La máscara de la muerte roja

Roger Corman's nice attempt at Edgar Allan Poe's terror tale in which evil Prince Prospero , Vincent Price , reunites at his castle a motley group of aristocrats until the creepy appearance of the Red Death. As the sadistic Prince and his sycophants trying to ignore the plague outside castle walls . As the Red Death is the deadly plague which has swept throughout villages and now menaces the besieged castle . Along the way , Prospero deals with a cunning devil and playfully murders any of his subjects not already dead of the plague . Look into this face : Shudder ...at the blood-stained dance of the Red Death! Tremble.?. To the hideous tortures of the catacombs of Kali ! Gasp .. at the sacrifice of the innocent virgin to the vengeance of Baal !

An essential and immortal masterpiece of the macabre written by Charles Beaumont , and produced in budget enough by James H Nicholson and Samuel Z Arkoff from American International Pictures . A highly stylish Roger Corman adaptation with Horror is still ever present , including eerie images , surprising scenarios and gorgeous costumes . Vincent Price gives a terrific acting , as always , by playing a sort of medieval Faust who has sold his soul to the Devil . He is accompanied by a pretty good cast , such as : Hazel Court , Jane Asher, Patrick Mcgee , David Weston , Nigel Green , and Skip Martin as a dwarf has a touching little romance revealing himself as rather a fine player . As all main and secondary cast delivering decent interpretations .There are other inferior versions about the brief novel by Poe , but pale compared to this 1964 film , such as : "Masque of Red Death" 1989 produced by Corman with Patrck Macnee , Adrian Paul , Maria Ford and "Masque of Red Death" 1990 by Alan Birkinshaw with Frank Stallone, Brenda Vaccaro, Herbert Lom.

It contains a glimmer and shining cinematography by Nicolas Roeg , subsequently a great filmmaker, being shot mostly in British studios . Thrilling and exciting musical score by David Lee. The motion picture was competently directed by horror expert Roger Corman and seven Poe adaptations , as he proved in "The Raven" , "The Terror" , "Tomb of Ligeia" , "The Haunted Palace" , "Premature Burial", "Tales of Terror" , "Tower of London" , "The Pit and the Pendulum", among others . Rating : 7/10. Better than average . Worthwhile seeing .

A reviewer linked to this site described "The Masque of the Red Death" as Bergmanesque. A Roger Corman film Bergmanesque? Since I've only seen one Ingmar Bergman film, and it bored me silly, this was not much of an endorsement.

When I was a kid and Corman's Edgar Alan Poe adaptations were new, they scared the be-jeebers out of me. So would have "The Masque of the Red Death". After watching the movie recently, I didn't gain any insight into Mr. Bergman's film style, but I was entertained. And happily, the movie is free of the campy acting that seeps into so many of the Corman opus. Especially good is Vincent Price as the Satan-worshipping Prince Prospero, in whose castle his debauched guests wait out the plague that is ravishing the countryside. Dark and grotesque, this is an excellent example of Corman's work. Actually, one of the best I've seen.

Possibly the best of the Roger Corman-Vincent Price series of film adaptations of the stories of Edgar Allen Poe, 'The Masque of the Red Death' is a chilling and malevolent tale of decadent devil-worshippers holed up in a castle while the Red Death claims its victims in the village outside.

Vincent Price was a gloriously hammy actor who played horror roles with the utmost seriousness. His characterization of Prince Prospero in this movie is brilliant - a man without a soul or heart who is only conquered when a girl of equal faith enters his castle (the wooden Jane Asher as Francesca). In support Hazel Court as the would-be Bride of Satan Juliana, and Patrick Magee as the corrupt Alfredo are particularly worthy of note.

The dwarf's revenge on Alfredo during the masque is as chilling as anything which came before in films such as 1932's 'Freaks'; while the film shimmers with beautiful cinematography (especially the coloured rooms) and simmers with corruption. The combined effect is superb and makes the film a memorable experience.

Visually appealing and trippy in its telling, The Masque of the Red Death is a very acquired taste. Directed by Roger Corman, the film stars Vincent Price as the diabolical Prince Prospero who holds fear over a plague infested peasantry while jollying it up in his castle. The screenplay by Charles Beaumont and R. Wright Campbell is based upon a short story written by Edgar Allan Poe, while part of the film contains a story arc based on another Poe tale titled Hop-Frog. It's the 7th of 8 Corman film adaptations of Poe's works.

Sinister yet beautiful (Nicolas Roeg genius like on photography), "Red Death" has proved to be the most divisive of all the Corman/Poe adaptations. Choosing to forgo blood in favour of black magic dalliance and general diabolism, the film is arguably the most ambitious of all Corman's love affairs with Poe's literary works. With Price gleefully putting gravitas of meanness into Prospero, the film also greatly benefits from the intelligent input to the script from Beaumont (many Twilight Zone credits). This is, strangely, an intellectual type of horror film, offering up observations on the indiscrimination of death and proclaiming that cruelty is but merely a way of life.

God, Satan and a battle of faith, are all luridly dealt with as the story reaches its intriguing and memorable closure. It's a very tough film to recommend with confidence, and certainly it's not a film one wishes to revisit too often (myself having viewed it only twice in 30 years!). However, the one thing that is a cast iron certainty is that it's unlike most horror film's from the 60s. It's also one of Price's best performances. Gone is the camp and pomposity that lingered on many of his other horror characterisations, in its place is pure menace of being. A devil dealer shuffling his pack for all his sadistic worth.

You may feel afterwards that you must have eaten some weird mushrooms, or that the last glass of wine was one too many? You are however unlikely to forget "The Masque of the Red Death" in a hurry. 7/10

Roger Corman has done an outstanding job with this film, possibly the best of his Poe adaptations. Although the film really is an incorporation of two Poe stories....The Masque of the Red Death and Hop-Frog...it is an excellent, atmospheric, quality piece of entertainment. At the core of the film's strength are the performance of Price as the evil, malignant, malicious Prince Prospero, follower of the devil and cruel sovereign of an area plagued with a all-consuming Red Death, and the fabulous period sets and costumes, many borrowed from the film Beckett. Price is at his best, and his turn as Prospero easily ranks as his most sinister and wicked performance(closely running against his portrayal of a witch hunter in The Conquerer Worm). Vincent Price blends outrageous showmanship with intricate subtleties of a man reasoning why he is what he is. The dialogue certainly is more important than the action in the story...a reason why some viewers(younger ones more than likely) will find film a bit tiresome. The sets and costumes are just gorgeous and the film looks like the most lavish ever made by Corman and company. A true modern masterpiece of the horror cinema!