The Adventures of Marco Polo

Gary Cooper plays the role of Marco , a venetian adventurer , in this all star production of Marco Polo's adventures . Young Marco travels to China to help Kublai Khan fight against rebels, headed by his own assistant , with a new invention : gunpowder . Entertaining motion picture about oriental and medieval feats in superb Black and White cinematography and luxurious scenarios . High budget Hollywood production deals with Marco Polo travels from Venice to Pekin , where he falls in love with the Emperor's daughter . Marco (sympathetic as well laconic Gary Cooper) becomes the first traveler to record his visit to the Eastern court of the Emperor Kublai Khan . Once there he possesses his protection to merchandise between China and Europe but he prefers to seek out for more adventures . There Marco falls for gorgeous Princess Kukachin (Sigrid Gurie) . Kublai (Barbier) is a kindly fellow , but his villain aide Ahmed (Basil Rathbone replaced originally cast John Carradine as the evil of a piece) wants to get rid of Kublai Khan so he can be emperor, and to get rid of Marco Polo so he can marry the princess . But Ahmed sends Marco Polo to the West to fight barbarians led by a Tartar chief called Kaidu (Alan Hale Jr), but he goes back just in time to save the day . The Italian explorer rescues the daughter of the Mongol leader Kublai Khan , and meets a hermit (the prestigious silent actor H.B. Warner) who has invented gunpowder . During his adventures Polo is imprisoned and will suffer numerous dangers , adventures and risks ; besides he'll quickly discover many Chinese invents as coal , ¡ spaghetti! and gunpowder , among others .

It's a spectacular adventure and plenty of emotions , action , romance and evocative musical score from Alfred Newman and Hugo Friedhofer . The picture blends far eastern adventures and medieval scenario . This is one of the most bemusing oriental adventure movies ever made and extremely well produced , lush production design and shot in awesome black and white photography from Archie Stout and Rudolph Mate . This juvenile romp is utterly amusing and entertaining though inexactly based on facts . Don't expect historic accuracy from this typical Hollywood product full of adventures , a love story and lots of action . The notorious producer Samuel Goldwyn were more concerned with offering moving and enjoyable amusement than factual information . However , the picture has some actual events such as the attempt conquest Japan by means a fleet that was sunk by strong winds ,thunders and gale . This marked the screen debut of Samuel Goldwyn's protégé Sigrid Gurie, whom he publicly labeled "the Norwegian Garbo , even though she was born in Brooklyn . In fact , by the time the film was released , it had been discovered Sigrid was born from the rather less exotic place of New York . Look out for Lana Turner in her sixth movie making a short appearance , almost extra , as a slave girl , later she recalled in a Gary Cooper biography that her "fancy black oriental wig" had been glued around her face with spirit gum, while she felt extremely uncomfortable in her costumes .

The motion picture was middlingly directed by Archie Mayo who replaced John Cromwell after a few days due to "differences of opinion on story treatment," according to a press release. The film's producer Goldwyn then attempted to rope in William Wyler for the job , but Wyler wanted nothing to do with it, so Goldwyn persuaded John Ford to take over for a few days until he could find a permanent replacement for Cromwell. Archie Mayo was eventually brought in to finish the picture. The film was received poorly at the box-office, becoming the biggest flop up to that time for both Gary Cooper and Samuel Goldwyn; it was estimated that the picture lost close to $700,000 . The flick will appeal to far eastern saga fanciful and Gary Cooper enthusiasts.

Other pictures based on this legendary character are the followings : ¨Marco Polo (1962)¨ by Hugo Fregonese and Piero Pierotti with Rory Calhoun , Yoko Tani and Robert Hundar ; "Marco the Magnificent" by Raoul Levy with Horst Buchhold, Anthony Quinn , Elsa Martinelli ; ¨Marco¨ (1973) by Seymour Robbie with Desi Aznar Jr , Zero Mostel ; the best results to be ¨Marco Polo¨ TV (1982) by Giuliano Montalvo with Ken Marshall , David Warner , F Murray Abraham , Leonard Nimoy ; ¨The Incredible Adventures of Marco Polo on His Journeys to the Ends of the Earth¨ (1998) with Don Diamant , Jack Palance and Oliver Reed ; and ¨Marco Polo¨ (2007) by Kevin Connor with Ian Somerhalder , BD Wong and Brian Dennehy .

This is one of the oddest films to be made in pre-war America. Gary Cooper plays the Venetian explorer, and the film opens in a Venice seemingly constructed of cardboard. Here he is pursued by his comic servant, a sort of cross between a midget and a hyperactive gondolier.

In no time at all, we are in the mysterious realm of Cathay, where the streets are exotic, but seemingly made of cardboard as well. Marco is attracted by a strange voice - these medieval Chinese (or Mongols?)speak with impeccable Oxbridge accents. And this one, oddly enough, is reading to his children on some sort of verandah facing the street. This public recitation is from the New Testament, and Marco immediately completes the phrase, as it were. The placid mandarin figure takes this in his stride, and happens to mention that he is treating his son to a crash course in both eastern and western wisdom - which is not bad for a place that has not yet been visited by a European.

