King and Country

On a World War I battleground, British soldier Tom Courtenay (as Arthur Hamp) is arrested for desertion, after serving three years in combat. If convicted, the shell-shocked young man will be shot dead. He is assigned a military defense attorney Dirk Bogarde (as Hargreaves) who seems convinced Mr. Courtenay is guilty. However, as the trenches trial proceeds, Mr. Bogarde becomes more sympathetic regarding his client's extenuating circumstances. "King and Country" will either spare Courtenay, or kill him...

Producer/director Joseph Losey does a convincing job with this drama, though it moves somewhat slowly until the end. Courtenay comes across as a shell-shocked man who volunteered for the war, and could no longer do battle after seeing his entire unit wasted away. He's commendable and understandable, and this shows in Bogarde's astute performance. The film's point is easily made, with Bogarde's character effectively leading doubters toward a shattering conclusion. The film, and both men, won award recognition.

******* King & Country (9/5/64) Joseph Losey ~ Dirk Bogarde, Tom Courtenay, Leo McKern, Barry Foster

It is 1917, and Arthur Hamp is a volunteer Private with the British Army. After the rest of his company are killed, Hamp decides to "go for a walk," with the deluded intention of making it home to Old Blighty from Belgium on foot. He is caught and put on trial under charges of desertion. If found guilty, Hamp will surely be executed. It is up to Captain Charles Hargreaves to defend the man and prove he was a victim of shell-shock, not a coward. Will Hargreaves be able to save Hamp's life, or will the young man face the firing squad?

Directed by Joseph Losey from a screenplay by Evan Jones, and based on a play by John Wilson- which was, in turn, inspired by a J. L. Hodson novel- 'King & Country' is a devastating anti-war film up there with Stanley Kubrick's 'Paths of Glory.' A frightening depiction of the injustices faced by shell-shocked soldiers in The Great War, it boasts strong dialogue and characterisation, with a gritty narrative both engaging and affecting.

'King & Country' is not just an anti-war film, though. As Losey had done previously with 'The Servant,' the film skewers the British class-system, showcasing its inherent inequality. It portrays the officers as arrogant, aloof and detached from the reality of the war going on around them. They are also indifferent to the plight of the soldiers at their command, who are conversely shown to be loyal and compassionate, for the most part. The narrative also exposes the bias and cruelty of the military court, which disregards Hamp's mental breakdown, condemning him as a yellow traitor.

The film boasts striking black and white cinematography from Denys N. Coop, which enhances the despondent tone of proceedings. Coop uses high contrast, low angles and close-ups to accentuate the feelings and reactions of the characters, while his utilisation of low-key lighting and deep shadows heightens the tension and drama of scenes. Highly impactful, Coop's sterling work is one of the reasons 'King & Country' is so memorable.

Additionally, Richard Macdonald's atmospheric production design creates a damp and despairing environment that immerses the viewer in the harsh conditions of warfare. Macdonald uses realistic costumes, props and sets to recreate the look and feel of a rat-infested World War I trench. 'King & Country' was shot on location in a purpose-built pit near Shepperton Studios, enhancing the authenticity and intensity of the film. Furthermore, Larry Adler's haunting and melancholic score complements the narrative's mood and tone adroitly, lending the film additional power.

'King & Country stars Dirk Bogarde as Captain Hargreaves alongside Tom Courtenay as Hamp, supported by Peter Copley, Leo McKern and Barry Foster. A nuanced and sensitive actor, Bogarde never turned in a bad performance- even if he disputed that- and as Hargreaves he delivers a multifaceted masterclass. He displays the characters' arc- from cynic to compassionate crusader- astutely, while co-star Courtenay is heartbreaking as the innocent, naïve Hamp; a gentle man for whom the endless slog of war proved to be too much. Moreover, Copley and McKern are both brilliant as arrogant officers, while Foster steals his short scene as the unbiased Lieutenant Webb with ease.

A strongly acted, well-written treatise on the class system, Joseph Losey's 'King & Country' is a powerful and poignant anti-war film that ranks alongside the very best of the genre. Boasting stunning cinematography, rich production design and a stirring score, it impresses on every level. Thought-provoking and intelligently made, 'King & Country' will linger with you long after the credits have rolled. It is- if you'd pardon the pun- a film that is absolutely fit for a king; and a country.

The obvious comparison that can be made with King & Country is Paths Of Glory. Both are concerned with people being tried for desertion and cowardice in World War I. Both are outstanding films though I would give the edge to Paths Of Glory.

One important distinction must be made. Paths Of Glory is an American made film with a French setting about wholesale French desertion during a battle and three guys being courtmartialed and shot as examples. King & Country is a British film with an American director at the helm about the British experience in trench warfare encapsulated in the story of one poor English Tommy.

With the last American dough-boy dying this year, World War I is a memory now with no first hand account of what it was like in those trenches. I know the last French veteran also passed away, I'm not sure of the British forces including those in the Commonwealth. America entered in 1917 and our Expeditionary force saw its first action in Belleau Wood in the spring of 1918. By November 11 of that year it was over. We had six months or so, the Allies and the Central Powers had four years.

All fought for ground gain measured in yards. A stalemate of opposing trenches stretching from Belgium to the Swiss border of France. And both sides throwing everything including poison gas in attempt to break through and score the decisive knockout blow.

Tom Courtenay plays Private Hamp who just saw the slaughter of his entire battalion and just went into shell shock and walked out of the trench in the direction of the coast of France and Great Britain. When he was caught he became a symbol of resistance to the futility of war that the British Army could not tolerate.

Like Paths Of Glory the verdict is already fixed though his defense counsel Dirk Bogarde makes a gallant attempt to save Courtney who is a total innocent as to the forces around him. One particularly good supporting performance is that of Leo McKern who plays the officer bringing the charges. He's a complete fool and there were many like him in all the armies of World War I who had not the wit or imagination to just call a halt to the slaughter.

Unlike Paths Of Glory, Dirk Bogarde has a humiliating indignity that Kirk Douglas did not have placed on him. King & Country is a fine film showing if not the futility of war itself, the futility of that particular war that scarred the world for generations and is still scarring it yet.

One of the best stage-to-film adaptions ever.

Made in black-and-white it captures the futility and claustrophobia of life in the trenches in World War One like no other film. It also gives compelling insights into the British class system.

This is a 'must see' film for all genuine students of the medium.

This is a grim portrayal of trench warfare and an officer corps seeking to "set an example" by trying a soldier suffering from battle fatigue for desertion. He has attempted to walk home from France to England after enduring the death of his entire battallion from constant shelling and futile attacks. Scenes shifting from inside the trial and outside in the camp underscore the futility of war and its effects on the men who fight.