El rebelde orgulloso

The boy, David, is the focal point of this movie. The movie had a resounding impact on young boys coming of age in the late 50s and into the 60s. Its powerful impact at the time is what made it a successful movie. The many emotional ups and downs throughout the movie dealt with a wide variety of issues faced by a devoted war veteran father from the south, trying hard to steer away from violence as he travels the Midwest seeking medical resolution to his traumatized son who had been struck by aphasia after witnessing his mother's burning death in a Civil War atrocity . Some of the issues viewers are exposed to include the tragedies during and after the Civil War, the western range wars, the disenfranchisement of the southerners, an evil rancher and his evil sons, a frontier love story, and a son-dog-father saga. The traumatized boy-cum-hero is superbly portrayed by child actor, David Ladd, who becomes the film's hero at the climatic gunfight at the end of the movie, saving his father, reuniting with his dog and regaining his voice. The developing love story between the father portrayed by the ever stoic and stiff Alan Ladd and the widower farmer portrayed by Olivia de Havilland, takes second stage to the tear-jerking scenes superbly portrayed by the boy in two scenes: when he learns that his father had sold his dog, and when he regains his ability to speak at the end of the movie. A well-crafted movie and an outstanding performance by David Ladd who was eleven years old when the film was released.

The theme of the skilled gunfighter trying to lead a gun-free productive civilian life but is thwarted and forced back to his firearm to right an injustice, is a theme that recurs numerous times in western movies. In fact, this theme is quite common in the most successful of westerns including this movie, Shane and High Noon. The overriding message of this genre of movies is: if you are unjustly treated (justice commonly portrayed as inept or corrupt), then you may take up arms and take justice into your own hands, even if it means killing others. The hero and his gun are paramount.

Alan Ladd does the Shane thing again in this Western from 1958. Ladd, a former Confederate soldier, travels w/his supposedly tongue tied son (played by Alan's actual son in real life David who uses grunts & sign language to communicate) & their well trained sheep dog when he comes upon a town & visits a doctor, played Cecil Kellaway, to see if he can cure his son's malady (a running issue Ladd has been on the move to solve) which he can't but does give him the name of a specialist in Minnesota who may be able to help. Running into some trouble w/a sheep farmer, played by Dean Jagger & his two sons, Harry Dean Stanton (billed as Dean Stanton) & Tom Pittman, Ladd is railroaded into jail w/a bail amount he can't come up with but luckily Olivia de Havilland comes to his rescue (she witnessed the incident) & Ladd agrees to work off his debt which gives the ad hoc family a renewed purpose (especially since Jagger has designs on de Havilland's land for his sheep) but when he gets a generous offer for his sheep dog (an amount that would cover his specialist's bill), he sells the pooch knowing it'll break his son's heart when he returns. Director Michael Curtiz (Casablanca/Captain Blood) gets good mileage from the premise but it's too bad George Stevens got there first w/his seminal version of Shane & the narrative is further let down when the story's later focus is on a typical shoot out to right all wrongs between our players when the strength of the piece is Ladd not coming to terms w/his son's ailment which we now know stems from a mental trauma then something medical science can operate on. Also starring John Carradine as a traveling salesman & Henry Hull as a cantankerous judge.

Alan Ladd plays a widower whose wife died in a fire during the Civil War. His young son (played by his real life son, David Ladd) has not been able to speak after he saw his mother die. Alan Ladd's character is trying to find a doctor to help his son. Ladd ends up with a thirty day jail sentence after being unfairly fined for a brawl which the two sons of an ambitious sheep rancher (wonderfully played by Dean Jagger) intentionally initiate. Olivia DeHavilland is a local unmarried woman who sees the predicament Alan Ladd and his son are in, and she pays the fine so that Ladd will not have to spend thirty days in jail, provided he works it off for thirty days on her farm. Michael Curtiz did a fantastic job of directing this beautiful film. Alan Ladd, Olivia DeHavilland and David Ladd are all terrific. This movie is a bit different than Ladd's classic film,"Shane", although there are some similarities. Ladd is once again the strong silent type, although he is more human in this film. David Ladd is perfectly cast as his son who can't speak. Olivia DeHavilland has just the right touch as a lonely but strong woman who quickly gets attached to the two new men in her life. The chemistry between the three leads in this film is tough to beat. The supporting actors are very good, including Cecil Kellaway, Dean Jagger, the ubiquitous film star John Carradine and Harry Dean Stanton. This movie works as a family film, which is in the end uplifting. The photography is just beautiful in this movie. "The Proud Rebel" is definitely an overlooked minor classic in the same genre as "Old Yeller", "The Yearling" and even "Shane." It has stood the test of time very well and I truly expect it will begin to grow in stature if it is shown on cable channels and available on DVD. Well worth watching for fans of the Western and Family Film genre. 90/100. Buy it if you have kids! Heck, buy it even if you don't!

This is the perfect movie-for-the whole-family which respects its audience, which is rarely the case in today's production aimed at the children's market which substitute heart and soul for special effects .

The screenplay is derivative and looks like a cross between "Shane " and "Lassie come home" ,but it does not matter ;there's a good chemistry between Alan Ladd and his son in real life :the boy does a very good job , particularly in the scene when he searches the empty farm ; and what a pleasure to see the great Olivia De Havilland directed by Curtiz after all these years !

The movie concerns a father (Alan Ladd), a Confederate veteran , and his mute son (David Ladd, in real life too) who after framing impeachment by a judge (Henry Hull) he finds himself facing a 30-day jail sentence when he's unfairly accused of starting a brawl in a small town . A local spinster (Olivia De Havilland) pays his fine , as father and son find shelter in a ranch , providing that he works it off on her farm . The veteran is searching for a doctor who can cure his son , as the little boy suffers the emotional impact of the words he longed to tell them . Meanwhile , he soon finds himself involved in the struggle to keep her ranch from a local landowner and they'll have to confront a shepherd family (Dean Jagger and Harry Dean Stanton) and taking on a lot of dangers .

In the film there are glamorous landscapes , family drama , shootouts and agreeable feeling . This is a tale that reaches far and wide as the human life , being based on a story titled "Journal of Linnett Moore¨ written by James Edward Grant . The movie talks upon typical western old theme: fights between settlers and cattlemen . The final showdown amongst the protagonists and enemies is exciting . Runtime film is adjusted, one hour and half approx., it is neither dreary , nor tiring but enjoyable.

Alan Ladd's interpretation is top-notch likeness his son David Ladd (future marriage to Cheryl Ladd and father of Jordan Ladd) . Olivia De Havilland is enticing , gentle and sweet . Support cast is awesome , as Dean Jagger , John Carradine , Cecil Kellaway , Mary Wickes and Harry Dean Stanton (Paris, Texas) , an outstanding actor with a long career that today continues . Ted Mc Cord cinematography is riveting and glamorous . Jerome Moross musical score is fascinating , similar to soundtrack he composed in ¨Big country¨ deemed to be the best western score along with ¨ The magnificent seven¨ . The motion picture well produced by Samuel Goldwyn Jr was compellingly directed by Michael Curtiz . The yarn will appeal to western buffs and sentimental plot lovers . Rating : Good , better than average . Well catching .