El cuervo

Amusing , delightful film produced by American Iternational , James H. Nicholson-Samuel Z. Arkoff , with a monumental team of terror all-star-cast as Price , Lorre and Karloff . This supreme adventure in terror and humor deals with a magician (Peter Lorre) who has been turned into a raven and turns to a former nobleman sorcerer (Vincent Price) for help in this film loosely based on the Edgar Allen Poe poem , though takes only the title . Lorre asks Price to change his raven form into human and he helps him by a mixture of jellied spiders , bat's blood and dead man's hair . Then the two sorcerers , Price hypnotized by the memory of his dead second wife (Hazel Court) and his unfortunate associated go to a storm-surrounded castle inhabited by a rival wizard (Boris Karloff excels as an old sorcerer ) , the wickedest one of all . It gets funnier when our two friends along with their sons (Jack Nicholson as secondary in an enjoyable acting though you'd never guess he'd end up a superstar from his interpretation here , he had previously played ¨Little shop of horrors¨ in another comic performance ) pitting their magic wills against the nasty wizard . And the end takes place a funny duel between Price and Karloff including primitive but effective FX .

This is more of a satire than a true terror movie , it is immaculately staged , stylishly realized , very literate , confidently made and plenty of eye-popping scenes . Terror has strangely been more skillfully spoofed than in this agreeable horror/comedy Corman directed . The picture packs usual Corman's striking scenarios including mists rise the ground , lugubrious castle , shrieks come from gloomy coffins , waves pound open the shore and vague shapes move behind the dismal mansions gone to the bad . Despite the original and incredible X certificate , most children will like this enormously fun film . Colorful cinematography by the series usual , Floyd Crosby . Frightening and atmospheric musical score by Les Baxter .

The motion picture is well directed by Roger Corman and based on Richard Matheson's screenplay . It belongs the successful adaptation Edgar Allen Poe series . After his poverty-budget horror stories deemed many of them minor cult , Corman made the cycle of ¨Tales of Terror¨ which gave huge profits from minimal budgets . This Corman terror period during the 60s with classical horror adaptations also includes writer as H.P. Lovecraft with ¨The haunted palace¨ and result to be the following : ¨Tales of terror¨ , ¨The premature burial¨ , ¨Pit and pendulum¨ , ¨House of Usher¨ and on the sets and leftover from ¨The raven¨ was directed ¨The Terror¨ also with Boris Karloff and Jack Nicholson . All of them with a great sense of characterization and period , eerily staged , specially in the scenes where heroes and heroines are lured by spirits , spectres or black cats . In these movies repeat the same technicians , assistants as Monte Hellman , musician composers as Ronald Stein and Les Baxter , Daniel Haller as production designer , cameraman as Floyd Crosby , among others . They were realized as vehicles for Vincent Price with the exception of ¨The premature burial¨ with Ray Milland and Hazel Court which was less successful . The last two pictures in the series , ¨The masque of death red¨ and ¨The tomb of Ligeia¨ were filmed in England to combat rising costs . Corman shot some exciting movies after these , but nothing remotely as interesting .

When I first saw this movies I was shocked by the humor. I was in the mood for a horror flick, and with actors such as Peter Lorre, Vincent Price, and the incomparable Boris Karlof I was sure that I had hit horror gold. However, after the first minute of the movie I quickly realized that this was not a horror film at all, but a wonderful satire of the horror genre.

What makes this movie work so well is that nobody takes themselves too seriously. In fact, you can tell from the outset that everyone in the cast is in on the joke. I would caution those who are expecting a great performance from Jack Nickleson to be prepared to be disappointed. However, it is plainly evident that he is an excellent actor just waiting to happen.

Is this movie perfect, hardly, but it is definitely worth seeing. If for no other reason than to see the climatic head to head dual of magic between Price and Karlof.

The Raven - a fine nostalgic trip back in time where making a movie was still magic and vision and not all CGI. Based on a poem of Mr. Poe, directed by Roger Corman, including the great actors Vincent Price, Peter Lorre, Boris Karloff and even young Jack Nicholson, The Raven is a fine mix of horror and comedy made in great colors. Great.

The magician Dr. Erasmus Craven (Vincent Price), who does not belong to the brotherhood of magicians, grieves the loss of his beloved wife Lenore (Hazel Court) and lives in a castle with his daughter Estelle (Olive Sturgess). One day, a raven knocks on his window and Dr. Craven learns that the bird is actually the magician Dr. Adolphus Bedlo (Peter Lorre) that was turned into a raven after challenging the powerful magician Dr. Scarabus (Boris Karloff) that was an enemy of his father. Dr. Craven makes a potion to turn Dr. Bedlo back to the human form and Dr. Bedlo tells that he has seen Lenore in the castle of Dr. Scarabus. Dr. Craven decides to go in his coach with Dr. Bedlo to visit Dr. Scarabus but Estella and Dr. Bedlo's son Rexford (Jack Nicholson) decide to go with them. They find an amicable Dr. Scarabus that invite them to stay for the night. Was Dr. Craven's father wrong about Dr. Scarabus?

"The Raven" is a delightful movie about ambition, treachery and magic, with a wonderful duel of magicians and lots of humor. The raven is hilarious and it is impressive his training with participation in many scenes. The special effects are simple but impressive for a 1963 movie. The cast is excellent with Vincent Price, Peter Lorre and Boris Karloff and it is curious to see Jack Nicholson in the beginning of his career. My vote is seven.

Title (Brazil): "O Corvo" ("the Raven")

Greetings again from the darkness. It's been more than 50 years since this one was released, so it seems a good time to offer up some thoughts and observations. Let's start with the fact that you probably read Edgar Allen Poe's poem "The Raven" in high school. Director Roger Corman and writer Richard Matheson take Poe's work as a starting point in a most unique story of their own.

If you aren't familiar with Roger Corman, he is one of the most prolific and entertaining "B" movie makers of all time. His writer here, Mr. Matheson, is best known for his work on numerous episodes of "The Twilight Zone". Poe - Matheson - Corman would be enough, but we also get Vincent Price, Peter Lorre, Boris Karloff, Hazel Court and Jack Nicholson. Price is always a treat to watch (especially in horror films), Lorre appeared in 3 of the greatest movies of all-time (M, The Maltese Falcon, Casablanca), Karloff is the master of monster, Ms Court was one of the first stars of Hammer Films, and of course, Nicholson (fresh-faced here) went on to become one of the most successful actors in movie history.

Price, Karloff, Lorre and Nicholson offer up four of the most unique voices ever heard in movies, and they each partake in the fun provided by Corman here. Yes, I said fun. This is almost slapstick comedy, and at a minimum, it's a parody of the much darker series of Poe films. If you consider it as an influence of the 1960's "Batman" TV series, you wouldn't be wrong. Even the music (heavy on the tuba) has an air of comedy.

Watching Peter Lorre as a matador is pretty funny, and some of the back-and-forth with he and Nicholson as father and son is clearly ad-libbed, but the classic comedic sequence occurs when Price and Karloff take their wizardry duel to the death and turn it into a special effects highlight reel.

This may be the only time you hear the phrase "precious viper" used to describe a woman, and if that, combined with all of the above reasons, isn't enough to motivate you to seek this one out, then maybe you will never discover why so many adore the films of Roger Corman. Compared with films of today, this style is nevermore.