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The story told by The Cranes are Flying is not, admittedly, all that original. Young lovers are separated by war; bad things happen to both. We've seen it many times before.

Nonetheless, we haven't seen it filmed this well, with bold shots that take liberties to emphasize separation, or destruction, or hopelessness. All the more remarkable coming from the Soviet Union, and reason to conclude that Tarkovsky is not the last word in modern-era Soviet cinema.

I was reading Chekhov's "Three Sisters" the other day, and chanced upon what may be the meaning of the title of this film. In Act 2, Masha objects to the notion that we must live our lives without meaning or understanding:

"MASHA: Surely mankind must believe in something, or at least seek for the truth, otherwise life is just emptiness, emptiness. To live and not to know why the cranes are flying, why children are born, why there are stars in the sky. Either you must know why it is you live, or everything is trivial - mere pointless nonsense."

Likewise, Veronika has a hard time believing that the war, and her and others' sufferings, have been pointless. Better to assign a meaning, to live as if one's life is significant, and not to give in to despair. It is perhaps this thinking that prompts her to her final act in the film.

BTW as a minor correction to one other comment here--there may be a pattern of V's in the film, though I hadn't noticed them myself. But the first letter of Veronika's name is not a further instance of this; in the Cyrillic alphabet, her name begins with a letter which looks like an English "B".

I had seen director Kalatozov's "I am Cuba" before I saw this movie. I loved the camera work in "I am Cuba", but I felt that the story was too rigid, too much of a propaganda piece, too much of an advertisement for my taste. The characters weren't real enough, not fully developed. It felt as if I were watching types of people rather than actual people. In "The Cranes are Flying", which Kalatozov made prior to "I am Cuba", I didn't find the same problem. The story is thoroughly engaging, and I felt a whole range of emotions. The lead character, specifically is so real, I think she will haunt my dreams. She is played by Tatyana Samojlova who deserves special acclaim. She is dazzling. Her sweet charm reminded me of Audrey Hepburn, and yet Samojlova's acting seems to have a broader range. Hers is more realistic in a way that feels ahead of its time in 1957. Her wild despair is in a league with the best emoter actresses, such as Natalie Wood, Isabelle Adjani, Juliette Binoche.

I must mention, also, that the cinematography is so crisp, it seems to be 4 decades ahead of its time. As far as composition and movement of the camera, I'd say it has strains of several styles, including German Expressionism of the 20's and 30's, and the stormy noir melodramas of the '40s, like "Out of the Past" (1947).

This is a romantic, dramatic movie that looks long and hard at the repercussions of war, and yes, it does have a message and it certainly hammers it home, but still I think it stays more clearly in the realm of universal themes, rather than falling into the propagandist ditch.

In summary, I don't think I have ever seen better acting, better camera work, better editing, or better direction in any movie made previous to it. There were some scenes made with such planning and precision that I had to press "PAUSE" just to catch my breath. Lovers of movie history, enjoy!

Sometimes you see a film and it knocks you for six. Sometimes those films are unknown to most people. The Cranes Are Flying is one of those films. Made in Soviet Russia in 1957, the films starts with the romance of Veronika and Boris, a romance that is rudely interrupted when he volunteers to go to the front during WWII. After the lose of her own family, Boris' family invite her to live with them, only for his brother who found exemption from fighting 'forcing' her into marriage. The family are forced to move to Siberia to escape the onslaught of the Germans and it is here Veronika learns the fate of her real love.

The film's main plot, the love story, is tragic, but the film as a whole is as tragic in it's depiction of war and the immense effect it has on people. Through fine performances the cast bring another episode of war to life, with drama, joy, despair and hope. Director Mikhail Kalatozov achieves something else, a masterpiece of film making. The film contains some of the most remarkable camera work you'll likely to see in a pre-CGI film world. One of the early scenes where Boris runs up flights of stairs as the camera pans and follows in one take is a hint of things to come. That scene is mirrored when Veronika returns to her family apartment to find it bombed and runs up the same stairwell, that hangs among the ruins and fire. There are fine tracking shots, such as where Veronica runs along the dispatch area or when she runs along the train track. Another stand out scene is where Veronica is 'trapped' by the brother during an air raid, the noise loud, the camera angles obscure, the lighting jarred and ominous, it's a powerful moment, among many throughout the film.

The audience learns the fate of Boris way before Veronica, who tries to hang onto hope that he will return. Her love grows ever more when she discovers the note he left in the toy squirrel. The powerful end scenes, when the truth is revealed are stunningly effective, full of emotion and the horror of what war can create in people.

