The Dick Van Dyke Show

I guess the most dated item on "The Dick Van Dyke Show" are those silly twin beds in Rob and Laura's bedroom. This had to be one of the last sitcoms to feature such absurdities.

Regardless, "The Dick Van Dyke Show" is the best sitcom ever! The writing, characterizations, and timing are flawless. Few sitcoms since the mid '60's have measured up to the quality of this series. None have surpassed it.

Be thankful for the incredible 5-season DVD set. This set has been a long time coming, but the wait has been worth it. The DVDs will help preserve the greatness of this show into the 21st century.

I've been buying the season-by-season DVD sets as they come out; my wife and I have been watching them with great enjoyment. It's very interesting to see how the show and characters develop, how Laura changes from a more-or-less standard sitcom wife into a very distinctive personality.

Dick Van Dyke is one of the greatest comedy performers ever; I think he's up there with the great silent clowns--but really, only on this series. I mean, has anyone seen SOME KIND OF NUT or, say, FITZWILLY lately? He must have been the target of some awful career advice. But at least this show exists to show his incredible physical abilities, his perfect timing, his genial personality and so forth. Bless the hearts of whoever decided to put this show out on DVD.

One reason I think this is superior even to, say,THE MARY TYLER MOORE SHOW is that none of the regulars on DICK VAN DYKE were created as Comedy Characters--all are essentially realistic rather than clownish types like Ted Baxter on MTMS. That's a great series, too, but I have to give DICK VAN DYKE the edge.

As a teenager growing up in the early 1960's, I was a big fan of "The Dick Van Dyke Show". And this episode is the one I remember the best, after all these years. It is a flashback to when Ritchie was born and Rob becomes convinced that the hospital accidentally switched their baby for another one born at the same time of a family with a similar name. The climactic moment (which I will not reveal) was both one of the funniest things I ever saw on television in my life and an amazing demonstration of how American attitudes were changing. I have read that this is Dick Van Dyke's personal favorite episode, and I completely agree with him. Apparently, the live studio audience laughed so long and hard that the cameras had to stop until they calmed down and the actors could continue.

I would guess that today the shock of this moment is lost to a great extent, but for its time, it was an astonishing, courageous moment - and also side-splittingly funny.

Carl Reiner made one of the most best written shows with this series by creating all of the scripts by himself. The man has an innate talent for comedy, timing and characters as the first show known where the characters spend half of the time hurling funny insults at their boss, and the other half showing the life of a happily married couple very much in love with each other. This is probably the first show to show the husband at work where so many other tv husbands vanished to "the job;" for all we know, Ward Cleaver and Ozzie Nelson could of been embezzlers or secret agents. This show went one more level further by showing the scenes behind the writing of a comedy-variety show. Dick Van Dyke is an eternally likeable talent and Mary Tyler Moore was demurely sexy and wonderfully irresistible before her looklike cousin got a job in that Minneapolis news office. That role was a far distant cry to this one. Forget the Bradys, they were the parents I wanted; they were both wonderful, fair and funny, but who wants to have a crush on their mom ? Larry Matthews was every model son as he played the "low-maintenance kid" missing from shows on end. Morey Amsterdam and Richard Deacon were perfect comedy foils for each other as was Rose Marie who played eternally optimistic bachelorette Sally Rogers. Jerry Paris and Ann Morgan Guilbert were everyone's favorite neighbors. All this and appearances by Reiner himself as oft seen Alan Brady, the star of the show within the show, made this series a comedy classic even above The Cosby Show or the Brady Bunch.

The Dick Van Dyke Show has always been one of my favorites; from the first time I saw it in syndicated reruns, to the recent dvd releases. Despite the passage of time, it still holds up. The reason? It had the best writing and performances of any show and it presented real characters in believable situations. You can argue about other classic shows, like I Love Lucy, All in The Family, MASH, The Mary Tyler Moore Show, Seinfeld, or Cheers; but, in my opinion this was the finest comedy show on television.

Carl Reiner is a comedy genius who turned his own life into a comedy goldmine. After starring in an unsold pilot, he was faced with the fact he was wrong to portray his own life. With the help of Sheldon Leonard and Danny Thomas, he was able to bring Rob Petrie to life, via Dick Van Dyke. He filled the series with great actors and the best writing on television. It was a perfect format, a show about a writer for a top variety show. It lent itself to logical guest appearances and a host of unusual and amusing situations. It was filled with a cast of great characters: lovable, if klutzy Rob Petrie, beautiful and talented wife Laura, joke machine Buddy Sorrell, sarcastic and love-starved Sally Rogers, pompous, but exploited producer Mel Cooley, demanding egomaniac boss Alan Brady, neighbors Jerry and Milly Helper, and cute son Richie Petrie. Everyone had their moments.

So many of the shows were classics that it is hard to pick favorites. There are the wonderful dream stories, such as "The Gunslinger", "It May Look Like A Walnut", and "The Bad Old Days". There are the performance shows, like "The Alan Brady Show Presents", "The Sam Pomerantz Scandals", and "The Alan Brady Show Goes to Jail". There are the flashbacks to Rob and Laura's courtship and early days of marriage, as well as Rob's beginnings with the Alan Bady Show. Then there are the ones that are just plain fun, like "A Ghost of A. Chantz", "Never Bathe on Saturday", and numerous others. The shows could also be quite touching, like "Buddy Sorrel, Man and Boy". Even weaker shows had great moments.

One of the reasons the show holds up well is that it lasted only 5 seasons and didn't get a chance to wear out its welcome. Everyone was at the top of their game when they called it quits.

When the show first came to "Nick at Night," I was ecstatic. I hadn't seen the show in several years and proceeded to tape the entire premiere marathon (which meant getting up early in the morning to change tapes). Those tapes quickly became worn out. Now, I have them on dvd, complete with promos, commentaries, features and other extras. This show will continue to live on as testament to the best of television comedy. Too bad they don't make shows like this anymore.