Doctor Who

Doctor Who was my childhood. This show was, and still is, awesome. Right from the start, it was set apart from sci-fi shows at the time. This show was originally intended to be educational. But all that changed one fateful day in 1963. Yes, that's right, I'm talking about... the Daleks.

These monsters were one of the few things from sci-fi that could illicit pure, unadulterated terror in me. Other monsters eventually cropped up over the years, like the Cybermen, Sontarans, Silurians, Sea Devils, the Master, the list goes on...

In short, there is a reason this show has spawned countless spin- offs, a TV movie, and has lasted for 50 years.

It is because it is a staple of British television. Even cancellation couldn't stop this gem.

After 16 years in development hell, barring the aforementioned movie, Doctor Who returned.

I first found Doctor Who on the PBS network in the early eighties, with Tom Baker. Harry and Sarah must be his Lois Lane and Jimmy Olsen, I thought. He was some eccentric scientist. At the end of his first adventure, "Robot", he, Harry and Sarah enter this blue cabinet, the strangest noise in the world is heard, and the cabinet disappears. Now the stumper was Brigadier Lethbridge Stewart's non-chalant reaction to the vanishing box. LIttle did I realize there was nearly twenty years history to what I was watching. I knew nothing about Time Lords, Gallifrey or what a Tardis was, let alone a walk-in police call box, something not found in America.

I missed Harry's departure and thought the actor must have just quit the show, but he did show up later. Then Elizabeth Sladen left and I had no idea what to expect. Gallifrey? What was Gallifrey? He has to go back and get Sarah.

The Gallifrean adventure was followed up with the introduction of Leela, the jungle girl. When she stormed into the tardis, I knew I was watching a show I could not begin to predict. K-9? Need I say more? I was destroyed when Leela left, and with Romanadveratrelunder's arrival I just sat back and went for the ride. When Lalla Ward (Romana II) left, I was a little more braced for what I was watching. So I thought. As Tegan, Nyssa and Adric watched, the Doctor saw all his old friends, then his old enemies. What did this mean?

Enter Peter Davison. I would learn that what I had just watched, five episodes a week, like a soap opera in a matter of eight months, was a twenty year old character. Tom Baker had already quit being the Doctor by the time I started watching it.

Davison's reign would be short and not as thrilling as Baker's. After Davison was Colin Baker, whose tenure was even shorter. Sylvester McCoy was an alleged attempt to get back to the second Doctor. In between waiting for new episodes, existing episodes from back to William Hartnell, the first doctor, and 'An Unearthly Child' would be shown. There would even be the movie to re-introduce the Doctor with Peter McGann taking over for Sylvester McCoy and Eric Roberts as the Master.

But today, it is Tom Baker's term that was so spectacular. The first three actors greatly set the pace for the character, but it took Baker to bring him to America. As Baker would say on the 25th anniversary, Doctor Who was fun, fun, fun.

And it was.

This is perhaps one of the finest sci-fi series ever made. The idea is simple; a timelord who travels through time and space in a TARDIS (in the shape of an old Police Box)with various companions to fight the forces of evil in the Universe.

The budget was never large, but the ideas and effort were outstanding. It started going downhill after Peter Davison finished his turn as the Doctor, mainly due to poor stories and weaker scripts, but with the right budget and some seasoned writers, this show could be very great again.

Well worth watching for the ideas alone - especially some of those in the Tom Baker era, this has a massive worldwide following and deservedly so.

