I Was Monty's Double

I was particularly tickled by the sight of James,as himself,during his training in a sequence where he observes himself,as Monty in order to study his demeanour,walk & mannerisms, before the real masquerade. Now that's acting! The news theatre at the end where Mills & James watch the newsreel was clearly the former Times by Baker St underground & close to Madame Tussauds. Would make a good double feature to support "The Man Who Never Was" - a similar intelligence con to mislead the Nazis on plans for the invasion of Europe. Probably the biggest laugh comes from the icy and withering remarks of John Le Mesurier (as James' adjutant)on his contempt for the acting profession, in a brief early scene where he initially reports for "duty" as a lowly corporal.

"I Was Monty's Double" is based on the book of the same name, by M. E. Clifton James, an Australian actor in the service who is drafted to impersonate General Montgomery. Though some dramatic license is taken, what makes the film fun is that James plays himself and the historical events are true.

In order to make the Nazis believe that D-Day is taking place in Gibraltor, James, who makes an appearance at the end of a show as Montgomery, is asked to impersonate the general.

He bears a strong resemblance - so strong, in fact, that when he comes out onto the stage, he gets a standing ovation and rousing cheers. His recruiters, played by John Mills and Cecil Parker, are hoping the troops have the same reaction.

They arrange for James to be assigned as a driver so that he can observe Montgomery at close quarters and copy his mannerisms. James, however, finally tells Harvey and Logan (Mills and Parker) that he can't do it. He's never led a command.

Logan is dumbstruck. "You won't be doing any actual commanding," he objects. A consummate actor, James replies, "You don't understand. I have to have it inside." However, he's so good that he is able to find the ego and leadership qualities internally to carry it off.

The film is directed by John Guillerman with emphasis on the humor. Marius Goring plays a Nazi spy who thinks he's in tight with the Allies on Gibraltor. "We feed him all kinds of garbage," the top brass says. "He's faster than calling Berlin." The whole bit at the end is fiction, but it doesn't deter from a fascinating story. Highly recommended.

At the fag-end of the 50's, a generation of long-demobbed soldiers were still trying to cut it in uniform, in a spate of cheap black-and-white war films. More convincing than most was the unknown star of this true story, a minor Australian actor who had been rejected by the entertainment services, and was reluctantly pen-pushing in the pay office, when someone noticed that he was a dead ringer for Montgomery.

This was in the run-up to D-Day, when the allies were desperate to draw enemy attention away from Normandy as the obvious invasion zone. Might a Monty-lookalike be able to fool German intelligence by touring North Africa, as though preparing for a big Mediterranean landing instead?

The actor in question, M.E. Clifton James, is secretly employed as a driver on Monty's staff, in order to get close enough to study his speech and mannerisms. But he doubts his own ability to replicate the character and personality of the great man, not least because 'Jimmy' is a chain-smoking alcoholic. Eventually, jolly optimist John Mills persuades him to go through with it, and suddenly he's stepping off a plane in Gibraltar, under scrutiny from enemy agents (one of them brilliantly sinister, as played by Marius Goring), as well as certain officers who remember Monty from before the war.

Defying many attempts on his life, Jimmy overcomes his desperate shyness, and learns to take massed salutes from whole armies. Then all too soon, D-Day has come and gone, his one brief star-performance is over, and it's back to the humble pay office. Except... they felt it necessary to bolt-on a false ending, about which we can reveal nothing, except that it never happened.

As for the real-life outcome, we have to face the disappointing fact that it was only part of a much larger decoy operation, which did throw the enemy into some confusion, but reports of Jimmy's own effort reaching Hitler's desk seem to be wishful thinking.

The film displays some recognisable weaknesses of those low-budget productions. The over-long opening section is taken up with John Mills' various flirtations, whose only consequence for the story is that his humourless boss (Cecil Parker) decides to replace their seductive secretary with the ugly-beautiful Barbara Hicks, in some ways more arresting. And the way Mills and Parker chat freely in public about top secret plans will grate on the ear of anyone who has worked in intelligence. No war-film of its day was complete without the stuffed-shirt spoilsport Allan Cuthbertson, who duly pops-up here, as does the perennial plug-ugly sergeant Anthony Sagar. Jimmy's one meeting with Monty is awkwardly dodged; we simply cut away from him on the steps of the general's caravan, although split-screen techniques had long since enabled an actor to shake hands with his own double (try the 1937 'Prisoner of Zenda').

None of this really detracts from the joy of the film, principally the deeply-believable performance of a professional actor, acting himself acting Monty. Sympathy and charm shine through this modest man, who seems to have been shabbily treated after the war, when he was reduced to the dole. Hopefully this popular film brought a little benison for the five short years that remained to him.

It's hard not to imagine that Bryan Forbes who wrote the script for this 1958 film was not influenced by the James Bond character who first appeared in the Ian Fleming book "Casino Royale" published in England in 1953. As the first Bond film was not released until 1962, the character John Mills plays --cheeky, disrespectful of authority, as adept with women as he is in intelligence work-- is either a predecessor to 007 or an affectionate borrowing from Fleming's novel. Up until then, British men were usually depicted on screen as stiff-upper lip, decent chaps who did their jobs without complaining; surely never distracted from defending the Empire by a pretty face. Mills, with his enormous charm and good looks, introduced a new type of Brit to cinema audiences --sexy, funny and sometimes outrageous-- a character which Sean Connery was to play to perfection many years later.

It helped in this film to have the actual person that really did impersonate Montgomery. Clifton James give a good performance as both himself and Montgomery. An excellent Bryan Forbes script that is well delivered by Cecil Parker and John Mills.