Time Limit

Across the frigid nightmare that is the Korean War, there are a thousand nameless graves over which a like amount of ghosts hover. Those haunting's are what drive American writers to pen as many stories onto the pages of that Forgotten War. One of those superb writers is Henry Denker who wrote this story called " Time Limit. " It takes place in one of the many American Army units captured and imprisoned in a P.O.W. camps by the North Koreans. This central story is about one, Major Harry Cargill (Richard Basehart) who having survived the war is now arrested and faces General Court martial and death by firing squad. To see Cargill is given every opportunity to defend himself, Gen. J. Connors (Carl Reid) assigns Col. William Edwards (Richard Widmark) who takes his job seriously. Two surprises hamper Edwards. One, Cargill wants to plead guilty and offers no defense at his trial. Most of the men who come forward to testify agree as to his guilt and find no reason to stop the execution. With the great actor, Karl Malden directing this film and casting such heavies such as Martin Balsam, Rip Torn, Yale Wexler and June Lockhart, this assembly make for a Classic. The movie is assured success with the fine performances and the stark Black and White reality of the Korean War. Excellent vehicle for both Basehart and Widmark. Easilly recommended. ****

Superb intelligent dialogue and powerful brilliant performances make this film exciting throughout. Time Limit should belong in everyone's movie collection of great films

Time Limit (1957)

*** 1/2 (out of 4)

Hard-hitting drama about Maj. Harry Cagill (Richard Basehart) who is brought up on charges of treason after being in a Korean War camp and giving information to the enemy. Once back in the states Col. Edwards (Richard Widmark) tries to understand what made him crack but he refuses to talk and all of his men give the same strange story, which doesn't make enough sense to Edwards. This film isn't very well known today, which is a shame but I'm going to guess that part of the reason is that it was released in the same year as both 12 ANGRY MEN and WITNESS FOR THE PROSECUTION. All three films deal with twists and turns within a court setting, although this film here just deals with an investigation as we don't get to actually step inside the courtroom. With that said, all three films share a lot in common but this film manages to ask some pretty hard questions and it doesn't pull any punches with the answer. The film is brutally frank in its subject matter and even though we don't find the answers we're looking for until the final ten-minutes, the film still manages to pack one major punch after another. I think a lot of credit must go to Malden, in his only adventure as a director, and I do wonder how much influence Elia Kazan had on him. The film has a certain look and feel of ON THE WATERFRONT, which Malden of course made with Kazan. It appears that both films ask a lot of the same questions about bravery, talking and how much one person should take. Seeing as how this one takes place in the military it's clear that there is a political slant going on here as I'm sure many people would have to ask themselves how much torture, sickness and threats of death they could take without talking or trying to save their own skin. The "time limit" of bravery is an interesting question and we get many different answers as to how one person should be. The final ten-minutes is when things really start to break down as we finally get some answers and the twist here has been debated by quite a few reviewers. I personally didn't mind the twist and I think it worked well for what the film was going for. There were several directions that the film could have went for but the one they selected worked well enough for me. Another major benefit are the performances with Widmark leading the way in a rather laid back performance by the actor who was often shown as being a demanding, strong character. I thought Widmark was very believable playing it so laid back and I think that quiet nature here actually helped the film as it seems he was the only one who didn't want revenge for what had happened but instead just wanted the truth. Basehart is terrific as well in showing the hell that his character is going through. Dolores Michaels is good as Widmark's aide, June Lockhart is very strong in her one scene and Martin Balsam is on hand for some needed comedy relief. This is certainly an emotionally draining picture as the subject matter is rather ugly and the picture doesn't pull any punches. Malden handles the material extremely well and it's a shame we didn't get to see what else he could do behind the camera.

I had seen Time Limit three times before, always greatly admiring and appreciating the taut court-martial drama. I find it unfortunate that Malden never took another director's turn after such an impressive debut. The acting and direction still hold up well with tour-de-force performances by Basehart and Widmark. These are complemented nicely by dead-on portrayals by Carl Benton Reid, Rip Torn, Martin Balsam, and Yale Wexler as far less humane military characters. Dolores Costello and June Lockhart also give strong performances.

But, the reason I write this today is to comment upon how timely Time Limit is to today's POW controversies. In this regard, I consider the 1962 film "the Hook" with Kirk Douglas almost as a companion piece. The questions are the same. How far should a soldier suppress his humanity in the name of the Army Code? How accountable should a soldier be held who defies the code in order to act in accordance with his conscience? How accountable should a soldier be held who obeys orders later judged to be inhumane? All these are central issues in wake of the recent Abu Gharib controversies.

Time Limit does an excellent job of examining these dilemmas and convincing those of us who weren't already convinced that there are no easy answers. War, by its nature, is an inhumane activity, ordered by humans and executed by humans who to accomplish their orders must deny within themselves subjugate the very humanity that gives each of us his or her purpose in life. Time Limit and The Hook both provide thoughtful and fairly objective examinations of the issues involved.

Time Limit has always been worth watching. Its renewed relevancy just makes it even more so.

Richard Widmark, Richard Basehart, Rip Torn and Carl Benton Reid star in "Time Limit," a 1957 drama directed by Karl Malden. It's a small drama, based on a play, and very well done. During the Korean War, a military investigator, Colonel Edwards (Widmark) is assigned the case of Major Cargill (Basehart), who was a POW and is accused of treason. Edwards believes Cargill to be innocent of the charges, even though Cargill admits that the charges are correct.

This story is really about making a humane decision rather than following military rules. Since as I write this we are still at war in Iraq, this film remains relevant. The scenes at the prisoner of war camp are excellent and really give one the feel for what these soldiers suffered.

Widmark, Torn and Basehart are especially good - Widmark is a man looking for the answer and striving to be both humane and fair, and Torn is a witness to what occurred - both give terrific performances. Basehart is effective as the accused, who just wants to plead guilty and not explain his actions.

A very thought-provoking drama, certainly a topic that's been covered in bigger films, but still worth seeing.