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Alphaville, una extraña aventura de Lemmy Caution

Título original: Alphaville: Une étrange aventure de Lemmy Caution
  • 1965
  • Not Rated
  • 1h 39min
CALIFICACIÓN DE IMDb
7.0/10
29 k
TU CALIFICACIÓN
Eddie Constantine and Anna Karina in Alphaville, una extraña aventura de Lemmy Caution (1965)
A U.S. secret agent is sent to the distant space city of Alphaville where he must find a missing person and free the city from its tyrannical ruler.
Reproducir trailer1:27
1 video
68 fotos
Hard-boiled DetectiveSatireSpyComedyDramaMysterySci-FiThriller

Un agente secreto de los Estados Unidos es enviado a la lejana ciudad espacial de Alphaville, donde debe encontrar a una persona desaparecida y liberar a la ciudad de su gobernante tiránico.Un agente secreto de los Estados Unidos es enviado a la lejana ciudad espacial de Alphaville, donde debe encontrar a una persona desaparecida y liberar a la ciudad de su gobernante tiránico.Un agente secreto de los Estados Unidos es enviado a la lejana ciudad espacial de Alphaville, donde debe encontrar a una persona desaparecida y liberar a la ciudad de su gobernante tiránico.

  • Dirección
    • Jean-Luc Godard
  • Guionistas
    • Jean-Luc Godard
    • Paul Éluard
  • Elenco
    • Eddie Constantine
    • Anna Karina
    • Akim Tamiroff
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.0/10
    29 k
    TU CALIFICACIÓN
    • Dirección
      • Jean-Luc Godard
    • Guionistas
      • Jean-Luc Godard
      • Paul Éluard
    • Elenco
      • Eddie Constantine
      • Anna Karina
      • Akim Tamiroff
    • 154Opiniones de los usuarios
    • 105Opiniones de los críticos
    • 92Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado y 1 nominación en total

    Videos1

    Re-release Trailer
    Trailer 1:27
    Re-release Trailer

    Fotos68

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    Elenco principal11

    Editar
    Eddie Constantine
    Eddie Constantine
    • Lemmy Caution
    Anna Karina
    Anna Karina
    • Natacha von Braun
    Akim Tamiroff
    Akim Tamiroff
    • Henri Dickson
    • (as Akim Tamirof)
    Valérie Boisgel
    • 2nd Seductress Third Class
    • (sin créditos)
    Jean-Louis Comolli
    • Prof. Jeckell
    • (sin créditos)
    Michel Delahaye
    Michel Delahaye
    • von Braun's Assistant
    • (sin créditos)
    Jean-André Fieschi
    • Prof. Heckell
    • (sin créditos)
    Christa Lang
    Christa Lang
    • 1st Seductress Third Class
    • (sin créditos)
    Jean-Pierre Léaud
    Jean-Pierre Léaud
    • Breakfast Waiter
    • (sin créditos)
    László Szabó
    László Szabó
    • Chief Engineer
    • (sin créditos)
    Howard Vernon
    Howard Vernon
    • Léonard von Braun
    • (sin créditos)
    • Dirección
      • Jean-Luc Godard
    • Guionistas
      • Jean-Luc Godard
      • Paul Éluard
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios154

    7.029.2K
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    Opiniones destacadas

    7Space_Mafune

    It's not going to appeal to everyone...

    Forget about watching this if you have no patience for slow-moving drama, thought-provoking narratives, and/or philosophical discourse.

    This film is however unique, virtually impossible to categorize and visually arresting. It's basically a film noir set in an Orwellian future with its lead character using emotion, jokes, philosophy and love to weeds doubts into the rule imposed by a mechanized society of tomorrow....and well it's much more than that too. Recommended to anyone who enjoys the qualities listed in the first paragraph.
    8sbahlin

    A strange but beautiful adventure

    What can you say that hasn't already been said. The dispassionate pastiche that is Lemmy Caution. The lethargy is exhilarating at times. The photography inventive and startling. The sound design unique and ground breaking. The acting superb. The music fantastique! Love it or get out of here!
    doomvox

    Minimalism is not a crime

    Alphaville is an attack on the syndrome of Science Fiction films full of flash and color but devoid of ideas. They intentionally took an "Our Town" attitude toward special effects -- e.g. driving along in a car, with dialog indicating that they're in a spaceship; commenting on how beautiful the stars look when you can't see anything but the glare of streetlights, and so on. If there's a problem with this movie, it's that the ideas themselves are perhaps not really all that strong; the notion of a dystopian city ruled by an all powerful computer just doesn't seem that heavy, not even taken as some sort of symbolic allegory; but on the whole I think SF cinema would be in much better shape if it had learned the lesson of Alphaville (think "La Jette"). Minimalism is not a crime, which is why I find it very annoying that I need to babble for another couple of lines to convince IMDb.com that I've said enough to be worth logging as a movie review.
    nikteslamodernwonder

    I like this movie, but liking it is difficult.

