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Cuando pasan las cigüeñas

Título original: Letyat zhuravli
  • 1957
  • Not Rated
  • 1h 35min
CALIFICACIÓN DE IMDb
8.3/10
21 k
TU CALIFICACIÓN
Cuando pasan las cigüeñas (1957)
Political DramaTragic RomanceDramaRomanceWar

Veronica planea una cita con su amante, Boris, en la orilla del río, poco antes de que él sea reclutado para participar en la Segunda Guerra Mundial.Veronica planea una cita con su amante, Boris, en la orilla del río, poco antes de que él sea reclutado para participar en la Segunda Guerra Mundial.Veronica planea una cita con su amante, Boris, en la orilla del río, poco antes de que él sea reclutado para participar en la Segunda Guerra Mundial.

  • Dirección
    • Mikhail Kalatozov
  • Guionista
    • Viktor Rozov
  • Elenco
    • Tatyana Samoylova
    • Aleksey Batalov
    • Vasiliy Merkurev
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    8.3/10
    21 k
    TU CALIFICACIÓN
    • Dirección
      • Mikhail Kalatozov
    • Guionista
      • Viktor Rozov
    • Elenco
      • Tatyana Samoylova
      • Aleksey Batalov
      • Vasiliy Merkurev
    • 102Opiniones de los usuarios
    • 57Opiniones de los críticos
    • 76Metascore
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Nominada a2premios BAFTA
      • 4 premios ganados y 3 nominaciones en total

    Fotos130

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    Elenco principal26

    Editar
    Tatyana Samoylova
    Tatyana Samoylova
    • Veronika
    • (as T. Samoylova)
    Aleksey Batalov
    Aleksey Batalov
    • Boris Fyodorovich Borozdin
    • (as A. Batalov)
    Vasiliy Merkurev
    Vasiliy Merkurev
    • Fyodor Ivanovich Borozdin
    • (as V. Merkuryev)
    Aleksandr Shvorin
    Aleksandr Shvorin
    • Mark Aleksandrovich Borozdin
    • (as A. Shvorin)
    Svetlana Kharitonova
    Svetlana Kharitonova
    • Irina Fyodorovna Borozdina
    • (as S. Kharitonova)
    Konstantin Kadochnikov
    Konstantin Kadochnikov
    • Volodya
    • (as K. Nikitin)
    Valentin Zubkov
    Valentin Zubkov
    • Stepan
    • (as V. Zubkov)
    Antonina Bogdanova
    Antonina Bogdanova
    • Varvara Kapitanova -babushka Borisa i Irina
    • (as A. Bogdanova)
    Boris Kokovkin
    Boris Kokovkin
    • Nikolay Chernov
    • (as B. Kokovkin)
    Ekaterina Kupriyanova
    • Anna Mikhaylovna Lebedeva
    • (as Ye. Kupriyanova)
    Valentina Ananina
    Valentina Ananina
    • Lyuba
    • (as V. Ananina)
    Valentina Vladimirova
    Valentina Vladimirova
    • Soldatka
    • (as V. Vladimirova)
    Olga Dzisko
    • Dasha
    • (as O. Dzisko)
    Leonid Knyazev
    Leonid Knyazev
    • Sachkov
    • (as L. Knyazev)
    Georgiy Kulikov
    Georgiy Kulikov
    • Anatoliy Kuzmin
    • (as Yu. Kulikov)
    Daniil Netrebin
    Daniil Netrebin
    • Ranenyy
    • (as D. Netrebin)
    Aleksandr Popov
    • Borya
    • (as Sasha Popov)
    Irina Preys
    Irina Preys
    • Antonina Monastyrskaya
    • (as I. Preys)
    • Dirección
      • Mikhail Kalatozov
    • Guionista
      • Viktor Rozov
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios102

    8.321.4K
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    Opiniones destacadas

    8Felonious-Punk

    This is what lovers of movie-history dream of. Be blown away by the advanced quality and content!

    I had seen director Kalatozov's "I am Cuba" before I saw this movie. I loved the camera work in "I am Cuba", but I felt that the story was too rigid, too much of a propaganda piece, too much of an advertisement for my taste. The characters weren't real enough, not fully developed. It felt as if I were watching types of people rather than actual people. In "The Cranes are Flying", which Kalatozov made prior to "I am Cuba", I didn't find the same problem. The story is thoroughly engaging, and I felt a whole range of emotions. The lead character, specifically is so real, I think she will haunt my dreams. She is played by Tatyana Samojlova who deserves special acclaim. She is dazzling. Her sweet charm reminded me of Audrey Hepburn, and yet Samojlova's acting seems to have a broader range. Hers is more realistic in a way that feels ahead of its time in 1957. Her wild despair is in a league with the best emoter actresses, such as Natalie Wood, Isabelle Adjani, Juliette Binoche.

    I must mention, also, that the cinematography is so crisp, it seems to be 4 decades ahead of its time. As far as composition and movement of the camera, I'd say it has strains of several styles, including German Expressionism of the 20's and 30's, and the stormy noir melodramas of the '40s, like "Out of the Past" (1947).

    This is a romantic, dramatic movie that looks long and hard at the repercussions of war, and yes, it does have a message and it certainly hammers it home, but still I think it stays more clearly in the realm of universal themes, rather than falling into the propagandist ditch.