War films are often too busy concentrating on the battles itself, but occasionally a film will explore the real battle, the one that humanity has to endure on a personal level.

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The plot of this movie is set against the most terrible war in history of mankind: the violent clash between Adolf Hitler's Germany and Soviet Russia, from 1941-'45.

With the western areas of their country thoroughly devastated, and 20 to 30 million Russian people killed, the vibes of this conflict can be felt in Russia up to the present day. Let alone back in 1957, when memories were still very fresh and painful.

This very black setting strongly contrasts with the fine and coherent style of 'Letjat zhuravli's' beautiful shots. Its simple story deals with human behaviour in times of war: bravery, love, patriotism, weakness, cowardice and corruption. All beautifully tied together by a toy-squirrel.

Add to this the truly magnificent acting, and it's easy to understand why this movie is so famous. Really, one of the very best ever made.

If you're looking for a typical war movie, this is not it, so a note to all the testosterone-pumped carnage-craving war buffs out there, don't bother. Although the film is about Russian characters in WWII, don't expect to see any Nazis, cannons, blood, gore, etc. It's not a film about people who cause a war or who fight a war. It's a film about ordinary people who war happens to and the choices they make in dealing with it.

Acting, cinematography, writing: all perfect 10s here. You'll certainly appreciate it if you're Russian like me, but even if not, you'll probably love it. If you speak no Russian, look for the RUSCICO (Russian Cinema Council) DVD version. It's got subtitles in about 14 different languages, but the English dubbing on this one I'd say is just as good. It's of course not as good as the original Russian track (some stuff is lost in translation), but just as good as the English subtitles. So go check it out, especially if you're studying film in any aspect.

Sick of the current cinema output, particularly American cinema, I've been making an effort to see the Oscar-winning foreign films. That's when I came across this gem. Slow to start, it picks up nicely once war is declared. Basically an old fashioned girl-waits-for-boy-to-return-from-war-story, the performances, the cinematography make this so very much more. Why Tatyana Samojlova as the young woman didn't become an international star after this is beyond me(though she has remained successful in her own country). You take the journey with her: young, defiant impetuous young girl, who, through the ravages of war becomes a very sober, somber woman who keeps a glimmer of hope (her final scene is devastating). We love her as much as the camera does. And the camera-work! Was this the pioneer in hand-held camera work? It truly adds an immediacy to the story. And the beauty of it (like when Tatyana's character is running up stairs and next to a slatted fence). I am humbled and grateful to see this film.

more than a movie, it is a special experience. more than part of a period, it is a form of revelation. for extraordinaries images. for splendid shots. for the simple story. for drama. for the delicacy for present a profound tragedy. for the acting. to see The Cranes are flying is an event. for soul. and for the mind. a travel in time. and rediscover the basic values who defines each life. it is difficult to define it . because it is not only beautiful or seductive, touching or impressive. it is a honest testimony, a kind of window in the Soviet regime's gray reality. a film about love and about war. about innocence. and about survey. about the existence as drawing used the basic colors. see it ! for discover a new frame for your life. and new meanings for every day fights.

Russian actress TATIANA SAMOILOVA reminds me so much of the young Audrey Hepburn and the camera in THE CRANES ARE FLYING seems to love her just as much. She is the focal point of a bittersweet war romance against the background of World War II in Moscow.

The film is almost poetic in its gorgeous B&W cinematography which was the main reason for watching the film in the first place, since I had never heard of it and decided to give it a try when it aired on TCM.

It's a very moving love story about a girl's deep love for a man who is suddenly swept away by his role as a soldier drafted in wartime Russia. She's unable to forget the memory of her romantic attachment to him, but inexplicably marries someone else who has forced himself on her, a pianist who soon realizes that she still loves the soldier she hopes to hear from. Their marriage is a troubled one because she can't let go of her remembrance of a happier time with her soldier sweetheart.

By the end of the story, she accepts the idea that he's never going to return and is able to face reality and cope with the situation. There's a very poignant final scene at a train station where arriving soldiers are greeting their loved ones and the tearful girl shares the joy of the returning soldiers by giving some flowers from her bouquet to the joyous families.

The stylish and striking camera-work is what carries the film, as well as the honestly played story.

Tastefully done, but perhaps the English subtitles didn't tell the whole tale because some of the plot elements seemed a bit blurred to me as if they had been glossed over.

