Doctor Who

`Doctor Who', in a nutshell, is probably the most imaginative show ever created. Initially, it was about an eccentric time-traveller from another planet, who looked human and affected an English manner and style. The interior of his time machine (called a TARDIS) was huge and highly advanced, but the exterior quaintly resembled an English public call box. The Doctor was a self-imposed exile from a race of powerful beings called the Time Lords. The Time Lords observed history, but never interfered with it. This bored the almighty heck out of the Doctor, so he made off with an older TARDIS and decided to see the Universe for himself.

When the original actor who played the Doctor decided to leave the show, the writers came up with the inventive concept of `regeneration'. Whenever the Doctor was close to death, or actually killed, he would `regenerate' into a new body (and persona). The show went through seven highly talented actors in this fashion.

The format of the show was highly adaptable. Didn't like the way the show was going? Just wait two or three years. The style always seemed to change whenever there was a change of Doctor, producer and/or script editor. The series went from educational children's drama to monster show to intelligent adult sci-fi/drama to gothic horror to high camp, et cetera, et cetera, and so forth.

This was a wonderful, imaginative, fun show when it was on. I was sad to see it go.

This series is just too huge to put into words. Classic Who has so many different styles and stories and protagonists. It's amazing concepts and different, iconic things.things that are just common knowledge in our culture today. Eight Doctors. Eight eras. There's just too much of it to put into words. Doctor Who is just part of British culture due to this fine, twenty six season long story of a time travelling alien.

Each Doctor's era is very different. They seem to have the same style as the Doctor. The Doctor ran the show, with the exception of the First Doctor (William Hartnell) to a degree, who let his companions take charge. Each Doctor had unique personalities, and the style and stories of Classic Who matched the Doctor they were assigned to.

The First Doctor was more of an adviser and let his companions take control, but he was still a crazy, lovable alien just like his other incarnations. The Second Doctor (Patrick Troughton) is my favourite, he's very childish but intelligent and was grown up when he needed to be. The Third Doctor (Jon Pertwee) was the earthbound Doctor started off as arrogant and annoyed, but gradually became more loving. The Fourth Doctor (Tom Baker) arguably made the show popular and is the most known Classic Doctor. He's also arguably the most childish and always had that huge smile.

The Fifth Doctor (Peter Davison) was the youngest Classic Doctor, but acted like the oldest at times. He's arguably the most unlucky Doctor as he just wants fun but death surrounds him. The Sixth Doctor (Colin Baker) is arguably (yes, again) the most disliked Doctor due to his arrogance and choice of clothing (not his fault). He was very childish and serious most of the time. The Seventh Doctor (Sylvester McCoy) was the clown to start off with, but gradually got much darker and more manipulative but always remained childish. The Eighth Doctor (Paul McGann) was probably the most human Doctor, and seemed to be one of the most childish but had a hidden sadness and rage, leading into New Who.

The TARDIS is the Doctor's iconic time and space travelling machine. It has became so iconic in British culture that if a child sees an old police box, he'll/she'll probably shout "TARDIS!" and point. The Master is the Doctor's nemesis, his Moriarty, who can also regenerate when injured as they are both the aliens called Time Lords from Gallifrey. Daleks are another iconic thing in Britain now, try and find somebody who doesn't know what one is.

Of course, these are only brief descriptions and don't go into each era, which usually matches the Doctor at the time. The series is so massive that I could describe it for hours. So impressive. A small concept became such an iconic show. Possibly more famous than Robin Hood, another British achievement.

I gave this series a 9 for a reason, though. I believe the pacing is too slow. It's hard to pay attention much of the time as things take so long to happen. This was normal at the time of 1960s Doctor Who, but not the extent this series. As fun and interesting as it is, it can bore me to a very large extent. If only each story was cut in half, bar some of the better paces stories.

So a huge cultural thing, but the series itself has a number of problems. The concepts are so genius, though, that these can be forgiven. I just find the series hard to watch a lot of the time. I'll review New Who (2005-) separately.

Doctor Who was my childhood. This show was, and still is, awesome. Right from the start, it was set apart from sci-fi shows at the time. This show was originally intended to be educational. But all that changed one fateful day in 1963. Yes, that's right, I'm talking about... the Daleks.

These monsters were one of the few things from sci-fi that could illicit pure, unadulterated terror in me. Other monsters eventually cropped up over the years, like the Cybermen, Sontarans, Silurians, Sea Devils, the Master, the list goes on...

In short, there is a reason this show has spawned countless spin- offs, a TV movie, and has lasted for 50 years.

It is because it is a staple of British television. Even cancellation couldn't stop this gem.

After 16 years in development hell, barring the aforementioned movie, Doctor Who returned.

After a wait of almost sixteen years and with only just over a week to go before the new series of "Doctor Who" begins, let's hope that some classics are on the way to warrant all the hype and, above all, that the show remains true to its original spirit and is as fun as it always was. With that in mind, I thought it might be an opportune time to reflect on some of the great stories of the past.

From First Doctor William Hartnell's era, my choice of favourite story would have to be "The Dalek Invasion of Earth". The use of extensive location filming enhances its atmosphere greatly. I know that, forty years on, the Robomen look and sound silly and the flying saucer is obviously dangled from a piece of string but the serial's shortcomings are compensated by the imagery of the Dalek rising from the River Thames and a group of them patrolling Trafalgar Square, not to mention crossing Westminster Bridge in the trailer. And then there is the sensitive ending marking Carole Ann Ford's departure from the series after playing the Doctor's granddaughter, Susan, for ten stories...