Without doubt the best thing about DOCTOR WHO is its format. The premise of a space craft being able to visit any time period or any planet means the possibilities are limitless . However it`s a series often ridiculed and no television show is producer proof , a fact that shows up in the late 70s and 80s

Created in 1963 by Sydney Newman the first producer was Verity Lambert a woman who would later become a legend of broadcasting in the 70s up till today. Lambert`s talent shines through in the early episodes with William Hartnell as the Doctor. True it`s got a budget of sixpence and the sets are as big as a cupboard but the production has excellent writers and is treated with absolute respect most of all from the actors who always manage to suspend our disbelief with convincing acting , especially William Russell who plays Ian Chesterton . Ian plays the typical heroic figure to Hartnell`s atypical antihero, and it`s intresting to note the antagonistic approach towards the early tardis crew. Also interesting to note that each SF story was followed by a historical story . Strangely the SF ones have dated very badly

By the time Patrick Troughton took over as the Doctor , Dalekmania , antagonism between the changing tardis crew , and historical stories had disappeared and in it`s place we had more formuliac and scarier stories in their place. Unfortunately the BBC junked most of this eras mastertapes so we only have a brief taste of this era, but Troughton never gave a bad performance and his assistants were sexy

Jon Pertwee , colour , and an entirely Earthbound format was introduced in 1970 . I`m not alone in saying this was the best era and was when I first started watching the show aged about four years old though I had to watch it behind the couch. Every Saturday afternoon was the highlight of my life , all my friends watched it as the viewing figures climbed. Alas the Pertwee era hasn`t aged very well as I found out watching the repeats over 20 years later.

Tom Baker had an era of two halves when he took over from Pertwee. Coinciding with the change of actors we had a change of producers as Barry Letts gave way to Phillip Hinchcliffe who took DOCTOR WHO to even greater heights 14 million viewers would tune in as the show became more adult and terrifying , concerned mothers and viewers pressure groups would bombard the BBC with complaints about the horror on show which meant when Hinchcliffe was replaced with Graham Williams in 1977 and with it ended the programme`s most acclaimed period. It probably wasn`t William`s fault but DOCTOR WHO soon started becoming very silly , the monsters were laughable and Tom Baker seemed to be taking the p***.

In 1980 John Nathan Turner took over the producer reins and when Baker left the following year he cast Peter Davison as the Doctor. The early Davison episodes were certainly an improvement on the latter Baker era , KINDA for example features a guest appearance by Simon Rouse of THE BILL fame and gives the greatest performance in the show`s history , while THE CAVES OF ANDROZANI often wins fan polls as the greatest ever DOCTOR WHO story but the cracks were starting to show as Nathan Turner started introducing more and more old foes and when Colin Baker was ( Mis)cast as the Doctor in 1984 his whole first season featured old enemies and anorakish references to the past. This led to the BBC putting the show on hold for a year

The show returned in 1986 worse than ever and now cut to 14 episodes a year, Colin Baker was sacked and replaced by Sylvester McCoy who was an even bigger disaster than Baker and by the time the show was axed in 1989 it only had something like 3 million viewers. As a fan I`d describe it as a mercy killing.

So ended a once great television series . It has become a fondly remembered legend and there`s often rumours of a Hollywood remake , but as the American 1996 TVM showed megabuck budgets can`t enhance a poor script. DOCTOR WHO works best as a memory

`Doctor Who', in a nutshell, is probably the most imaginative show ever created. Initially, it was about an eccentric time-traveller from another planet, who looked human and affected an English manner and style. The interior of his time machine (called a TARDIS) was huge and highly advanced, but the exterior quaintly resembled an English public call box. The Doctor was a self-imposed exile from a race of powerful beings called the Time Lords. The Time Lords observed history, but never interfered with it. This bored the almighty heck out of the Doctor, so he made off with an older TARDIS and decided to see the Universe for himself.

When the original actor who played the Doctor decided to leave the show, the writers came up with the inventive concept of `regeneration'. Whenever the Doctor was close to death, or actually killed, he would `regenerate' into a new body (and persona). The show went through seven highly talented actors in this fashion.

The format of the show was highly adaptable. Didn't like the way the show was going? Just wait two or three years. The style always seemed to change whenever there was a change of Doctor, producer and/or script editor. The series went from educational children's drama to monster show to intelligent adult sci-fi/drama to gothic horror to high camp, et cetera, et cetera, and so forth.

This was a wonderful, imaginative, fun show when it was on. I was sad to see it go.