Brindis para un espía

...from British-Pathe and Fox, and director J. Lee Thompson. An ambulance containing British Army Captain Anson (John Mills), Sergeant Pugh (Harry Andrews), and two nurses, Diana (Sylvia Syms) and Denise (Diane Clare), evacuates Tobruk in North Africa ahead of the advancing German army. They want to make it to British HQ in Alexandria, a long, perilous journey through the unforgiving desert. As they venture further into the desert and uncertain escape, they happen upon Captain van der Poel (Anthony Quayle), a South African army officer who got separated from his battalion. He joins them.

I've seen literally dozens of desert survival movies, and didn't expect to see any more that would bring something different to the table. So I was pleasantly surprised by this British war film, as it brings some unexpected turns to the tale. The entire cast has some of their career-best roles, with Quayle and Mills at the head of the class. Director Thompson depicts the oppressive heat of the setting vividly. This is a fairly obscure film in the U. S., and it deserves to be better known. Its initial American release was botched when Fox renamed it Desert Attack and hacked nearly an hour from its running time. Recommended.

This film really brings out how people can overcome their differences, no matter how large or seemingly-impossible, and work together for their own survival.

Anthony Quayle acted his part with perfection, staying both loyal to his own cause, AND to the common cause of survival.

He did not turn anybody over to the German army despite the many opportunities, but turned each incident into an advantage that helped all concerned.

Also the matter of alcoholic addiction was portrayed excellently by John Mills, and the self-realisation which led to his overcoming of the problem was quite poignant.

Overall I would recommend this film as one of the classics amongst war-theme movies. It gets behind the scenes and down to the really important matter of real people and THEIR perspective of things.

I must confess to being biased towards this film, as I am a grandson of the author and screenwriter. It is extremely pleasing to read that this film has given a lot of pleasure to many who have seen it. Why I think the film succeeds is because it was written by a man who took part in the North African campaign, as a doctor in the RAMC, who had to deal with the human cost of war. People, and how they cope with adversity, is often more interesting than depicting warfare itself. This makes it an unusual war film for the time, to say the least. The character of Captain Anson, so ably played by John Mills, is telling for me as my grandfather sadly did have an alcohol problem later in life. On a lighter note, the terrific final scene in the bar has an amusing story attached to it - apparently, the scene had to be shot five or six times, and as nothing else looked like beer in a glass than, well, beer, poor John Mills had to keep knocking back the beers until the scene was "in the can"!

This taut, engrossing and exciting war drama is more a fascinating character study than just another WWII film. Made in the sweltering heat of the northern Sahara Desert of Libya, I found myself sitting up until 2 am to see it through to the end, enjoying every minute of it, feeling like I was experiencing every task of the events in the story along with the characters.

The story tells of ambulance corps officer played by John Mills named Captain Anson, whom the war has driven to drink, who is unwillingly ordered to leave besieged Tobruk before the Germans break through and take the strategically important town over. In his ambulance he takes with him two young nurses, along with the stalwart Sergeant Major Tom Pugh played by Harry Andrews, and heads out across the desert for Alexandria in Egypt. Their journey leads them through many obstacles, and along the way they pick up the enigmatic South African army officer, Captain van der Poel (van-der-POO-el he corrects them in his distinctly Afrikaner accent) played by Anthony Quayle, who has become detached from his unit and is looking for a lift. Can they beat the elements of the desert and make it to Alexandria, where Anson knows of a certain bar that serves the ice cold lager he so longs for and promises the others?

In height and build Mills is a much smaller next to big men like Andrews and Quayle, but I was very impressed with how his strong acting and personal inner character make him seem as tall and broad shouldered as the other two. I also admired how the whole cast put their all into the many no doubt very difficult scenes, obviously having to deal with the physically exhaustive work that was asked of them, the tortuous heat and sand fleas nipping at their legs. I could see they were feeling the affects and that adds to the realism of the whole film. Note even the lovely Sylvia Syms as the seemingly unshakable nurse Sister Diana Murdoch, didn't avoid having to look hot, sweaty and bothered like her male co-stars, unlike some Hollywood actresses of that time who I will not even mention. That and the ambulance must have been an oven during the whole shoot.! A truly unique film and worth the whole gripping two hours.

This is a masterly example of how to make a film. The plot is simple, how to get an ambulance from behind enemy lines to safety, but it's given such force and power by the characters thrown together to achieve this. The alcoholic burnt out Captain, the solid Sergeant Major, the plucky nurse and the mysterious stranger. The performances are somewhat mannered by todays standards however they are all excellent, especially Harry Andrews (who rarely gets a mention) but who is the solid rock that holds the other characters together. Don't miss the original UK version, the shortened US version may be safely passed over. This film shows it is possible to make an interesting war film with hardly any violence.