El hombre increíble

When a businessman Scott Carey (Grant Williams) is infected by a mysterious cloud of mist on a boating vacation, little does he know how his life and whole way of existing are about to change. After six months of normal life he notices he has lost a little weight and height, and that this strange loss of size is continuous. He keeps growing smaller and smaller every day, to the amazement of doctors and to the chagrin of his wife (Randy Stuart). Soon everyday things become grave dangers to him and he has to completely let go of his old way of comprehending his place in life.

The over-sized props and the creative trick photography that is used to create the illusion of shrinking must have looked absolutely stunning in the 1950s when the film first came out, because they still look impressive when I'm typing this in 2010. Carey's struggles with unexpected sources of terror like a cat, a mousetrap or a spider haven't lost any of their charm over the decades: they are still edge-of-your-seat suspense, and I'm not saying this as any kind of affirmative action in favour of old movies – I genuinely haven't been this thrilled by a movie in a long time! Besides the visual effects, the riveting music is also perfectly in tune with the thrilling style of the film.

Even though the film can easily be enjoyed as a great sci-fi suspense film, there's also a deeper, more personal level to it. Carey truly develops as a character over the course of the film. He is aware of his frustration and changing moods and scolds himself for being rude to his wife and not being able to take the new challenges bravely head-on. The sense of loneliness, created excellently with beautiful black & white cinematography and camera angles, has been said to mirror the fearful atmosphere of the Cold War and the nuclear era. This is a valid interpretation, but it's also possible to see Carey's journey as a symbol of Man's existential despair and feelings of inadequacy in life that is seemingly normal and mundane. The grandiose finale provides a majestic ending for the tale of new-found self-esteem; all my worries about a predictably tacked-on happy ending were proved unnecessary.

I wrote this review immediately after seeing the film for the first time. These words came out completely without effort and that is, to me, a sign of an honestly compelling cinematic experience. The Incredible Shrinking Man is a delight to watch, not the least bit goofy or dated like some other old sci-fi films. I recommend it for every fan of the genre, admirers of imaginative special effects and anyone interested in existential character studies.

Along with "invasion of the body snatchers"(1956) "forbidden planet"(1956) and "the fly" (1958),the best movie sci-fi offered in the fifties.

Richard Matheson's remarkable novel was adapted by himself,thus the movie is an accurate rendition.Differences are kept to the minimum,and are probably due to censorship:one character,the pedophile,who wants to take the hero to his home has been removed and the relationship with Clarice remains platonic.Besides,Matheson focuses here on the second part of his novel,which takes place in the basement.

The special effects are absolutely stunning for the time ,but what's the most extraordinary is that they take a back seat to the hero's frames of mind:the voice-over is never redundant and Matheson's brilliant lines,a thousand miles above the B-movie level,perfectly convey his hero's plight."Arachnophobia"(1990),with a much more comfortable budget pales into insignificance when you've seen Grant Williams'fight with the spider.The doll house,the scenes with the midgets,the metaphysical final are as awesome today as they were half a century ago.Do not miss the cast and credits at the beginning either. During its second half,except for the voice-over,the movie is almost silent and Jack Arnold sustains the interest with only one character.

With its inexorable progression -the hero slowly becoming on his own-,its first-class screenplay and a fine direction by Jack Arnold,who could ask for a remake? This movie and the three I mention above are genuine classics,they have in common fears hidden in collective unconscious.

THE INCREDIBLE SHRINKING MAN (4 outta 5 stars) Not many of those hokey-looking old sci-fi movies from the '50s are still as effective 50 years later... but this one definitely hasn't lost any of its power. Great script written by Richard Matheson, who later went on to do much good work for "The Twilight Zone" and even today is still producing scripts for such films as "Stir of Echoes" and "What Dreams May Come". The story is fairly simple- after passing through a mysterious cloud on the ocean, our hero Scott (Grant Williams) discovers that his clothes seem to start feeling looser. More time passes and he discovers that he is now shorter than his wife. Day after day, he becomes smaller and smaller until he becomes so small that an ordinary housecat becomes a terrifying threat to his very life. The special effects might seem unconvincing to modern eyes... but the otherwise high-quality of the editing and direction make the action scenes as effective and suspenseful as anything you likely to see spewed out by today's CGI factories. I was totally unprepared for the ending of this film... you'd never see a movie end this way nowadays... but you never too many of them end this way back in the '50s either! A classic!

This movie, with it's silly 1950's title, is a great work of the mind as it fathoms the universe. It's about a man, an ordinary man, who, after an astronomical event, begins to become smaller. Unlike so many cheesy films, his clothes don't get smaller along with him. Richard Matheson considered all the implications of a shrinking man along with all the forces that would work against him. Our power is often dictated by our size, so this man finds himself having to fear things that he previously took for granted. We can only imagine what was going to happen down the road. The sad fact that he must live in a doll's house, without hope, to be forsaken pretty much by the humans who have left him, is very depressing. There are the usual things, being chased by a cat, fighting with a spider, having objects like pencils and common pins become huge to him. The ending, however, is what puts this beyond anything that has been done since. It's a look at the hugeness of the universe and the relative tininess of our own earth in the scheme of things. It really has a positive side. This man has dignity and, while he doesn't know what is coming, he knows that the great order of the universe gives him a position in it.

A Sci-Fi masterpiece stunningly mounted and directed . Almost beyond the imagination . . A strange adventure into the unknown ! . After being contaminated by what may or not to be radioactive mist , a good man finds himself turning smaller and steadily shedding the inches and pounds until he reaches actually minuscule proportions . A suburban husband named Scott Carey (Grant Williams) begins to shrink because of exposure to a combination of radiation and insecticide and medics (William Schallert) are powerless to help him . He becomes a media darling but starts to feel humiliated and expressing cruel anger against his wife (Randy Stuart) . In his home's basement he battles lethal threats as spiders , floods or drops of water in an endless and surreal environment . At the ending terminates in a strangely and moving religious assertion of what it really means to be alive.

Universal classic of the 50s with numerous unforgettable scenes including a rousing showdown with a giant cat and a common house spider. Good performance by Grant Williams in that a strange fog causes him to dwindle becoming into unfortunate man who forces him to view the world in a diverse light than ever before. Intelligent and brooding screenplay by Richard Matheson with many memorable dialogs and including philosophical and pantheist speeches ; furthermore based on his own novel . Joseph Gershenson's impressive score with thrilling strains. Fine special effects highlight and good Art Direction by Alexander Golitzen .

This well-edited motion picture is compellingly directed by Jack Arnold in his best foray into the Sci-Fi genre. He reigns supreme as one of the greatest filmmakers of 50s science , achieving an important cult popularity with classics as "The Creature from the Black Lagoon," and its follow-up titled "Revenge of the Creature" that was a nice sequel . "Tarantula" was likewise a lot of amusement . This "The Incredible Shrinking Man" attained his greatest enduring cult popularity , it's a thought-provoking and impressive classic that's lost none of its power throughout the years . Arnold's final two genre entries were the interesting "Monster on the Campus" and the outlandish "The Space Children¨ . It's followed by an inferior Sci-Fi comedy titled ¨Incredible shrinking woman (1981)that results to be a semi-spoof , being directed by Joel Schumacher in his first movie , with Lily Tomlin , Charles Grodin and Nead Beatty. Rating : Better than average . Well catching for amazing acting, philosophical and existential argument and really peculiar transformation .