CALIFICACIÓN DE IMDb
7.2/10
2.6 k
TU CALIFICACIÓN
Un detective de Nueva York en un tren de Nueva York a Baltimore intenta frustrar un complot para asesinar al presidente electo Abraham Lincoln antes de su discurso de investidura.Un detective de Nueva York en un tren de Nueva York a Baltimore intenta frustrar un complot para asesinar al presidente electo Abraham Lincoln antes de su discurso de investidura.Un detective de Nueva York en un tren de Nueva York a Baltimore intenta frustrar un complot para asesinar al presidente electo Abraham Lincoln antes de su discurso de investidura.
- Dirección
- Guionistas
- Elenco
Erville Alderson
- Minister - Passenger in Club Car
- (sin créditos)
Olive Ball
- Hawker
- (sin créditos)
Barbara Billingsley
- Young Mother
- (sin créditos)
Peter Brocco
- Fernandina
- (sin créditos)
George Bunny
- Hawker
- (sin créditos)
John Butler
- Miller - Drummer in Ticket Line
- (sin créditos)
Ken Christy
- Detective
- (sin créditos)
Harry Cody
- Minor Role
- (sin créditos)
Opiniones destacadas
Tall Target (1951)
The simple idea of Anthony Mann approaching a crime movie about Abraham Lincoln made me seek this out. And it's great stuff, filmed with the lively, dramatic black and white of the time. And in a weird quirk, the leading man (played by Dick Powell) is named John Kennedy. Mann was just beginning his legendary set of eight Westerns with James Stewart.
While not a bit a film noir officially, this is coming from that era, and has the dark, ominous feel of a good noir. Powell (a noir staple) plays a detective with a somewhat modern air (not 1861, when is when the film is set), and he some of that man alone against the world quality. And then, on top of it, this is a "train movie," one of that unnamed genre of films that is primarily or entirely set on a train, up and down the length in various ways (what one character with a drink in his hand calls "the longest bar in the world, New York to Baltimore").
This one starts beautifully at night, and there is some terrific stuff just to look at, as the lights against the night sky are stark and the shadows heavy. The smoke and steam billows gray into the black sky. The plot, proceeding, is remarkably visual, too, with Powell looking for clues as things start to look increasingly ominous.
There are some great side characters here, including Ruby Dee in her young elegance and strength. And then there are some side actors who play their caricatures a little too hard (like the train conductor, briefly, but several times).
The cloak and dagger plot is fairly linear—the story is based on fact loosely, so there might not have been total freedom. But I'm not sure how many times on one train ride Mr. John Kennedy can get himself into a total lethal trap and then fight, trick, or luck his way out of it. But that's part of the fun of it, I suppose.
And there is enough other stuff going on here to make it really interesting and beautiful. A surprise for me.
The simple idea of Anthony Mann approaching a crime movie about Abraham Lincoln made me seek this out. And it's great stuff, filmed with the lively, dramatic black and white of the time. And in a weird quirk, the leading man (played by Dick Powell) is named John Kennedy. Mann was just beginning his legendary set of eight Westerns with James Stewart.
While not a bit a film noir officially, this is coming from that era, and has the dark, ominous feel of a good noir. Powell (a noir staple) plays a detective with a somewhat modern air (not 1861, when is when the film is set), and he some of that man alone against the world quality. And then, on top of it, this is a "train movie," one of that unnamed genre of films that is primarily or entirely set on a train, up and down the length in various ways (what one character with a drink in his hand calls "the longest bar in the world, New York to Baltimore").
This one starts beautifully at night, and there is some terrific stuff just to look at, as the lights against the night sky are stark and the shadows heavy. The smoke and steam billows gray into the black sky. The plot, proceeding, is remarkably visual, too, with Powell looking for clues as things start to look increasingly ominous.
There are some great side characters here, including Ruby Dee in her young elegance and strength. And then there are some side actors who play their caricatures a little too hard (like the train conductor, briefly, but several times).
The cloak and dagger plot is fairly linear—the story is based on fact loosely, so there might not have been total freedom. But I'm not sure how many times on one train ride Mr. John Kennedy can get himself into a total lethal trap and then fight, trick, or luck his way out of it. But that's part of the fun of it, I suppose.
