Pueblo fantasma

A professional town-tamer named Blaisdell (Henry Fonda) is hired as an independent marshal by the citizens of Warlock to rid them of an unruly gang; meanwhile a repentant member of the bunch becomes deputy sheriff (Richard Widmark), which creates friction. Anthony Quinn plays the former's faithful sidekick.

"Warlock" (1959) is an adult Western cut from the same dramatic cloth as similar late 50s/early 60's Westerns like "Man of the West" (1958). The mature and psychological script was based on Oakley Hall's novel, which was a fictionalization of the OK Corral legends, which is why it's not too difficult to read Earp/Holliday into the Fonda/Quinn characters and Abe McQuown's gang as the Clanton/McLaury gang.

The fact that Quinn's Morgan character is loosely based on Doc Holliday is a good reason to reject the supposed 'homosexual subtext' of Morgan. There's not enough evidence to draw such a radical conclusion. Morgan was simply Blaisedell's loyal and ruthless partner; he loved Blaisedell like close members of a military squad or like a brother.

On the female front we have two very striking women: Dolores Michaels plays Blaisedell's potential babe, Jessie Marlow, while Dorothy Malone is on hand as Lily Dollar, a mysterious woman from Blaisedell's past who takes interest in the new deputy sheriff (Widmark).

The town scenes were filmed at 20th Century Fox Studios in Century City, CA, whereas the scenic sequences were all shot in Moab, Utah, near Arches National Park. Needless to say, the latter locations are magnificent.

The movie runs 2 hours, 2 minutes.

GRADE: B+

This popular Western isn't among the more highly-regarded genre efforts (emanating as it does from its 1950s heyday), despite the imposing credentials (many of whom were fixtures and had therefore worked on better films along the years) - but it's a pretty good example nonetheless, with solid production and an evident maturity in content and style.

The three stars - Richard Widmark, Henry Fonda and Anthony Quinn - are well-cast (in fairly typical roles) and their interaction, allowing for several tense scenes, keeps one watching (for a 2 hour film, thankfully, it doesn't feel too long). Still, Dmytryk's efficient handling is unexceptional - abetted by Joe MacDonald's colorful widescreen cinematography but somewhat overshadowed by Robert Alan Aurthur's literate i.e. pretentious script (with several soul-searching passages about loyalty and responsibility). Leigh Harline's music, too, workmanlike though it is, emerges as a relatively unassuming score. The action sequences, however, deliver the goods with several gunfights throughout and even a few instances of gratuitous brutality (fashionable by this time).

However, the rest of the cast is quite interesting, with Dorothy Malone and Dolores Michaels providing the romantic interest and several familiar faces in support: Wallace Ford and Whit Bissell as town officials and, among Widmark's former cronies, DeForrest Kelley, Frank Gorshin - playing the star's hot-headed younger brother - and Tom Drake, most surprising of all as the villainous leader of the outlaw gang.

"Warlock" is a decent western typical of the late 50's.

A cattle ranch owner and his men take the town nearby as their amusement place and terrorize its citizens; when an innocent barber is killed in one of the gang's nights of fun, they decide to hire a top gunman to put an end to the dangerous cowboy's actions. Clay Blaisdell (Henry Fonda)is the selected man and he arrives along with his sidekick Tom Morgen (Anthony Quinn) another fast draw too.

When Blaisdell -supported by Morgan- starts to do his job and things get better some of the town's folks are not quite satisfied with the man's ways and begin to wonder if his coming was a good idea. In order to bring some scent of law to the place they appoint Johnny Gannon (Richard Widmark) -a former member of the gang who thinks things went too far- as deputy sheriff. Gannon has not only to control the remaining vicious cowboys but he is also expected to get the town rid of Blaisdell and Morgan.