So many perfect serials from Second Doctor Patrick Troughton's time on the show! "Fury from the Deep" is my choice because it frightened me more than anything else I'd ever seen. It has several excellent cliffhangers and I'll never forget one of the characters walking out to sea and not stopping as she becomes totally immersed by the water or Victoria trapped in a locked room as the seaweed and foam threaten to engulf her. I long to see this story again but, alas, it seems gone forever.

I love the first six serials of the Jon Pertwee era because they are complex and challenging. Of the six, "The Mind of Evil" is my favourite though writer Don Houghton's other serial, "Inferno", comes a close second. The reason I like it is because the idea of a parasite feeding off the fear in men's minds is so much more frightening than some lumbering monster!

My favourite Tom Baker serial is "Genesis of the Daleks" despite the BBC always falling back on it for repeat seasons! Writer Terry Nation, creator of the Daleks, devised the character of Davros in order to raise the standard of dialogue between hero and enemy, succeeding here in discussing many moral issues. Sarah Jane Smith seemingly falling to her death from the rocket scaffolding, as she tries to make her escape, and the freeze frame is another moment that will always stay with me.

Cliffhangers play an important part in making a good serial and "The Caves of Androzani" boasts two of the finest. When Peter Davison's Doctor and new companion Peri are shot dead at the end of the first episode I didn't foresee the resolution. It's a shame it took until the last story of this era to get it right but director Graeme Harper presents us with a thoroughly gripping tour de force. Christopher Gable is electrifying as Sharaz Jek and I love the scene of the dying Doctor, coat caked in mud, struggling to carry his companion back to the TARDIS in an act of self-sacrifice that leads to his premature regeneration at the story's close.

"Revelation of the Daleks" is "Doctor Who" for adults. Writer Eric Saward presents us with an alternative take on the Doctor through the character of Orcini, and his sidekick with personal hygiene problems, which is why Colin Baker's Doctor doesn't really enter the fray until over halfway through. Nicola Bryant, as Peri, is lucky to have worked with Harper on both his serials which may account for why she is one of my favourite companions. There are moments of real pathos in this serial such as Natasha discovering what has really become of her father and the death of Jobel, which is no mean feat when you consider the ghastly nature of his character!

Finally, from Sylvester McCoy's three years on the show, my choice has to be "The Curse of Fenric". This period has come in for much criticism when, certainly during the last two years, the show was actually beginning to find its feet again. It wasn't all played for laughs as is often suggested. One of the scariest things in this serial isn't the Haemovores or the rather placid Ancient One but the transformation of the two girls into vampires because the allegory, equating loose morality with bodily decay, is far more frightening than any monster could be, even when those monsters are well-realised. The story contains some very memorable dialogue too. Who can forget the chilling menace of "We play the contest again... Time Lord"?

And, if I was only allowed just one of the seven to take to my mythical island it would have to be, if it still existed in the BBC's archive, "Fury from the Deep". I don't think I would be disappointed, given the opportunity to see it again, as anything that can leave such an indelible mark on the memory has to have been an extremely powerful piece.

I first found Doctor Who on the PBS network in the early eighties, with Tom Baker. Harry and Sarah must be his Lois Lane and Jimmy Olsen, I thought. He was some eccentric scientist. At the end of his first adventure, "Robot", he, Harry and Sarah enter this blue cabinet, the strangest noise in the world is heard, and the cabinet disappears. Now the stumper was Brigadier Lethbridge Stewart's non-chalant reaction to the vanishing box. LIttle did I realize there was nearly twenty years history to what I was watching. I knew nothing about Time Lords, Gallifrey or what a Tardis was, let alone a walk-in police call box, something not found in America.

I missed Harry's departure and thought the actor must have just quit the show, but he did show up later. Then Elizabeth Sladen left and I had no idea what to expect. Gallifrey? What was Gallifrey? He has to go back and get Sarah.

The Gallifrean adventure was followed up with the introduction of Leela, the jungle girl. When she stormed into the tardis, I knew I was watching a show I could not begin to predict. K-9? Need I say more? I was destroyed when Leela left, and with Romanadveratrelunder's arrival I just sat back and went for the ride. When Lalla Ward (Romana II) left, I was a little more braced for what I was watching. So I thought. As Tegan, Nyssa and Adric watched, the Doctor saw all his old friends, then his old enemies. What did this mean?

Enter Peter Davison. I would learn that what I had just watched, five episodes a week, like a soap opera in a matter of eight months, was a twenty year old character. Tom Baker had already quit being the Doctor by the time I started watching it.

Davison's reign would be short and not as thrilling as Baker's. After Davison was Colin Baker, whose tenure was even shorter. Sylvester McCoy was an alleged attempt to get back to the second Doctor. In between waiting for new episodes, existing episodes from back to William Hartnell, the first doctor, and 'An Unearthly Child' would be shown. There would even be the movie to re-introduce the Doctor with Peter McGann taking over for Sylvester McCoy and Eric Roberts as the Master.

But today, it is Tom Baker's term that was so spectacular. The first three actors greatly set the pace for the character, but it took Baker to bring him to America. As Baker would say on the 25th anniversary, Doctor Who was fun, fun, fun.

And it was.