CALIFICACIÓN DE IMDb
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TU CALIFICACIÓN
Un millonario ofrece diez mil dólares a cinco personas que accedan a permanecer encerradas en una casa grande y espeluznante durante una noche con él y su esposa.Un millonario ofrece diez mil dólares a cinco personas que accedan a permanecer encerradas en una casa grande y espeluznante durante una noche con él y su esposa.Un millonario ofrece diez mil dólares a cinco personas que accedan a permanecer encerradas en una casa grande y espeluznante durante una noche con él y su esposa.
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Of the many William Castle directed shockers of the '50's and '60's, this one is probably the most traditional in terms of being a "ghost story". The set up is irresistible (derivative of "Ten Little Indians" in a way.) Five unrelated people are chosen to spend the night in what is purported to be a haunted house. Several murders have taken place in the house in the past. If the participants stay the night, their host (Price) will give them each $10,000 (a nice chunk of change in 1958!) The house is surprisingly non-Gothic on the outside. It more closely resembles a piece of the 1937 "Lost Horizon" set. Inside, it has the more expected old woodwork, creaky doors, curtained alcoves, etc... Price is wonderful, as always, as the sardonic, mysterious host. His wife is played by a former beauty queen (Ohmart) who is attractive, if a bit frosty. They have some interesting repartee which reveals their mistrust and hatred for one another. The guests include leading man-type Long, ingenue Craig, nervous Cook, crusty Mitchum and debonair Marshal. Macabre Price gives the guests loaded guns as party favors! It doesn't take long for the unusual occurrences and minor creeps to begin. Soon, the inhabitants are locked in and couldn't leave even if they wanted to! Long and Craig play Fred and Daphne as they try to unravel the goings-on. Cook drinks and gets more paranoid. Marshal tends to the wounded, getting more involved as the story progresses. Mitchum (Robert's sister!) is given little to do and doesn't appear to be a very significant actress. The film is hokey, campy and illogical...full of contrivances and inanities. Yet, it is undeniably entertaining. All of the hallmarks of an old-fashioned scary movie are in place....the eerie music, the undependable lights, swinging doors, secret passages and without question the most hilarious, terrifyingly ugly housekeeper ever put on film!
Price is right at home in these surroundings and does much to make the film palatable. There are a couple of fun plot twists to keep it from being too stale and the running time is a very comfortable hour and fifteen minutes. It's just a fun, entertaining way to waste an hour or so. Sadly, Craig (who had a real set of lungs on her...one of the greatest screamers ever!) was felled by a gunshot in real life about twelve years after this film was made at age 36. In fact, Marshal was dead within three years of heart ailments at 56 and Long died 16 years after from a heart attack at 47! And they say "Poltergeist" was cursed!
Price is right at home in these surroundings and does much to make the film palatable. There are a couple of fun plot twists to keep it from being too stale and the running time is a very comfortable hour and fifteen minutes. It's just a fun, entertaining way to waste an hour or so. Sadly, Craig (who had a real set of lungs on her...one of the greatest screamers ever!) was felled by a gunshot in real life about twelve years after this film was made at age 36. In fact, Marshal was dead within three years of heart ailments at 56 and Long died 16 years after from a heart attack at 47! And they say "Poltergeist" was cursed!
Vincent Price asks five strangers to spend an evening in a haunted house for ten thousand dollars a piece. With his estranged wife in tow, the seven house guests begin a nocturnal odyssey of mayhem, murder, and the macabre. This film is a great vehicle for Price's unique talents as an actor, and is also a very atmospheric film due in large part to the direction of William Castle. Castle gives us all kinds of horror in the traditional vein...a severed head, a skeleton, the screaming-without-end hysterical young woman, the plot twists and turns, and the firmly planted tongue-in-cheek. The cast is very good, with Carol Omhart, as Price's elegant and gorgeous wife, and Elisha Cook, as a drunken sot who continually rants about all the evil that has happened in the house, as standouts. This is a great Halloween film, or one that you turn off the lights to watch.
William Castle liked to promote his films with gimmicks, and the gimmick for THE HOUSE ON HAUNTED HILL was Emerg-O: at the peak of the action, a glowing skeleton "emerged from the screen" and flew out over the audience on a wire. By most accounts Emerg-O caused more laughter than chills, but fortunately Castle never relied on gimmicks alone: he also liked bona fide stars, and for HAUNTED HILL his star of choice was none other than the legendary horror star Vincent Price.
