Domino Kid

If you're a die-hard Westerns fan (which I am), you'll manage to get through this one -- but you'll hate yourself in the morning.

Rory Calhoun spends a few weeks tracking down his father's killers, taking a bullet in the shoulder during one shoot out, until he finally goes back to his old homestead to settle down with his gorgeous former sweetheart.

And he never changes clothes once through the whole film. The bullet hole in his favorite shirt heals up as fast as his chest wound. Nice trick, huh?

Hokey dialog flies thicker than the bullets, and Calhoun is as wooden as a hitching post. If you make it to the final shoot out, you'll get to watch the worst shots in the West manage to miss each other so often they run out of bullets.

Calhoun finally takes a few slugs, but he still manages to crawl -- yes, crawl -- across an open street, straight toward the bad guy, who misses him repeatedly with a RIFLE from twenty feet away!

When Calhoun's sweetheart and the town doc (sci-fi veteran Thomas Brown Henry in his smallest role), examines the wounded Calhoun, he says, "He'll be alright as soon as I get all those holes plugged up."

What a man! What a movie . . .

The Domino Kid is directed by Ray Nazarro and written by Kenneth Gammet and Hal Biller. It stars Rory Calhoun, Kristine Miller, Andrew Duggan, Yvette Dugay, Peter Whitney and Eugene Iglesias. Music is by Mischa Bakaleinikoff and cinematography by Irving Lipman.

Rory Calhoun is The Domino Kid (AKA: Cort Garand), who upon returning from his service in the Civil War sets out for vengeance against the five renegades who murdered his father. He quickly locates four of them, but the fifth man is proving illusive.

The script is a bit hoary, the formula unchallenging, and the very grand final shoot-out is as full of implausibilities as can be, but there's a good suspense quotient to this Oater that is most engaging. It also looks gorgeous, with the crisp black and white photography putting a tonally correct moody vibe on the story. Calhoun is a bastion of cool and hardness, quick on the draw and lobbing dominoes around to announce to his prey that they are up against a bad mutha. The requisite entanglements with cattle baron villain Wade Harrington (Duggan) and affairs of the heart are driven straight and simple, and the "twist" isn't really all that, yet this is well worth a look for Calhoun and B Western supporters. 7/10

Good little western from Columbia pictures made in the late fifties and not produced by the awful Sam Katzman. It is rather predictable concerning the ending, but the supense is all long the film, because of the hidden identity of the fifth killer of Rory Calhoun's father. That's pretty exciting for a western where the villains are usually known in advance. That reminds me a bit FIVE CARDS STUD but here at a lesser scale, and not because of the cast. It remains a B movie, only seventy one minutes, but really worth with a Rory Calhoun in great shape and it's always a pleasure to see Roy Barcroft, even in a small supporting character. For the rest, the revenge scheme is as new as the western genre itself.

Veteran cowboy director Ray Nazarro came up with a winner with this fast-moving little oater. Just goes to show what a good script can do with a less than sterling budget. Rory Calhoun plays the title role, a war veteran returning west to avenge his murdered father (there were five of 'em, but who was the *fifth* man?). A series of successful shoot-outs bring Rory to the final showdown, not only with adversaries Andrew Duggan and Peter Witney, but with his own sense of justice and revenge. Helping him along are Kristine Miller and Robert Burton (who, like in just about every other minor western of the 1950's, plays the honest sheriff). A good performance by Eugene Inglesias as Domino's boyhood friend adds to the just-north-of-the-border ambiance of this comptetent film. An all-around enjoyable treat!

Domino (Rory Calhoun) returns from the Civil War to find his ranch in ruins and his father murdered. Five men were responsible and four were identified. One by one Domino outdraws the four that were known, all being outlaws. There is only one left now. Domino does not know his identity but that man probably knows of Domino and his mission.

Why they call him Domino I am not sure, but after each kill he throws down a domino - he's out for revenge, and after killing for men he's hunting for the fifth man. That angle lends a sense of mystery, something, unfortunately, isn't in many westerns. Here, it lingers in the air. The stark black and white photography adds some tension and sullenness. Calhoun dominates as the determined man to find the fifth man. This is an efficient western with plenty of gunplay, and only its routine nature can play against it. As for the reviewer who mentioned how could a bullet hole in his shirt disappear, the simple answer that he has a spare identical shirt.