Soon our Gary (er, Marco) is served a mysterious oriental dish called 'spaghet', which he thinks he will introduce to Venice when he returns.

At the royal palace (made of a superior form of cardboard), he is soon immersed in the intrigues of the court of Kublai Khan. After some swashbuckling and some overacting, he falls for a beautiful princess. Alas, she is pledged to another, but our hero is given the task of escorting her to her intended.

And so they sail away into the sunset on a large sea-going junk (!), and he states that he will at least have her to himself for the year long voyage. The film ends on this morally dubious note, and the implication is that he eventually returned with his spaghetti to Venice and opened a restaurant.

In itself corny and uneven, this is typical 30s entertainment done on a grand scale; the look of the film is artificial but undeniably lavish. Being a Samuel Goldwyn production, the film is the very antithesis of a history lesson; still, it's more interesting when dealing with the title character's various discoveries in the Orient than his romantic conquests!

Goldwyn, however, could surely afford to employ a reliable cast - most of whom, though, one would be hard-pressed to accept as Chinese - including Gary Cooper (likeable as always in the lead, if not exactly believable), Basil Rathbone (a typically sly villain), Sigrid Gurie (Kublai Khan's daughter and, naturally, an object of contention between Cooper and Rathbone), Ernext Truex (funny as Cooper's flustered sidekick), Alan Hale (a jovial rebel leader) and H.B. Warner (who basically replicates his dignified Chang from LOST HORIZON [1937]). Action is sparse but nicely handled (particularly the climax) and, surprisingly, the montage sequences (a feature of many films of the era) utilize some interesting optical effects.

The IMDb lists the uncredited contribution of two other directors - John Cromwell and John Ford; since the latter's frequent cinematographer Archie Stout does feature in the credits, I'm inclined to believe Ford was involved at some point...though it doesn't really show in the finished product (the subject was hardly up his street, to begin with)! Back in the day, I had watched both the 1965 international epic MARCO THE MAGNIFICENT and the 1982 TV mini-series MARCO POLO; I'll be following this with an Italian low-brow variation made in 1961 (see review below) and might even rent the recent 1998 version, THE INCREDIBLE ADVENTURES OF MARCO POLO (shortened to MARCO POLO for the U.S.) - if only because it features Jack Palance and Oliver Reed, and was written by Harry Alan Towers!

It's quite an expedition to go to China,if we are to believe the screenwriters!Today,Venice ,and the lovely women Marco ,a womanizer as irresistible as Casanova,seduces,and tomorrow,no problem ,we are in a Chinese village where a wise man reads the Bible to children ("are you a Christian?-No,but I want'em to be carefully taught and be aware of all religions around the world ";relevant today and even a lesson to be remembered in our troubled times)

A cheap expedition :only two persons (Marco and some kind of dwarf ,here to provide the story with a comic relief ) and not a long and winding road full of ambushes or dangers .As easy as to go from the Doges Palace to Marco's uncle's mansion .(The uncle is just passing by)

It's very pleasant though.Gary Cooper is handsome and his charm is as effective in China as it is in Venice (or in America);there is a very tongue-in -cheek side that sustains the interest throughout:Marco suggests he "test" the women,before a khan shocked by his brazenness;the princess ,reciting all his family tree to play for time and thus not to marry the ugly villain,the ending with a dubious moral ,which people with a dirty mind might take for a future menage à Trois.

Archie Mayo's 1938 "The Adventures of Marco Polo" is an odd film to watch. Even giving it the benefit of the doubt, this misguided attempt to bring the legendary figure to the screen doesn't quite make it. Not even by a stretch of the imagination can we believe that the Chinese inhabitants of Cathay could look like these actors on the screen.

John Cromwell and John Ford are not credited, but they must have been called as consultants to a losing enterprise that even these talented directors couldn't help fix. Robert Sherwood, a distinguished writer of better films, is responsible for writing the screen treatment, but frankly, his imprint is lacking in the finished product.

Of course, times have changed and no Hollywood producer would dare to give this type of "entertainment" to today's audiences because they would be seen as ridiculous, at best. The film came out at a time when audiences were less sophisticated and more willing to accept stories such as this one. Even for a film produced by Samuel Goldwyn, this production looks tacky. It's obvious the people behind this film either had budget problems, or they didn't get the right art directors to improve the film.

Gary Cooper, as Marco Polo, appears to be lost. The beautiful Sigrid Gurie is made out to look oriental to resemble this Princess Kukachin she is supposed to be. The only one that escapes the debacle is Basil Rathbone. His Ahmed is a villain, and he plays it with relish. George Truex, Alan Hale, H.B. Warner, are seen in minor roles.

Watch this film as a curiosity, but don't expect too much.