Like most Castle films, HAUNTED HILL's plot reworks a well-worn theme. Millionaire Price and his wife Carol Ohmart give a "haunted house party" for five strangers chosen at random and promised ten thousand dollars if they last the night. The catch: the doors lock at midnight, after which there is no escape until the caretakers return in the morning. While the story itself doesn't hold many surprises, the script is unexpectedly witty, and Price plays it in a slightly prissy, very high-camp manner with a tremendous dose of the black humor for which he was so famous--and the little-known Carol Ohmart is every bit his match, snapping out memorable lines ("Darling, the only ghoul in the house is you!") in every scene. Together they elevate the film well above what you might otherwise expect, and when combined with the largely wooden supporting cast and some of the silliest this-is-supposed-to-scare-you effects imaginable the result is a cult classic with plenty of camp appeal.
In addition to Price and Ohmart, the film is also surprisingly atmospheric. Shot in and around one of Frank Lloyd Wright's more famous structures, the grainy "late show" look of the film (due more to accident and age than deliberate intent) is very entertaining, the cinematic devices (everything from disembodied heads, irises, and jump-cuts) are very appealing, and the sound track (which sounds like a mix of piano bass keyes, synthesizer, and soprano vocals) is exactly what you'd want for this obvious but extremely entertaining flick. Of all the Castle films, THE HOUSE ON HAUNTED HILL is my personal favorite, and it should rate very high with fans of cult, camp, and Vincent Price. And I'll go further than that: of all his memorable appearances, I do believe this was among Price's best. A great choice for both family movie night or a sophisticated Halloween howl--very recommended! Gary F. Taylor, aka GFT, Amazon Reviewer
Like most Castle films, HAUNTED HILL's plot reworks a well-worn theme. Millionaire Price and his wife Carol Ohmart give a "haunted house party" for five strangers chosen at random and promised ten thousand dollars if they last the night. The catch: the doors lock at midnight, after which there is no escape until the caretakers return in the morning. While the story itself doesn't hold many surprises, the script is unexpectedly witty, and Price plays it in a slightly prissy, very high-camp manner with a tremendous dose of the black humor for which he was so famous--and the little-known Carol Ohmart is every bit his match, snapping out memorable lines ("Darling, the only ghoul in the house is you!") in every scene. Together they elevate the film well above what you might otherwise expect, and when combined with the largely wooden supporting cast and some of the silliest this-is-supposed-to-scare-you effects imaginable the result is a cult classic with plenty of camp appeal.
In addition to Price and Ohmart, the film is also surprisingly atmospheric. Shot in and around one of Frank Lloyd Wright's more famous structures, the grainy "late show" look of the film (due more to accident and age than deliberate intent) is very entertaining, the cinematic devices (everything from disembodied heads, irises, and jump-cuts) are very appealing, and the sound track (which sounds like a mix of piano bass keyes, synthesizer, and soprano vocals) is exactly what you'd want for this obvious but extremely entertaining flick. Of all the Castle films, THE HOUSE ON HAUNTED HILL is my personal favorite, and it should rate very high with fans of cult, camp, and Vincent Price. And I'll go further than that: of all his memorable appearances, I do believe this was among Price's best. A great choice for both family movie night or a sophisticated Halloween howl--very recommended! Gary F. Taylor, aka GFT, Amazon Reviewer
Vincent Price plays Frederick Loren, an eccentric millionaire that invites five very different people to a haunted house for a party, and offers them $10,000 if they can stay the night... This film benefits emphatically from the presence of the legendary Vincent Price. As usual, Price gives a commanding performance and completely steals every scene he's in. Price is undoubtedly the star of the show, but he's not the only star in the show; Elisha Cook in particular gives excellent support playing the wimpy owner of the house; much the same character that he played in the Kubrick masterpiece; 'The Killing'. The rest of the cast is largely made up of unknowns and b-grade actors, but they also all perform to relatively high standards in their respective roles.
