La fosa y el péndulo

Right after the success of "House of Usher", director Roger Corman wanted to make another adaptation of an Edgar Allan Poe's story, "The Masque of the Red Death", however, he felt that it was not the time for that project and decided to make the short story "Pit and the Pendulum". Reunited with Vincent Price and most of the crew of his previous film, Corman crafted another brilliant entry in the Gothic horror sub genre and a film that proved that the praise for "House of Usher" was well-deserved and not a mere lucky strike.

The plot follows Englishman Francis Barnard (John Kerr) on his trip to Spain as he has received news of the death of his beloved sister Elizabeth (Barbara Steele). At his arrival, he is informed by Elizabeth's widower, Nicholas Medina (Vincent Price), that she died of a strange blood disease, but strange events begin to happen and both men will discover the strange mystery hidden behind the walls of Medina's castle.

Written by frequent collaborator Richard Matheson, the film is not really a faithful adaptation, it is a cleverly written story that fuses many different Poe's short stories in one. The story unfolds nicely and as in the previous film, the characters are the film's soul. Matheson perfectly forms the bonds and relationships between them and none is left without a time to shine. The mystery of Elizabeth's death and Medina's castle is very well-handled and the unexpected climax is a classic horror moment. Once again Matheson delivers a terrific script that captures Poe's obsession with ancient buildings and Gothic settings.

Despite the low-budget, Roger Corman manage to surpass what he achieved in "House of Usher" taking care in every little detail, with the lavish sets and gorgeous cinematography making the film look as beautiful as a canvas. The films of the so-called "Poe cycle" are almost always labeled as his best and not without a reason, as they prove that Corman was not a mere director of low-grade cheap films. He was truly a daring and inventive artist and this film remains as one of his most powerful masterpieces.

The cast this time is superb, with Vincent Price taking the lead role with great talent and powerful presence. With ease he can go from melodrama to utter horror and his melancholic over-the-top melodrama was right at home in Poe's adaptations. John Kerr makes a terrific counterpart and his performance is very believable. As a stranger in a strange-land, his character brings balance to the film and Kerr makes the most of it. The beautiful ladies Barbara Steel and Luana Anders show off not only their beauty, but also their talent. Steel's aura of mystery suits perfectly the atmospheric horror of the film and Anders displays her talent for melodrama.

The film is near perfect and a great joy to watch. Never dull nor boring, the film captures the Gothic horror of Poe's stories and gives them homage in a grandiose way. A big improvement over the first of Corman's "Poe films", it's hard to find a flaw in it as nearly everything is its right place. From Price's on-screen presence to the wonderful sets, "Pit and the Pendulum" is a masterpiece of low-budget film-making, a movie that looks even better than most of the big studios productions.

"Pit and the Pendulum" proved to be up to its reputation and it quickly became a favorite of mine. Personally, the discovery of this gems has drastically changed my idea of Roger Corman's work, as this group of films prove that this man is a serious artist who knew how to make a movie that was an economic and a artistic success. This film is another great Gothic horror treasure. 8/10

After the mysterious death of Elizabeth Barnard Medina (Barbara Steele), her brother Francis Barnard (John Kerr) travels from London to Spain and without previous notice he arrives at the castle of her husband Nicholas Medina (Vincent Price). He is received by Nicholas' sister Catherine Medina (Luana Anders) that invites Francis to have dinner with her brother and her.

Francis learns that their father Sebastian Medina was a cruel torturer of the Spanish Inquisition and Nicholas is a traumatized man that has witnessed the murder of his uncle Bartolome (Charles Victor) and his adulterer mother Isabella (Mary Menzies) being tortured and killed by his father when he was a kid. During the dinner, the family's friend Doctor Charles Leon (Antony Carbone) unexpectedly arrives and Francis discovers that his sister died of heart attack after visiting the torture chamber in the dungeons. Soon the place is haunted by strange events and Nicholas suspects of his servants Maximillian (Patrick Westwood) and Maria (Lynette Bernay) but Francis is convinced that Nicholas is the responsible for the death of his sister.

"Pit and the Pendulum" is one of the best Roger Corman's movies despite the poor scenario that shakes in many scenes. The last time that I saw this movie was on 16 November 1999 on cable television and today I have just watched it again on DVD. The creepy story of Edgar Allan Poe is still engaging even when the viewer watches more than two times. My vote is eight.

Title (Brazil): "A Mansão do Terror" ("The Manor of Horror")

The movie adapted from Edgar Allan Poe is par excellence a movie made up of sketches:for instance ,"tre passi nel delirio"(Fellini,Malle,Vadim,1968) encompassed three short stories.

The problem with Edgar Poe's short stories lies in the fact that they are...short!Here Richard Matheson double-jumped his contemporaries by combining elements from several Poe stories in a single classy film. Some kind of" the writer's greatest hits " so to speak.

The beloved late wife subject directly comes from "Morella" which will be filmed by Corman in "tales of terror" the following year.The doomed house which is slowly sinking down recalls "the fall of the House of Usher"."Burried alive" or "premature burial" plays a prominent part in the plot too.The walled up character was present in "the black cat" and "the cask of Amontillado".As for "the pit and the pendulum",it provides the movie with its final,but it's only a small segment of the whole.

The actors are excellent ,the sets wonderfully Gothic,but there's something hollow in these Corman movies.Fellini was able to transcend Poe (eg segment "Tobby Dammit" in "tre passi nel delirio") ,Corman remains a respectful director,and one sees little of the madness which emanates from Poe's best works.The same goes for such works as "premature burial" or "tales of terror".Outside technically,it does not show any improvement on,for instance Jean Epstein's (helped by Luis Bunuel)"chute de la maison Usher" a silent movie from 1928.

Watching this again after many years and with such a wonderfully clear print is a revelation. The story is slight but well told with stunning cinematography and a most impressive set, cleverly lit with colour tints, inspired perhaps by Mario Brava. Vincent Price has the time of his life, as impressive in close up as in medium. If he overdoes the old acting bit we love him for it because he does it so well. Certainly he makes most of the rest of the cast look a little wooden and we long for the arrival of Barbara Steele. Of course the wait is worth while but perhaps we could have had some flash backs early on in the film when we are gradually being let into the true horror of the situation. This is a very good solid Corman production, helped by decent script from Matheson but much reliant on the aforementioned, Price and Steele.

Even though it's not strictly faithful to Poe's original short story, The Pit and the Pendulum is still an effective and eerie adaptation. Vincent Price plays his part well, and the supporting cast is strong, too. This movie is able to create a suspenseful sense of fear and dread that you don't get from many horror films today. Well done, Roger Corman.