And there is enough other stuff going on here to make it really interesting and beautiful. A surprise for me.
"Ninety years ago a lonely traveller boarded the night train from New York to Washington D.C., and when he reached his destination his passage had become a forgotten chapter in the history of the United States. This motion picture is a dramatisation of that disputed journey."
The Tall Target is directed by Anthony Mann and written by George Worthing Yates, Daniel Mainwaring (as Geoffrey Holmes) and Art Cohn. It stars Dick Powell, Paula Raymond, Adolphe Menjou, Marshall Thompson and Will Geer. As the above opening salvo suggests, story is disputed, it's based around the so called Baltimore Plot, a plot to assassinate Abraham Lincoln; the tall man of the title who is on the train heading for his inauguration.
Set mostly aboard a train, Mann's The Tall Target is a very tight noirish type period thriller that sees Powell's gruff detective try and protect Abe Lincoln from assassins lurking within the confines of the locomotive hauled express. Although a low budget production, there is some smart period detail to enjoy and the cramped setting of the train interiors allows Mann to infuse the story with paranoia and claustrophobic tints. Major bonus is that the makers excellently capture what must have been a powder keg of political uncertainty in 1861, this is born out by the number of interesting characters with a voice aboard this train. Thus the suspense and mystery elements are not confined to being of the obvious variety.
With Paul Vogel's black and white photography adding some period bite, and putting the noirish sheen to scenes such as the ones involving smoke, it's a shame that the cast are mostly hit and miss. Powell just about carries off the tough-guy persona, with the scenes shared with Menjou good value, and Geer is the stand out as the jobs worth conductor. Raymond is lovely, but hardly puts a stamp on proceedings, while Thompson is badly inadequate when it comes to putting the threat into threatening situations. But they are only minor itches that fail to derail the film from the tracks, because ultimately it's the story that is the star, a story boosted no end by Mann's taut direction. 7.5/10
The Tall Target is directed by Anthony Mann and written by George Worthing Yates, Daniel Mainwaring (as Geoffrey Holmes) and Art Cohn. It stars Dick Powell, Paula Raymond, Adolphe Menjou, Marshall Thompson and Will Geer. As the above opening salvo suggests, story is disputed, it's based around the so called Baltimore Plot, a plot to assassinate Abraham Lincoln; the tall man of the title who is on the train heading for his inauguration.
Set mostly aboard a train, Mann's The Tall Target is a very tight noirish type period thriller that sees Powell's gruff detective try and protect Abe Lincoln from assassins lurking within the confines of the locomotive hauled express. Although a low budget production, there is some smart period detail to enjoy and the cramped setting of the train interiors allows Mann to infuse the story with paranoia and claustrophobic tints. Major bonus is that the makers excellently capture what must have been a powder keg of political uncertainty in 1861, this is born out by the number of interesting characters with a voice aboard this train. Thus the suspense and mystery elements are not confined to being of the obvious variety.
With Paul Vogel's black and white photography adding some period bite, and putting the noirish sheen to scenes such as the ones involving smoke, it's a shame that the cast are mostly hit and miss. Powell just about carries off the tough-guy persona, with the scenes shared with Menjou good value, and Geer is the stand out as the jobs worth conductor. Raymond is lovely, but hardly puts a stamp on proceedings, while Thompson is badly inadequate when it comes to putting the threat into threatening situations. But they are only minor itches that fail to derail the film from the tracks, because ultimately it's the story that is the star, a story boosted no end by Mann's taut direction. 7.5/10
Superbly directed and photographed, and very well acted by Dick Powell, Will Geer, and Adolph Menjou, this movie ranks as one of director Anthony Mann's best achievements. Not one of his trademark noirs, it still has the characteristic tense look and feel, while staking out its own claim to originality, capturing the mood of the country as it is about to explode into a bloodbath. Set on the eve of the Civil War, a New York police detective (Dick Powell) boards a southbound train in New York to foil a conspiracy to assassinate President elect Lincoln. The train setting provides an apt stage in which the passions of the day are played out, with Unionists and Secessionists armed to the teeth. Factually, the details are probably off, but the mood of the time seems to be fairly accurately portrayed.