    Its hard to say exactly how much I liked Alphaville. Seeing it was a valuable experience, and at times was quite enjoyable. However, there was definitely a part of me that couldn't wait for it to be over.

    Probably the best part of the movie was the general "vibe." I wholeheartedly approve of its all-around aesthetic. Using (at the time) contemporary Paris was, in my opinion, a genius move. It makes the film a lot more plausible- it's like saying, "The future isn't some phoney-baloney Jetsons stuff. It will probably look a lot like today." Plus, in my opinion, special effects are the #1 contributing factor to making a movie seem "dated", something that Alphaville doesn't need to worry about. Either way, JLG succeeds in giving us a bleak, antiseptic vision of the future. Unlike nearly all of the recent dystopic sci-fi, there's nothing whimsical about the future in Alphaville. It is cold and realistic.

    However, I found that, at a lot of points, Alphaville tended to be rather slow. Usually, these slower parts occurred when the movie more or less gave itself over to philosophical speculation (such as the Alpha 60's long monologues), and pretty much abandoned the idea of keeping our attention. Don't get me wrong, I realize that the philosophical underpinnings are absolutely necessary to Alphaville- however, I think that JLG should have chosen to "show, and not tell." (Actually, I find this to be the case with a lot of sci-fi)

    And I really don't understand the various action sequences in the film. (WHY would they have let him keep his gun, and take it with him when he's interrogated?) I would say that this particular element lends credence to the theory that the whole movie was meant as sort of a spoof.

    In the end, I would probably recommend this film to my more open-minded friends, with the one proviso that they watch it early in the day, when they are less likely to fall asleep.
    7MissSimonetta

    Sporadically interesting

    ALPHAVILLE is basically Godard trolling the audience for 100 minutes. Visually, the film is super interesting-- I like the minimalist "future" aesthetic and the gorgeous monochrome photography. The actual story and characters are far less interesting than the visuals, though some of the parody is pretty amusing. The philosophizing is torture. So overall, I found this more interesting to think about afterward than to watch in the moment.

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    Argumento

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    ¿Sabías que…?

    Editar
    • Trivia
      It is unknown who did the voice of the Alpha 60 computer. The voice of Alpha 60 was performed by a man with a mechanical voice box replacing his cancer-damaged larynx who wanted to remain anonymous.
    • Errores
      Towards the beginning, the term "light years" is used as if it were a measure of time, when actually it is a measure of distance.
    • Citas

      [English subtitled version]

      Alpha 60: Once we know the number one, we believe that we know the number two, because one plus one equals two. We forget that first we must know the meaning of plus.

    • Créditos curiosos
      Before the credits, Jean-Luc Godard adds one letter at a time to compose the word "fin"--"i"..."in"..."fin"--as though to suggest "I, in the end".
    • Versiones alternativas
      Although composed for the standard European aspect ratio of 1.66:1, the restored Criterion version (which is also broadcast on TCM) is presented full-frame. Presumably cinematographer Coutard anticipated future TV showings and kept the image 1.37-safe (i.e., no visible boom mics, lights or other equipment).
    • Conexiones
      Edited into Histoire(s) du cinéma: Une vague nouvelle (1999)

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    Preguntas Frecuentes

    • How long is Alphaville?
      Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 5 de mayo de 1965 (Francia)
    • Países de origen
      • Francia
      • Italia
    • Idiomas
      • Francés
      • Inglés
      • Español
    • También se conoce como
      • Alphaville
    • Locaciones de filmación
      • Esso tower, La Défense, Hauts-de-Seine, Francia
    • Productoras
      • André Michelin Productions
      • Filmstudio
      • Chaumiane
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 220,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 47,696
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 7,298
      • 9 feb 2014
    • Total a nivel mundial
      • USD 66,651
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 39 minutos
    • Color
      • Black and White
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.37 : 1

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    Eddie Constantine and Anna Karina in Alphaville, una extraña aventura de Lemmy Caution (1965)
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