back¨ that was an acceptable picture based on actual events about Audie Murphy who played himself following his Army career in WWII , being professionally directed by Jesse Hibbs and it was a box-office hit for Universal Pictures and its record was apparently not broken until Jaws (1975) . Murphy starred a great number of Westerns as ¨The kid from Texas¨, ¨Cimarron Kid¨, ¨Gunpoint¨, ¨Night Passage¨, ¨The Gunrunners¨, ¨Posse from Hell¨, ¨Gunfight at Comanche¨, ¨Rifles Apaches¨, ¨The Unforgiven¨, ¨Red badge of courage¨, ¨Legend of Sam Ward¨, ¨Whispering Smith¨, ¨40 Guns at Apache pass¨ , ¨Texas kid¨ , among others . Being usually directed by Jesse Hibbs who directed various Audie Murphy vehicles such as : this ¨To hell and Back¨ (1955) , ¨World in My Corner¨ (1956) , ¨Ride a Crooked Trail¨ (1958) , ¨Medal of Honor¨ and ¨To Hell and Back¨.In ¨Posse from Hell¨(1951) Murphy is well accompanied by the young John Saxon as a kind clerk in one of his first films and the unknown Zohra Lampert as a girl abused by the captors , being really rejected by the hostile citizens who feel revulsion for her . Support cast is frankly nice , providing splendid interpretations , such as : Vic Morrow , Robert Keith , Rodolfo Acosta , Royal Dano , Frank Overton , James Bell , Paul Carr , Stuart Randall , Charles Horvath , Ray Teal and Lee Van Cleef pre-Sergio Leone's For a fistful of dollars more .
The motion picture was well written by Western expert Clair Huffaker and competently directed by Herbert Coleman. This professional director Coleman demonstrates a special talent for making the densest action sequences seem uncomplicated and uncluttered and his characters , like the scenes distinguished , often have an unfettered , raw power . He only directed this film and one warlike movie : Battle at Bloody Beach . However he's considered to be a prestigious producer , financing various Alfred Hitchcock films , such as : Vertigo , North by Northwest , To catch a thief , The Wrong Man , The trouble with Harry .Rating : 6.5/10. Acceptable and above average Western . Well worth watching .
Audie Murphy Over John Wayne Any Day. Real Life War Hero Audie Murphy was an Admired Man who was Brave, Courageous, and True. He Admitted that Acting was a Battle He Never Won. With a Likable Screen Persona He Soldered through a Career including many a Western. This was One of His Best.
A Solid Cast of B-Movie Actors, Striking Color Cinematography, more Violent than usual for the Time, some Truly Good vs Evil Characters, and Philosophical Musing make this an Above Average Entry in the Wagonload of Westerns in the Time Period (1950-Early 1960's).
It's a Grueling Task for the Make-Shift Posse on the Trail of some Hideous Bad-Guys lead by Vic Morrow and Lee Van Cleef. Audie and John Saxon reach Deep for some Soul Searching and the Ever Elusive, Nasty and Clever Outlaws show some Serious Signs of the Change about to Occur in Hollywood.
A Must See for Western Fans, especially Audie Murphy Cultists. The Story is well told and as Entertaining as All Get Out as these things go. This is one that the Most Decorated Military Hero in History can be Proud.
A Solid Cast of B-Movie Actors, Striking Color Cinematography, more Violent than usual for the Time, some Truly Good vs Evil Characters, and Philosophical Musing make this an Above Average Entry in the Wagonload of Westerns in the Time Period (1950-Early 1960's).
It's a Grueling Task for the Make-Shift Posse on the Trail of some Hideous Bad-Guys lead by Vic Morrow and Lee Van Cleef. Audie and John Saxon reach Deep for some Soul Searching and the Ever Elusive, Nasty and Clever Outlaws show some Serious Signs of the Change about to Occur in Hollywood.
A Must See for Western Fans, especially Audie Murphy Cultists. The Story is well told and as Entertaining as All Get Out as these things go. This is one that the Most Decorated Military Hero in History can be Proud.
¿Sabías que…?
- TriviaUniversal's music director, Joseph Gershenson, reused the music scores from Más allá de la Tierra (1955) and Llegaron de otro mundo (1953) in this picture's music score, much to the chagrin of the original uncredited composers Hans J. Salter, Herman Stein, Henry Mancini, and Irving Gertz. By 1961, they were all out of their old 1950s Universal Studios contracts, and only heard about this when they got notices in the mail from the Musicians' Union. They would have appreciated checks in the mail even more, but there were none, since their old contracts considered all their studio work as 'works for hire' and this precluded them from getting any further royalties from their work. Universal continued this practice until a lawsuit from the Musicians' Union stopped it in 1966.
- ErroresAfter the snake attack, Kern says his jacket is ruined. But soon afterwards, he's wearing it again, and it appears completely undamaged.
- Citas
Seymour Kern: Why did you come along, Johnny?
Johnny Caddo: It's what a man should do.
- ConexionesFeatured in Best in Action: 1961 (2018)
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Detalles
Taquilla
- Presupuesto
- USD 500,000 (estimado)
- Tiempo de ejecución1 hora 28 minutos
- Relación de aspecto
- 1.85 : 1
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