The Green-Eyed Blonde

There is so much to say about this movie: that it is focused on teen pregnancy in a frank way that was never done in 1950s film or literature and portrays the teens in a respectful way, that it has black actresses treated as equal to everyone else in terms of character and a strong, positive black father character, that it addresses the mental health challenges of "troubled" teen girls, that it includes statutory rape by step fathers and on and on. Yes, it's a B movie and has all that comes with that: exaggerated performances, low rent production values and lots of stereotypes. The parents of the main character are almost too horrible and extreme to be believed - unless you are a social worker or teacher and then, yeah, you know these kind of people really do exist, even now (leaving a baby in the back seat of a car, referring to the baby as "it", and on and on). But it's extraordinarily thoughtful for 1957 - that is probably thanks to Dalton Trumbo. Not sure about the title, as this is Betsy's story, not "Green Eyes". Buddy's mom aversion to her son isn't condemned the way it would be in a movie now. The guide to infant care that the girls read from is hilarious - it always has an answer to every question! But be prepared for very, very disturbing behavior by "cuckoo" - if you are horrified by even the mention of animal abuse, don't watch this. As for the ending... no spoilers, but WHAT THE HELL?!?!

I guess this 1957 film was a wake up call for many families who were in the midst of either raising teenage children, or more importantly being teenage children, especially if you were of the female persuasion. I realize that teenagers in the 1950's were more likely to incur an unexpected pregnancy compared to children in the past half century are due to the advances in sex education, and acceptance of women being on the pill (without shame) and men purchasing rubbers over the counter as easy as they can buy a package of gum and/or a chocolate bar.

Nonetheless I recognize the need even in today's society for shelters for young ladies to exist not as much to be imprisoned as this film seems to depict but to protect these young ladies who may have had a one night affair that got them into a bit of a jam, or been associated at a very young age with someone who was a bad influence on them.

The acting in this film was superb, and the (then) 25 year old actress Susan Oliver who plays the green-eyed blonde was certainly a mature leader of this wayward ban of unwed mothers and juvenile delinquents with mental problems or criminal pasts. I won't include any spoilers but I must say on a personal note I did find the storyline a bit hard to relate to even though the circumstances these young ladies found themselves in are very real, even in todays standards.

I give the film a respectable 6 out of 10 IMDB rating.

The title to this film is odd, as it's NOT the story of one girl but of a group of teens who are incarcerated in a juvenile residential home. The title character is played by Susan Oliver....a 'teen' who was 25 at the time the film was released!

The story is an odd one as at first it seems like an exploitation film (the scene with 'Cuckoo' and the window is classic exploitation fodder) and then backs off from this. And, overall, I am not exactly sure what the message really was in this film. In fact, that there is no message...no moral...that does make the film unique...but also unsatisfying as well. An odd little film.

Susan Oliver's movie debut has her in a reform school, where the Jean Inness character is convinced that she and the other women in charge are just going through the motions, while Sally Brophy thinks they have to do something to save these young women. Meanwhile, we watch the young women in a script that pitches itself halfway between MADCHEN IN UNIFORM and LADY IN A CAGE, but without any sexuality or overt violence.

The script by Dalton Trumbo and Sally Stubblefield (who had worked in a reform school) makes the point that the inmates are still essentially children, even if they are hiding and caring for one of their babies. There's something unengaged about the performances, that distance the real issues. That may be deliberate, intended to reflect that the young women do not view the reform school as more than a waiting time, and they will re-enter the world with no change. If so, that makes this a tragedy, but it also means that there is no change, and hence no story.

I used to catch this film fairly regularly back in the days when local TV stations ran the Late Show, the Late-Late Show, the Omigosh Are YOU Still Up? Show etc. instead of infomercials (**sigh...**) "Gone With the Wind" it's not, but I found it surprisingly memorable anyway and would like to find it on VHS or DVD someday. a lot of the movies I saw in those days--well, I don't remember having seen them until I see them again on AMC or Turner, or on the bargain-basement video rack at Wal-Mart. for some reason, "The Green-Eyed Blonde" stuck (I can even remember the downbeat theme music!) I've never seen it in any company's video catalog, though... (***SIGH...***)