In 1861, New York detective John Kennedy (Dick Powell) is convinced there's a plot to assassinate President-elect Abraham Lincoln but no one seems to believe him. So he resigns from the force and takes the train to Baltimore, determined to prevent the assassination.
In my opinion, this is Dick Powell's last great screen role. He made a few more movies before finishing his career out as a director and doing some minor TV work. He's very good here, as usual. Strong support from Adolphe Menjou, Will Geer, Leif Erickson, and Ruby Dee. It's a gripping period thriller from Anthony Mann that looks like a film noir, thanks to Paul Vogel's fine cinematography. Plus, it's a train movie and those are always fun.
There's a lot in this movie for history buffs to chew on. A guy named John Kennedy trying to prevent a presidential assassination in a film made over a decade before President Kennedy was killed is certainly interesting. The plot is loosely based on the 1861 Baltimore Plot, which resulted in one of Lincoln's earliest public relations nightmares because he was accused of cowardly sneaking into the city for fear of assassins. Times have certainly changed. Anyway you should definitely read up on that as it's pretty fascinating, especially considering what happened to him four years later.
In my opinion, this is Dick Powell's last great screen role. He made a few more movies before finishing his career out as a director and doing some minor TV work. He's very good here, as usual. Strong support from Adolphe Menjou, Will Geer, Leif Erickson, and Ruby Dee. It's a gripping period thriller from Anthony Mann that looks like a film noir, thanks to Paul Vogel's fine cinematography. Plus, it's a train movie and those are always fun.
There's a lot in this movie for history buffs to chew on. A guy named John Kennedy trying to prevent a presidential assassination in a film made over a decade before President Kennedy was killed is certainly interesting. The plot is loosely based on the 1861 Baltimore Plot, which resulted in one of Lincoln's earliest public relations nightmares because he was accused of cowardly sneaking into the city for fear of assassins. Times have certainly changed. Anyway you should definitely read up on that as it's pretty fascinating, especially considering what happened to him four years later.
Okay this film the Tall Target may not be historically accurate but it is based on a situation that occurred on the Abraham Lincoln Inaugural Train.. It is an excellent movie brilliantly directed by Anthony Mann It is a film that was way ahead of its time.. Dick Powell stars and gives an outstanding performance Differrent than most of his film noir films of that era.. I was watching TCM @1am this morning (insomnia was setting in) when their brilliant host Robert Osborne announced and described this unusual film that most people had never seen or heard of! But he recommended & once again Osborne was correct. Wonderful powerful film made years before Suddenly and a decade or so before The Manchurian Candidate (other films dealing with presidential assassinations)The writers & director took an incident from history and created a fictionalized yet believable and riveting film .Is great definitely worth seeing & seeing a very young Ruby Dee in a small but important role as a loyal but concerned 'slave" also Leif Ericson and Barbara Billingsly (Beavers mom) have minor but important roles..& Adolphe Menjou is outstanding and quite believable a corrupt military official Powell is really good in this film A great surprise Don't Miss, another hidden gem revealed from the TCM film library.Thank you Ted Turner and Robert Osborne
¿Sabías que…?
- TriviaThe first director attached to this subject, several years before the film was finally made, was Joseph Losey. He had wanted to cast Lena Horne in the role played by Ruby Dee, which originally was planned as a much larger part.
- ErroresIn spite of being set in 1861, there are electric lights hanging in the station and in other locations.
- Citas
Rachel - Slave Maid: Freedom isn't a thing you should be able to give me, Miss Ginny. Freedom is something I should have been born with.
- Créditos curiososThe opening credits slowly roll up from the bottom of the screen, over a background of a train station. The word "TALL" is extra tall, and the credits are followed by: "Ninety years ago, a lonely traveler boarded the night train from New York to Washington DC and when he reached his destination, his passage had become a forgotten chapter in the history of the United States. This motion picture is a dramatization of that disputed journey."
- ConexionesReferenced in Forces of Nature: Anthony Mann at Universal (2025)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is The Tall Target?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 966,000 (estimado)
- Tiempo de ejecución1 hora 18 minutos
- Color
- Relación de aspecto
- 1.37 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
By what name was El gran complot (1951) officially released in India in English?
Responda