Summing up: Easy to see why it won awards at the Cannes Film Festival. Reminded me, in style, of another great Russian film, BALLAD OF A SOLDIER.

I would like to tell you just a few things before considering seeing this movie. If at one point or another you thought you've seen good camera work, be prepared to be amazed by this movie. For the record, this movie was made in 1957 in Russia, but the technique used here is probably something that we've seen much later in the western world...about 20 years later. The level of emotions through the film varies quite a lot: happiness -love-war- despair-joy, but in the end you remain with something quite unique: the joy of seeing one masterpiece of filmmaking. The young directors from our time should study more this kind of movies and maybe they will be able to create something similar..even though I think movies like this are very hard to come by... If you've seen "I am Cuba" , then this movie would appeal to you very much, but if not, be prepared for a unique experience. The Russian directors have something in common: very small budgets, great actors, and a joy of creating art...and yes, they are able to create more masterpieces than all the western world together. I am not a big fan of Russia, actually I hate everything that's communist, but the film making in that part of the world, manages to create such feelings that are hard to describe.

Enjoy it.

I simply don't understand the 10 ratings. Very artful camera work but a run of the mill boy goes to war girl pines for him plot. Also. I lived in the former Soviet Union and the idea that the war started when they were attacked by the Nazis in June 1940, rather than when the Soviet Army attacked Finland and helped the German army by attacking, invading and dividing up Poland in September 1939 is the revisionist view of a country who lost twenty seven million people because of a corrupt system of government lead by a madman dictator.

One of those films that I happened across through The Criterion Collection and as usual indulged as a change of pace. That turned out to be a great decision. I was almost mesmerised by the quality of the film, the story it told and the way it was told. The almost minimalist feel to the film with sparse dialogue and almost constant music just added a whole evocative level to the film. This really is a superb film to spend some time with and enjoy.

Most definitely one of the best works of cinematography I have seen. Sergei Urusevsky is truly a cinematic genius. Many of the scenes in this film are shot with a hand-held camera, and the shots are incredible. Urusevsky conveyed the feelings and emotions of the characters through the camera, which is difficult for a lot of filmmakers to do. Not only is this a great film in terms of technique, but it is also a very beautiful story as well. The actors are great, the story is great, and just the film itself is great. I highly recommend this film to anyone; whether you are wanting to analyze it or just enjoy it. It is very beautiful and moving film; as well as a piece of cinematic art.

While watching this film recently, I constantly had to remind myself that it was made in 1957..........and in the USSR! That makes it all the more remarkable. Many of the cinematographic effects in the film seem cliched in 2002, but they were quite original in 1957. I first saw this film in 1963, when it was first released in the US, and I was struck by its originality then. Now just having seen it 40 years later, I have no reason to change my mind.

In Moscow, the young couple Veronika (T. Samojlova) and Boris (Aleksey Batalov) are in deep love for each other. With the World War II, Boris volunteers to join the army and is sent to the front on the day before Veronika's birthday, and they do not have the chance to say goodbye to each other. While waiting for news from Boris, Veronika is raped by Boris' cousin Mark (A. Shvorin) and they marry each other. However, Veronika does not forget Boris, and keeps waiting for him.

"Letyat zhuravli" is an impressive and heartbreaking romance in times of war. The direction is excellent and uses ellipses along the story, inclusive in the capital scene when Veronika is raped by Mark. The camera-work is amazing, with sophisticated planes and angles, and long traveling. The scenes of Veronika in the middle of the tanks, or in the train station with many figurants are awesome. The magnificent cinematography is highlighted by the restored image of the DVD. T. Samojlova has an extremely beautiful face, and a touching and sensitive performance. The speech in the last scene makes another great example of an anti-war movie. My vote is nine.

Title (Brazil): "Quando Voam as Cegonhas" ("When Fly the Stork")

Veronica plans a rendezvous with her lover, Boris, at the bank of the river, only for him to be drafted into World War II shortly thereafter.

I know very little about Soviet film. Really my only experience after the 1930s that quickly comes to mind is "Stalker". I am sure there are others, including other Tarkovsky films, but I am drawing a blank. This one is a nice exception to the forgettable films.

Any story of Russia in World War II is good. Americans like to believe they single-handedly defeated Japan and Germany, conveniently forgetting that Russia was the primary opponent of Germany at the time. More films covering that cannot hurt. But then add a romantic angle? Excellent! There is something rather French about this film, which seems appropriate... the cultured class of Russia always seemed to love the French.