El gran Caruso

I have to admit I didn't find The Great Caruso note-perfect. People have already said as a biopic it is highly fictionalised, and those who say that are right- the story here is not consistent with what really happened. Also the screenplay is somewhat ramshackle and the pacing is a little slow in places.

Flaws aside, The Great Caruso is still a very good film. For starters it is gorgeous to watch. The costumes, sets and cinematography are absolutely amazing and just a feast to the eyes. Even better is the music, the music is like a treasure trove of some of the greatest tenor arias ever written. We have La Donna E Mobile from Rigoletto, Celeste Aida from Aida and Vesti La Giubba from Pagliacci, not to mention the charming The Loveliest Night of the Year beautifully sung by Ann Blyth.

I have little to complain about the performances either. Ann Blyth, Dorothy Kirsten(an underrated singer), Alan Napier, Paul Javor and Jarmila Novotna are all wonderful. I have yet to talk about the best performance, it is easy enough to say that Mario Lanza gave the best performance but vocally and acting-wise. How do you like that? A singing legend portraying another? Lanza is absolutely brilliant, he is in fine voice and wholly believable here, it is such a shame his career was cut so short. You may argue that Caruso and Lanza sound familiar in voice, personally I don't think they do. Whereas Lanza had a rich lyrical voice, Caruso's was somewhat darker and perhaps more dramatic. There is nothing wrong with that, both had naturally beautiful voices that sing all those arias with effortless ease.

Overall, flawed, but well worth seeing for the music and Mario Lanza. You may be disappointed if you are looking for a true historical music lesson, but if you want a biopic with gorgeous visuals and music I think you have met your match in The Great Caruso. 7/10 Bethany Cox

I remember seeing The Great Caruso at a Cinema in Melbourne when I was 9 & I've never forgotten it!!!! Unfortunately they don't make movies like that anymore. Ironically that same theatre was where they had the Melbourne Premier of Mario's last film For The First Time on October 7th 1959 the day that Mario Lanza died. I beleive that I speak for most Mario fans around the world, when I say that Mario Lanza was the greatest tenor of them all!!!! I say that with all due respects to Pavartti Carrears & Domingo & many others. I'll never forget you Mario!!!!!

I suppose it would be too much to expect a studio like MGM to produce a realistic biography of the legendary tenor in 1951--a year when the studio's reputation for glossy technicolor musicals was at an all-time high. They overproduced many a musical with strong star drawing power to fill the Radio City Music Hall with their products--and were certainly aiming to target the widest possible audience for this Caruso story with their new discovery--Mario Lanza.

Lanza's rich lyrical tenor is given a showcase in which to perform both Neapolitan songs and operatic arias and he doesn't disappoint. Casting him as Caruso was a shrewd and clever decision--but the letdown comes in the fictionalized story that bears little resemblance to the true background of the singer. Artificial touches abound--including Ann Blythe as his wife. Nevertheless, since enjoyment of the film depends entirely on whether or not you enjoy the singing talent of Mario Lanza (and his limited acting abilities), you should find this biography a lightweight treatment of Caruso's life--although highly incomplete and sometimes even inaccurate. Perhaps some day there will be a true biography of the singer.

If nothing else, should compel some viewers to explore Caruso's life for the real story. Incidentally, there is a new song, "The Loveliest Night of the Year", which rates utmost respect. The soundtrack is great to listen to--Lanza was in the best of voice at the time of recordings.

By far the best thing about 'The Great Caruso' is not its stodgy script or its slightly silly plot (not very likely that much of this equates to the true story of Enrico Caruso, the first opera star to have his voice immortalised for all time), but the first rate singing throughout. Mario Lanza of course was a great asset to MGM through the late 1940s and early 1950s, with a fabulous voice and an attractive personality on the screen. This film also gives us the opportunity to see the lovely Dorothy Kirsten, who seems to have made very few films, and a sweet performance from Ann Blyth as the main love interest for Caruso.

We watch the young Enrico (played with charm by Peter Edward Price) grow into an enterprising young man who realises his voice is potentially his fortune. As the young talent flourishes and develops we follow his rise to fame through to his eventual inevitable ending. I didn't get much sense that the character we were seeing in this film was 'Caruso'; having heard his recordings he projected a very different personality than that we see in Lanza; still, this production is entertaining enough.

I was 12 living in the coastal industry city of Luleå. I had never heard of Opera. My father was a movie projectionist. One evening i happened to see The Great Caruso. It was a breathtaking experience deep into my body. I was caught for ever by opera and I remember the deep sadness I felt in 1959 when my idol Mario Lanza died (similar to my sons feelings some 30 years later when John Lennon was killed). I have the Video and I have seen it many times on TCM Cabel TV - The Great Caruso will stay forever as the film that opened my eyes and emotions for music in general and opera in particular. Thank You MGM, Caruso but in particular thank You Mario Lanza.