"Warlock" is perhaps a bit too long and the plot has many twists and different subjects to attend to (the strange relationship between the two hired gunfighters, Blaisdell's romance with local beauty Jessie (Dolores Michaels), revenge intentions of ex prostitute Lilly Dollar (Dorothy Malone)for a killing that happened in the past, Gannon's conflict with his kid brother Billy who is tempted to gain fame by challenging Blaisdell, and some others).

But nevertheless the film turns out entertaining and has tension, very well solved shooting and gunfight sequences, a fine location, good settings and remarkable performances. The final showdown between Fonda and Widmark is also a high point in spite of its outcoming.

Henry Fonda is a perfect choice as Blaisdell the aging gunfighter somehow tired of killing and moving and Quinn is very good as his unconditional friend and supporter. Richard Widmark is correct as the redeemed cowboy that becomes sheriff and Dorothy Malone renders one of her usual good jobs. The supporting cast is alright too.

If you like westerns this Edward Dmytryk piece is one to see and if you don't care much about the genre you'll probably find "Warlock" amusing and entertaining. It's a 7 out of 10 for me.

Nice Western concentrates on psychological issues , complex characters and adult themes . The town of Warlock is plagued by a band of thugs , leading the inhabitants to hire Clay Blaisdell (Henry Fonda) , a famous Pistolero . As the villagers ask the experienced sheriff/gunman to rid the little town of bandits when a vicious gang of freebooters passes through . This is the story of the sheriff who'd worn it -till he'd faced one gun too many , and his crippled partner (Anthony Quinn) , they had to teach or watch to die . As a hired sheriff in the small town of Warlock must take a stand when a gang of nasty outlaws takes over his town . A gunfighter/sheriff that's what they gave you for protecting people who ran like rabbits when the going got roguish !

This stand-out , meaty Western contains interesting plot , intrigue , thrills , shootouts and results to be quite entertaining though slow-moving and excessively allegorical . Outstanding literate Western balances action , suspense and drama , including a high-voltage cast . It's a classical recounting about an experienced marshal hired to clean up the crime-infested location . As Fonda in charge of a little town full of cowards and frightening people ; being probably one of the best Western in the fifties and sixties . The highlights of the film are the climatic showdowns , the twisted surprises and , of course, the final confrontation . The traditional story and exciting screenplay was well written by Robert Alan Arthur though clichés run through-out , the enjoyable tale is enhanced for interesting moments developed among main characters and especially on the relationship between gunslinger Henry Fonda and gambler Anthony Quinn . As the picture relies heavily on psychological aspects of the peculiar relationship between them . As Anthony Quinn steals the show playing a particular role going very much against his ordinary type , as the often strong, tough , macho Anthony here is cast as a hesitant, even weak man . However , Richard Widmark is all but lost in the background as a guilty-ridden outlaw become a town sheriff . Being magnificently performed by Henry Fonda and Anthony Quinn , they are awesome experts in the art of conjuring sensational acting , here are reunited in this atypical but thought-provoking western with a lot of reflection , distinguished moments and dramatical attitudes , in addition a multitude of entertaining situations . Top-notch plethora of secondary actors playing vicious, sadistic sociopaths who take advantage of the frightened townspeople such as Tom Drake , James Philbrook , DeForest Kelley ,Frank Gorshin , Gary film debut of Lockwood as well as villagers perfectly performed by Wallace Ford , Richard Arlen , Ann Doran , among others . Wonderful cinematography in Technicolor and CinemaScope is superbly caught by cameraman Joseph MacDonald . Sensitive as well as lively musical score by Leigh Harline .