House on Haunted Hill's best feature other than the legendary Vincent Price, is undoubtedly the atmosphere of the house. Throughout the movie, there is an abundant sense of dread that is perpetually present and it serves the film well in that it brings the house to life; at every point in the movie, the audience is made to believe that there is something unseen in the house that will cause bad things to happen; and this is obviously exactly what a haunted house film needs. The film is very creepy in that way. That's not to say that this film is without its flaws; at times, the plot meanders and as the film only has a 75 minute running time, that's not good. It can also become a little dull at times as there isn't always a lot going on. This is, however, somewhat combated by the acting performances and defined characters as they usually manage to keep it at least interesting, if not enthralling throughout. House on Haunted Hill is topped off by a brilliant double twist, and it is also given certain originality by that also, although the twists do beg the question of whether or not the film has an appropriate title. The walking skeleton is hilarious, though and worth watching film for alone.
Overall, House on Haunted Hill is a lovely little b movie; it's creative, it's atmospheric and it stars Vincent Price. Highly recommended viewing, especially for horror fans. Definitely not recommended for anyone though, is the dire 1999 remake of this film, and the equally appalling remake of William Castle's other ghost story; '13 Ghosts'.
House on Haunted Hill's best feature other than the legendary Vincent Price, is undoubtedly the atmosphere of the house. Throughout the movie, there is an abundant sense of dread that is perpetually present and it serves the film well in that it brings the house to life; at every point in the movie, the audience is made to believe that there is something unseen in the house that will cause bad things to happen; and this is obviously exactly what a haunted house film needs. The film is very creepy in that way. That's not to say that this film is without its flaws; at times, the plot meanders and as the film only has a 75 minute running time, that's not good. It can also become a little dull at times as there isn't always a lot going on. This is, however, somewhat combated by the acting performances and defined characters as they usually manage to keep it at least interesting, if not enthralling throughout. House on Haunted Hill is topped off by a brilliant double twist, and it is also given certain originality by that also, although the twists do beg the question of whether or not the film has an appropriate title. The walking skeleton is hilarious, though and worth watching film for alone.
Overall, House on Haunted Hill is a lovely little b movie; it's creative, it's atmospheric and it stars Vincent Price. Highly recommended viewing, especially for horror fans. Definitely not recommended for anyone though, is the dire 1999 remake of this film, and the equally appalling remake of William Castle's other ghost story; '13 Ghosts'.
Forget the awful, senseless remake, the original 'The House On Haunted Hill' is one of the most entertaining and enjoyable chillers of all time. William Castle's over the top camp style is an acquired taste for many, but once you enter into the spirit of things you're in for a wild, fun ride. The legendary Vincent Price is in his element here as the cynical millionaire trapped in a loveless sham of a marriage, and Carol Ohmart, who I have only ever seen in the cult classic 'Spiderbaby', is a knockout as his tough as nails "better half". Their haunted house party guests, led by the much loved character actor Elisha Cook, Jr ('The Maltese Falcon' ,The Killing',etc.etc.), are well cast and amusing, and the whole thing is a hoot! I recommend this movie to all horror fans. It is quite possibly the single most entertaining horror thriller of the 50s. Supremely silly but still scary at the same time. Great stuff!
¿Sabías que…?
- TriviaDIRECTOR_TRADEMARK(William Castle): [gimmick]: Used a gimmick called "Emergo" in theaters. When the skeleton rises from the acid vat in the film, a lighted plastic skeleton on a wire appeared from a black box next to the screen to swoop over the heads of the audience. The skeleton would then be pulled back into the box as the skeleton in the film is "reeled in." Many theaters soon stopped using this "effect" because when the local boys heard about it, they would bring slingshots to the theater; when the skeleton started its journey, they would pull out their slingshots and fire at it with stones, BBs, ball bearings, and whatever else they could find.
- ErroresLance locks his door from the inside with a deadbolt, after the Doctor calls everybody to the meeting, and leaves through Nora's door. When they return from the meeting, he opens his unlocked door from the outside.
- Citas
Frederick Loren: Don't stay up thinking of ways to get rid of me, it makes wrinkles.
- Créditos curiososThe end title credits list "Skeleton - By Himself".
- Versiones alternativasWhen shown in "Emergo", there was a short scene showing brick wall for the skeleton to "emerge".
- ConexionesEdited into Elvira's Horror Classics (2004)
- Bandas sonorasTheme 'House on Haunted Hill'
by Richard Kayne and Richard Loring
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- La casa de la colina embrujada
- Locaciones de filmación
- Ennis House - 2607 Glendower Avenue, Los Feliz, Los Ángeles, California, Estados Unidos(exterior views of the house only)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 200,000 (estimado)
- Tiempo de ejecución1 hora 15 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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