Alborada de sangre

For this viewer at any rate the prerequisite for sitting through any film starring Rory Calhoun is to ascertain who else is in the cast! Here we have the excellent David Brian and Alex Nicol and the always good value Edgar Buchanan.

That being said, the character of tubercular gambler Brett Wade which is plainly inspired by Doc Holliday, gives Mr. Calhoun a rare role of substance and he certainly rises to the occasion.

Not for the first or indeed the last time it is the remarkable Piper Laurie who leaves the deepest impression. She is surely one of the greatest actresses never to win an Oscar and it is inconceivable, even by Hollywood standards, that after her stunning performance in 'The Hustler' she was obliged to wait fifteen years for her next film role. She and Mr. Calhoun work surprisingly well together here and were to team up once again in the lightweight 'Aint Misbehavin' the following year.

Solid direction here by George Sherman and the shoot outs, one of which is more than a passing nod to that at the OK corrall, are well staged. To say that Mr. Sherman is an old hand at this sort of thing would be an understatement as he made his first Western in 1937 and his last in 1971.

Any student of real western history will recognise the characters and part of the plot as being related to the Doc Holliday / Wyatt Earp /Clanton feud in Tombstone. Rory Calhoun is pretty obviously Doc while James Millican is Wyatt. The shootout in the stockyards is based on the OK corral and the screenwriters offer an interesting story on what happened next. Alex Nicol as Jimmy Rapp (John Ringo) is nicely portrayed and the movie moves along with a good pace of action, motivation and characterisation. Certainly a classic, considering the studio system in operation at the time it was made.A lot of effort and thought obviously went into its production. Well worth seeing.

Dawn at Socorro is directed by George Sherman and written by George Zuckerman. It stars Rory Calhoun, Piper Laurie, David Brian, Kathleen Hughes, Alex Nicol and Edgar Buchanan. Music is by Joseph Gershenson and cinematography by Carl Guthrie.

One Night In Socorro.

A cracker-jack Western this. Plot essentially has Calhoun as Brett Wade, a tough gunfighter who is suffering badly from ill health. Taking advice from his doctor he decides to retire to healthier pastures, but his past and new enemies refuse to let him go. OK! So it's very much a composite of a number of famous Westerns, but to dismiss this as a cheap knock off would be foolish. The script is very literate and the screenplay never gets tired or preposterous. From an action stand point it scores favourably, right from the opening in Lordsburgh where we get a stockyard shoot-out, pic is never dull.

I wont arrest you for being naked.

There's good black humour in here as well, and some outstanding scenes such as Brett playing Beethoven's Moonlight Sonata at his own funeral (you will understand when you see it) and a poker game where the stake is the fetching Piper Laurie! There's a constant running feud between Wade and Jimmy Rapp (Nicol), a well written part of the film as it brings in codes and ethics that play opposite another character.

The tech credits are bang on the money. Location photography out of Apple Valley and Victorville is gorgeous, as is Guthrie's colour lensing for the interiors. Props and set design is hugely appealing, including a super locomotive for the train enthusiasts to gorge on. While the front line cast members (Lee Van Cleef & Skip Homeier have small roles) turn in very good work, with Calhoun once again showing his qualities in the genre.

My past - every dark miserable day of it!

But it's with the characterisations where the film strikes the finest. Laurie's Rannah Hayes has been cast out the family home for apparently being a hussy, she's constantly carrying that baggage with her. She finds a soul mate in Wade, a man dragged down by his life, and the weight of such could be his downfall - and he knows it. Buchanan is wonderfully ebullient as the lawman trying to get Wade out of town ASAP, Nicol is hopped up on booze and a thirst for vengeance, whilst David Brian is entrepreneur Dick Braden, a devious man with no code or honour.

Highly recommended to Western fans. 8/10

*Dawn* is one of those 1950's westerns that were a variation on the Earp/Holliday story (e.g. *Warlock*). It works fairly well here. Grell Wade (Rory Calhoun) is a former Southern gentleman turned consumptive gunman and gambler who heads for the healthier climate of Colorado after standing with lawman brothers in their showdown against a family of cowboy outlaws. But of course in westerns no gunslinger is allowed to quit without at least one more fight, and that's the making of the story line here. Along the way, Wade meets his "fallen woman" with the heart of gold (Piper Laurie), a shady businessman and saloon owner (David Brian) and vengeful cowboys (Lee Van Cleef, Alex Nichol). Good supporting roles for Roy Roberts, Edgar Buchanan, James Millican, and others make this an entirely enjoyable little horse opera. A bit slow at times, but definitely a must-see for western fans and those who like their Rory Calhoun straight-up.

Its a Western so enjoy the saloon, whiskey, women, gambling, horses, railroad with a mix of good and bad guys thrown and we are off. The actors take it seriously and the saloon girl has a draw on you that adds to the fixation of the whole thing. I had deja vu with flashbacks to the O.K. Corral storyline and lets face it all Westerns are basically the same except for the unique story and glimpses they give of the Wild West by gone days. Notice to that being quick on the draw was no myth and stop and think how many months or years in practice it must take to reach the lethal draw stage. Of course the exception to this was Wild Bill Hickok who they claim wielded pistols so well they became part of his hands and his hands operated at lightning speed. He was a natural. Enjoy some familiar faces and also note that the gambling reached into the tens of thousands of dollars. Back then, you could buy a nice spread and retire even with hired help and minimum effort and still have left over. These boys were betting it like it wasn't. One wonders what is the point to keep playing, get drunk, carry a gun, watch back etc after you have won that much? Lets ride