This is another superbly powerful though forgotten Western being stunningly directed by Edward Dmytryck . A veteran filmmaker, Dmytryck is one of Hollywood's most prolific directors who started his career in the early 40s . He was a craftsman whose career was interrupted by the activities of the House Un-American Activities Committee (HUAC), a congressional committee that employed ruthless tactics aimed at rooting out and destroying what it saw as Communist influence in Hollywood . A lifelong political leftist who had been a Communist Party member briefly during World War II, Dmytryk was one of the so-called "Hollywood Ten" who refused to cooperate with HUAC and had their careers disrupted or ruined as a result. The committee threw him in prison for refusing to cooperate, and after having spent several months behind bars , Dmytryk decided to cooperate . Dmytrick's biggest film was ¨The Caine Mutiny¨ , but he also realized another mutiny film titled : ¨Mutiny¨ with Angela Lansbury . Edward was an expert on warlike genre as ¨Back to Batan¨ , ¨Battle of Anzio¨ , ¨Young lions¨ and Western as ¨Broken lance¨ , ¨Alvarez Kelly¨ , ¨Warlock¨ , among others . Rating : 7 , better than average . It's recommended for Western enthusiasts and big stars lovers . Well worth watching as well as to rediscover and it will appeal to Anthony Quinn and Henry Fonda fans .

Warlock is a little mining town in the Wild West. Local heavies from San Pablo are terrorising the citizens of Warlock, and the movie starts with the sheriff being run out of town. The citizens' committee decides to hire the notorious Clay Blaisdell to reimpose order.

Ethical positions are relative in the strange little world of Warlock. The citizens are willing to give Blaisdell free rein when it comes to cleaning up the town, even though his methods are famously ruthless, and his 'package' includes installing himself and his partner Tom Morgan in the saloon with their travelling casino. Blaisdell intends to earn a rake-off as the faro dealer. He will also collect $400 per month as the 'marshall', even though Warlock has no town charter and does not qualify for a marshall.

Blaisdell is himself a man of deep moral equivocation. Henry Fonda plays him as an emotionless killer who paradoxically forms deep personal attachments - first to Morgan, then later to Jessie Marlow (Dolores Michaels). He crusades to rid western towns of their bad guys, but does so on a strictly commercial basis. Blaisdell knows that the citizens' hero-worship will turn in time to resentment, and he and Morgan will have to move on to the next beleaguered town.

Morgan, too, is a man of profound contradictions. The cynical casino owner has little regard for the human race, but adores Blaisdell, "the only person ... who looked at me and didn't see a cripple." Morgan is Blaisdell's partner in the law-and-order campaign, and yet there is a strong suggestion that Lily is a whore and Morgan her pimp. The relationship between Blaisdell and Morgan has a definite homoerotic tinge, and when Blaisdell takes up with Jessie, Morgan behaves like a jealous lover. Eventually, he even gives up the will to live.

"Warlock" is an idiosyncratic film with its own look, its own terminology and a curious plot. The quaint high street with its rutted red clay is quite unlike standard western towns. When the characters talk of 'road agents', they mean stagecoach hijackers. 'Backshooters' are men who shoot others in the back. In the mean moral climate of Warlock, backshooters are everywhere. McEwan never sets up a confrontation without putting his backshooters in place, and Blaisdell's answer to the San Pablo boys is to cover their backshooters with backshooters of his own.

Richard Widmark plays Johnny Gannon, the San Pablo man who throws his lot in with the people of Warlock. Johnny is the measure of the town's growing maturity. If the people are prepared to back Johnny against the bad men, there will be no need for hired guns such as Blaisdell. The judge warns Johnny that his status as the town's totem will single him out for trouble - "You're a target, a symbol, and they must come after you." And so it transpires.

Changes of clothing signify changes of heart. Once Johnny decides to embrace the law, he doffs his denim jacket and starts wearing fancy duds. When Clay transfers his allegiance from Morgan to Jessie, he discards the silk waistcoats which are Morgan's 'uniform'.

"Star Trek" fans will spot DeForest Kelly ("Bones") in the role of Curly, the sarcastic joker of the San Pablo gang. We quickly form the view that Curly is not as brutal as the others, and this is borne out when the shooting starts in earnest.

The film has two climaxes. First, Johnny has to face down McEwan and his men, and then there has to be a reckoning with Blaisdell. This eccentric film manages to contrive an unexpected ending.

In a strong cast, Fonda and Quinn stand out as the ill-matched friends - the cold killer and the emotional gambler.