El hombre solitario

Since childhood I've found the actors playing the bad guys more interesting than the main characters,at least till about 1970 or so.Many that I viewed in the 1950's didn't last long in a movie or TV program because they were an early victim to the star.Some eventually went on to make names for their selves but for the most part I liked them more when playing minor roles.Some of those minor role villains are in this movie and I found them very entertaining.There's Neville Brand playing King Fisher,a good performer but sometimes a little bit to scary even for me when dealing out punishment.Others like Faro (Lee Van Cleef),Sundown Whipple(John Doucette) and Blackburn(Claude Akins) are in top menacing form.While not a household name another quality performer is Robert Middleton playing Ben Ryerson.Whether playing a politician or a mob boss he gives a quality performance.In this movie he's a bit grubby looking but handy with both a gun and a knife.Then there's Willie (Elisha Cook Jr) one of Fisher's men.He usually bursts into a room big eyed bearing news but has to grab a quick drink before speaking.So much to my delight the cast includes a rouge's gallery of personal favorites,almost like a dream come true.For those who like the good guys the movie leans more towards a nightmare.Jack Palance plays Jacob Wade the main character.As usual he has the look of a strong tough looking man.His performance is better than usual but that just means it's not as stiff as usual.The story lacks a bit of direction also.Those two points are forgotten because of Anthony Perkins who plays Jacob Wade's son Riley.His part lacks direction or maybe a director as it seems like he or someone else wants to sabotage this movie.First off he's too old and big to be playing the part of the son.When he does show some sign of a emotion it's fitting more for someone at least 10 years younger than him.To the simple statement that his mother(deceased) was a fine woman he responds blandly"talk about my mother again and I'll kill you",really off the wall.Elaine Aiken gives a good performance and is nice looking.In another comment it was basically said her character with it's good qualities has no reason to be interested romantically in the wimpy Perkins character,that's hitting the nail on the head.So this movie was just about what I expected,the minor roles out shining the main characters.One of the main characters looked like a good friend must of gave them the part.

This isn't the cowboys vs. indians or "saved by the Cavalry" formulaic western. There is characterization! Jack Palance delivers a great performance. He can act when the script and director allowed him. Tony Perkins seems to be the same character as he was in Tin Star. Great outdoor scenery; the studio should have paid the extra cost to film this in Technicolor.

I found "Lonely Man' in a local library. I can't believe it only has 26 votes on the IMDB. This is not as great as the Anthony Mann films I've studied in grad school. There is one with Anthony Perkins called "The Tin Star" which I would recommend more. But, this is still a good Western which doesn't follow the conventional theme/structure narrative. Worth a look.

The Lonely Man is directed by Henry Levin and written by Harry Essex and Robert Smith. It stars Jack Palance, Anthony Perkins, Elaine Aiken, Neville Brand, Robert Middleton, Elisha Cook Jr. and Claude Akins. It's a VistaVision production with cinematography by Lionel Lindon, music scored by Van Cleave and the title track sung by Tennessee Ernie Ford.

Trying to leave his gun slinging days behind him, Jacob Wade (Palance) tries desperately to bond with his son Riley (Perkins) who blames him for his Mother's death.

From the outset as Tennessee Ernie Ford warbles a soft ballad over the opening credits, you know that we are in for a Western sorrowful in tone, and so it proves. I confess it's a film I hadn't really heard of before and kind of stumbled upon it by accident. It certainly seems to be under seen, while judging by the lack of written critique's for it, most probably forgotten by those who viewed it many years ago.

It's a film with problems, there is no getting away from that, but for the Western fan who has a bent for films like Shane, The Gunfighter and Unforgiven (and it is no way in the same league as these pictures) it has narrative rewards. There is very little action here, a couple of horse pursuits (though these are very well filmed and are exciting) and a short gunfight are about as thrilling as it gets, because this is very much a character study and smiles are very much in short supply. Story follows father and estranged son forming an uneasy alliance as Jacob tries to set Riley up for the future, truths will out along the way and Jacob's past is coming back to haunt him. There's a girl in the middle, naturally, and health will also come into play.

Filmed out of the Sierra Mountains, Lone Pine and the Mojave Desert, the back drops are excellent. Lionel Lindon's black and white photography is a real asset to the picture in how it captures the mournful mood of the story. While for the finale we move into noir territory as Levin and Lindon darken the skies and bring the atmospheric shadows, and this is something that perfectly cloaks what unfolds in the story. The support cast is like a whose who of Western character actors: Elisha Cook Jr., Neville Brand, Claude Akins, Lee Van Cleef, Denver Pyle, Harry Shannon and John Douchette, all of whom owe the Western fan nothing. But here lies one of the film's major problems…

With a dialogue heavy picture such as this, we reasonably expect good characterisations, unfortunately we just don't get that. Palance is basically required to just look tough and emote when faced with Perkins' whiny barbs. Oh they are good at being emotive and whiny respectively, but the screenplay just doesn't ask anything of them, with some interesting threads dangled but never expanded upon. Aiken is stock female fodder, and again she plays a character that just exists since the interesting possibilities are not explored. Then there's the number of characters played by those wonderful Western actors that just drift in and out of the film with no chance to impact on proceedings. Brand does get a neat role, and shows a good mean streak whilst introducing us to some cowardly bastard tactics, but he's still under written.

The lack of depth to plotting and complexity of principal characters is such a shame, as is the uneven direction of Levin. Yet I personally was very pleased to have seen this, it has some merits in the "moody redemption" splinter of Western films. A cautious and generous 7/10 from me.

Henry Levin did not direct many Westerns but he does well with this one, extracting credible performances from the main names, including Jack Palance, who keeps straining his eyes until we learn near the end that he is going blind; Anthony Perkins, fresh from his supporting Oscar nomination in FRIENDLY PERSUASION; Neville Brand as master villain, very good at planning the killing of unaccompanied targets; Lee Van Cleef as cold killer happy to do it well; and a truly superior performance from Robert Middleton, who simply steals the show.

Excellent B&W cinematography from Lionel Lindon. Gripping dialogue in script by Harry Essex and Bob Smith, though the ending could have been a little bit more light-hearted... like, for instance, an operation to Palance's cataracts...

Anyway, well worth a watch. 7/10.