    In summary, I don't think I have ever seen better acting, better camera work, better editing, or better direction in any movie made previous to it. There were some scenes made with such planning and precision that I had to press "PAUSE" just to catch my breath. Lovers of movie history, enjoy!
    8wjfickling

    Remarkable for its time

    While watching this film recently, I constantly had to remind myself that it was made in 1957..........and in the USSR! That makes it all the more remarkable. Many of the cinematographic effects in the film seem cliched in 2002, but they were quite original in 1957. I first saw this film in 1963, when it was first released in the US, and I was struck by its originality then. Now just having seen it 40 years later, I have no reason to change my mind.
    Kirpianuscus

    just a gem

    more than a movie, it is a special experience. more than part of a period, it is a form of revelation. for extraordinaries images. for splendid shots. for the simple story. for drama. for the delicacy for present a profound tragedy. for the acting. to see The Cranes are flying is an event. for soul. and for the mind. a travel in time. and rediscover the basic values who defines each life. it is difficult to define it . because it is not only beautiful or seductive, touching or impressive. it is a honest testimony, a kind of window in the Soviet regime's gray reality. a film about love and about war. about innocence. and about survey. about the existence as drawing used the basic colors. see it ! for discover a new frame for your life. and new meanings for every day fights.
    10wrvisser-leusden-nl

    truly magnificent

    The plot of this movie is set against the most terrible war in history of mankind: the violent clash between Adolf Hitler's Germany and Soviet Russia, from 1941-'45.

    With the western areas of their country thoroughly devastated, and 20 to 30 million Russian people killed, the vibes of this conflict can be felt in Russia up to the present day. Let alone back in 1957, when memories were still very fresh and painful.

    This very black setting strongly contrasts with the fine and coherent style of 'Letjat zhuravli's' beautiful shots. Its simple story deals with human behaviour in times of war: bravery, love, patriotism, weakness, cowardice and corruption. All beautifully tied together by a toy-squirrel.

    Add to this the truly magnificent acting, and it's easy to understand why this movie is so famous. Really, one of the very best ever made.
    9KFL

    Visually inventive by any standards; inventive narrative by Soviet standards

    The story told by The Cranes are Flying is not, admittedly, all that original. Young lovers are separated by war; bad things happen to both. We've seen it many times before.

    Nonetheless, we haven't seen it filmed this well, with bold shots that take liberties to emphasize separation, or destruction, or hopelessness. All the more remarkable coming from the Soviet Union, and reason to conclude that Tarkovsky is not the last word in modern-era Soviet cinema.

    I was reading Chekhov's "Three Sisters" the other day, and chanced upon what may be the meaning of the title of this film. In Act 2, Masha objects to the notion that we must live our lives without meaning or understanding:

    "MASHA: Surely mankind must believe in something, or at least seek for the truth, otherwise life is just emptiness, emptiness. To live and not to know why the cranes are flying, why children are born, why there are stars in the sky. Either you must know why it is you live, or everything is trivial - mere pointless nonsense."

    Likewise, Veronika has a hard time believing that the war, and her and others' sufferings, have been pointless. Better to assign a meaning, to live as if one's life is significant, and not to give in to despair. It is perhaps this thinking that prompts her to her final act in the film.

    BTW as a minor correction to one other comment here--there may be a pattern of V's in the film, though I hadn't noticed them myself. But the first letter of Veronika's name is not a further instance of this; in the Cyrillic alphabet, her name begins with a letter which looks like an English "B".

    Más como esto

    La balada del soldado
    8.2
    La balada del soldado
    La carta que no se envió
    7.8
    La carta que no se envió
    Soy Cuba
    8.2
    Soy Cuba
    La ascensión
    8.2
    La ascensión
    The Cranes are Flying and Soviet Cinema
    8.5
    The Cranes are Flying and Soviet Cinema
    La infancia de Iván
    8.0
    La infancia de Iván
    Vernye druz'ya
    7.3
    Vernye druz'ya
    La mujer de arena
    8.4
    La mujer de arena
    Andréi Rublev
    8.0
    Andréi Rublev
    El intendente Sansho
    8.3
    El intendente Sansho
    El destino de un hombre
    7.9
    El destino de un hombre
    El hueco
    8.5
    El hueco

    Argumento

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    Editar
    • Trivia
      One of the most notable features of the film is cinematographer Sergey Urusevskiy's then ground-breaking use of hand-held cameras. He had learned how to film like this when he was a military cameraman during the war.
    • Citas

      Stepan: Dear mother, father, sisters and brothers! The happiness of our reunion is immeasurable. The heart of every Soviet citizen is filled with joy. Joy sings in our hearts. It is victory that has brought us this joy. We have all waited for this moment. But we shall not forget those left behind on the battlefield. Time will pass. Towns and villages will be rebuilt. Our wounds will heal. But our fierce hatred of war will never diminish. We share the grief of those who cannot meet their loved ones today, and we will do everything to insure that sweethearts are never again parted by war, that mothers need never again fear for their children's lives, that fathers need never again choke back hidden tears. We have won, and we shall live not to destroy, but to build a new life!

    • Conexiones
      Edited into Nitrato d'argento (1996)

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    Preguntas Frecuentes18

    • How long is The Cranes Are Flying?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 12 de octubre de 1957 (Unión Soviética)
    • País de origen
      • Unión Soviética
    • Sitio oficial
      • Mosfilm [rus]
    • Idioma
      • Ruso
    • También se conoce como
      • The Cranes Are Flying
    • Locaciones de filmación
      • Mosfilm Studios, Moscú, Rusia(Studio)
    • Productora
      • Mosfilm
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 17,923
    • Total a nivel mundial
      • USD 32,549
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 35 minutos
    • Color
      • Black and White
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.37 : 1

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