La mancha voraz

This movie is of almost generation-defining importance to some of us born in the early post-war years in that (and especially if you were born between 1946 and 1953 and loved spending Saturday afternoons at your neighborhood movie house) you almost certainly saw it. And the memory of seeing it has probably stayed with you. It's style is the stuff of a brief and somehow gloriously exciting moment in our growing up days.

It had a modern, space-age storyboard for the audiences of it's time. The set was any town with a supermarket and a movie theater that would be packed for a Friday midnight show. It has hot rods and rebellious youth, but in the 'why can't they let us have fun' way rather than the disturbed, histrionic rebel-without-a-cause way. All characters were identifiable to us - teens, parents, the old man, the doctor, the nurse, the mechanic, the boy, the puppy, even the cops - were sympathetic to us. We could relate to them all

It had a singularly horrifying monster. It's first victim is heard moaning 'it hurts.....it hurts' and we were convinced and frightened. The menace grows continually throughout the story. There are intense periods of suspense, colourful effects, a fabulous lead in McQueen, and moments of humour, both intended and not. It even had an almost over-the-top sad part to make the more sensitive of us feel like crying.

I saw it in summer, age 9 or so, double billed with 'I Married A Monster From Outer Space', and was so thrilled by the experience of this particular double feature that I went back a couple more times before it left. Everyone I knew saw it. Everyone I knew loved it.

This hugely entertaining b-movie starts off with an insanely catchy rockabilly song that perfectly sets the mood for what's to come. This movie never makes the mistake of taking itself seriously, which is what made it such an effective thriller.

The acting was actually pretty stiff, and the main characters aren't that interesting, but the director is really good at keeping this viewer in suspense. The blob was pretty ridiculous, but I still tensed up whenever I saw it on screen. And like I said in the summary, this movie has a sense of humour, which is important in low budget science fiction.

I also found the special effects to be clever. The Blob slithered under doorways, through vents, and up people's legs. It was kind of obvious how they did a lot of it,but I personally think that's part of the charm of pre-cgi effects.

Bottom Line: If you're expecting great acting and character development, skip this, but if you like b- movies, it's a masterpiece.

A horror film that is both goofy and strangely terrifying. One has to wonder about what the Creator/Deity was thinking when The Blob was made. What kind of world did it come from? When it's in it's normal habitat what does The Blob feed on? When you think about it The Blob is your ultimate doomsday weapon.

The soon to be legend Steve McQueen got his first starring role in The Blob, a 28 year old playing a teen who is out getting down to business with Aneta Corsaut when a passing meteor lands, cracks open, and out pops this Jello like creature which just absorbs whatever is living around it on contact and just grows. In the end it is covering your average greasy spoon diner with McQueen, Corsaut, and others inside.

Most of the film is McQueen trying to warn folks about it with the help of Corsaut. Of course the adults, especially law enforcement don't believe him after all he's a typical Eisenhower era teen with girls and hotrods on his mind. In fact in the middle of a mission, he takes time for a little drag race.

But it's Steve who actually discovers the secret of if not killing The Blob at least rendering it helpless and inert. McQueen was paid $2500.00 for the film, in two years that might have paid for one of his entourage.

The Blob was the farewell film of character actor Olin Howlin who usually played rustic types in a couple hundred films. He's The Blob's first victim that McQueen and Corsaut discover.

After over 50 years still an interesting and camp film.

I look at this page, and it seems disapproving to me to have to listen to someone ramble and rant at a real classic. Sure, I agree to let everyone have their opinion, but here's mine:

This movie should not be missed by any classic horror watcher, and should be seen many casual viewers around the world. Sure, it has lost some of it's flair and greatness with age, especially in todays world of CGI effects, but that's not why you should like it.

You should like it because it actually is a scary movie, even for today's standards. It's overall ickyness will creep you out just as much as the original audiences, so don't slam a classic if you haven't given it a chance. Watch it, but not with a critical attitude. Watch it to have fun, how it was originally intended.

I grew up in Royersford, Pa. The town where Jerry's market was. I remember my whole family going out to watch the filming. I remember a guy showing the "Blob" to me and my brothers in a bucket. I also would like to share that my mother was in the movie. Her hair style was the same as Aneta Corsaut's and she was ill one evening and they saw my mom and asked her to sit in the car with Steve Mcqueen for some shots from behind. They payed her $25.00 and gave her a story to tell until she passed away this past August. My mom was not a teenager and she was a few months from giving birth to my little sister.