Sibila

It is a terrible pity that this wonderful film is not on DVD. Alas, had Serge Bourgoinon gone on to make more films of equal quality it would be remembered alongside "Jules and Jim" instead of being just a footnote. The earlier poster who noted that it is precisely because he and Patricia Gozzi were meteors who cooled quickly that this film is forgotten was absolutely right.

Another point is the haunting Maurice Jarre "We're Home" theme. So much of his later soundtrack music was bombastic that is astonishing to find a simple, poignant melody used here to evoke the tenderness, beauty, and vulnerability of the world that these two are able to create in the park.

Just remembered the title: "Sunday and Cybel".

This film had a major haunting impact upon my life.(Boston 1962)

What a beautiful story and "Sunday and Cybel" needs to be preserved on DVD.

The childlike trust, and human bond that develops between two "wounded human beings" without a hint of inappropriate sexuality, needs to be seen again and again.

I was deeply pleased, that others have found this film as lovely as I did. It warms my heart to see others recognize such tender humanity between a child and an adult.

"David and Lisa" has a similar sense of love between damaged Souls, out of darkness into the light of emotional "healing".

Being a family psychotherapist, only restores my faith in the psyche to find love in a cruel world of distrusting authorities who only know how to kill flies with hammers, and destroy people they do not understand.

Bravo to the perfect cast, direct and writers, with brilliant cinematographer, to enrich the story into a rare masterpiece. VSS

Hello to all the other lovers of this stupendously beautiful film, wherever you may be in the world. This is not a review as such, other than to say that "Sundays and Cybele" is without doubt the most exquisite, heartbreaking, sublime, delicate, moving and transcendental movie ever created. The purpose of this 'post' is to let you all know that, way down-under here in Melbourne, Australia, I am the fortunate owner of a 16mm cinemas-cope print of this absolute masterpiece. My email address is displayed above. You are welcome to email me personally. If there is ever a possibility that you could get to beautiful Melbourne, I would be proud and delighted to screen the film for you. I myself have resisted the temptation to acquire the film on video...that would seem only to trivialize it, by reducing it to the same size (& therefore stature) as television programs. It is a film to be enjoyed on the big screen and I am doubly fortunate, because there is a small cinema here in Melbourne, seating about 50, which I hire out on those occasions when I can't wait another day to see the film. At the present rate, I screen it about 4 or 5 times a year, sometimes just with myself and 1 other, sometimes with an invited audience of 15 or 20. If at any time any of you readers of this communication would like to take the trouble to journey to Melbourne, Australia, I would gladly run the movie for you, at no cost to you. When I meet you, I will also proudly show you Hardy Kruger's autograph to me, written on an original A4 size poster for the film, which, as a reckless teenager, I stole from its display case on the final day of its big screen season here in Melbourne (in 1964). 14 years later, in 1978, I was lucky enough to meet Hardy when he came to Australia to promote a film he made here ("Storm Boy"). And guess what he said to me when I unrolled the poster and asked if he would sign it? "Ah, my favorite film!!". I am like many of you...I have been haunted, inspired, intoxicated, transported in ecstasy, plunged into the deepest of despair by that extraordinary film ever since. It is an unforgettable encounter with great beauty. Let me know if you can come here to see it. We'll have a wonderful evening. Peter Byrne, Australia.

When "Les Dimanches de ville d'Avray" first debuted in Manhattan, New York Times Critic Bosley Crowther hailed it as a genuine masterpiece.

New Yorkers flocked to see it, and agreed. Serge Bourguignon in only his third film work was predicted to become a major film director. Who could have predicted he would make only three more movies?

Lead actor Hardy Kruger went on to a prolific career, but talented eleven year old Patricia Gozzi retired after only a few more films.

So this film has become somewhat of an oddity: a brilliantly directed, photographed and acted drama, that has the look and feel of a timeless treasure. Yet, it stands alone without past or future--a fabulous work with nowhere to place it.

Unfortunately today, existing video prints are of poor quality; besides, it demands a big screen and pristine print to do it justice. Thus the film has virtually become a lost gem, pleading for restoration and re-release.

A remarkable film with an astonishing capacity to touch your heart and open your mind. A refreshingly original story that doesn't lapse into exploiting potentially "adult" themes.

Hardy Kruger succeeds in taking you with his character into his child like view of the world (caused by shell shock in Indochine). Patricia Gozzi is a rare child actress whose performance is completely free of the usual self-conscious effort found in recent films. Entire cast is strong.

The black and white cinematography is amongst the best I've ever seen. The camera seems remarkably aware of textures and temperatures. Some images are reminiscent of Ansel Adams' silver gelatin prints. Don't miss any opportunity to see this rare gem of a film. The characters, stories and images will follow you for a long, long time. It will make you wish that Director Serge Bourguignon had a much longer filmography.