La decana de la universidad, Susan, conoce al profesor británico Alec, que tiene su recuerdo. El agente de prensa Teddy crea falsamente una historia de romance a su alrededor que se sale de ... Leer todoLa decana de la universidad, Susan, conoce al profesor británico Alec, que tiene su recuerdo. El agente de prensa Teddy crea falsamente una historia de romance a su alrededor que se sale de control a pesar de sus esfuerzos por anularla.La decana de la universidad, Susan, conoce al profesor británico Alec, que tiene su recuerdo. El agente de prensa Teddy crea falsamente una historia de romance a su alrededor que se sale de control a pesar de sus esfuerzos por anularla.
- Dirección
- Guionistas
- Elenco
- Apache Dancers
- (sin créditos)
- Minor Role
- (sin créditos)
- Minor Role
- (sin créditos)
- Lucille Ball - Cameo Appearance
- (sin créditos)
- Minor Role
- (sin créditos)
- Reporter
- (sin créditos)
- Reporter
- (sin créditos)
- Wax Operator
- (sin créditos)
- Alice
- (sin créditos)
- Margaret - Bicycler
- (sin créditos)
Opiniones destacadas
While Milland, Gwenn and Russell are all wonderful actors, here they are burdened with a bad script. The essential idea isn't bad (though some feminists today will balk at the notion that a woman needs a man), it is executed poorly. There are two main problems. Towards the end, the film relies too much on slapsticky sorts of laughs...with Rosalind on the receiving end again and again. Additionally, the whole relationship between the professors goes from hostile to head over heels so abruptly and unexpectedly that it made no sense at all. It's a shame...the film should have been a lot better.
Russell goes full out with the slapstick -- she's courageous and commits on stage. A model for all actors afraid to go there. Such simiiarities to Lucille Ball.
The music had great accompaniment by the acting, punched certain points and the actors followed suit as well. Ray Milland's facial expressions are study in authentic reaction.
Funny moments; quick pace; and very good performances. The challenge was with the writing. It's just No - no- no - no - until a flip in the last 30 seconds. So the writing seems one note. There is no found love lost love found love. It's just no love, then a flip. That can be tiring for the audience.
It's predictable, but solid. Two fine actors make it very soiid.
Russell is the dean of a girls' school in New England; Milland plays a visiting British astronomer. Will she succumb to his charms? Sure, after she beats him with her handbag, and she's sprayed with water, smeared with mud, and falls out of chairs. Wouldn't you? The laughs are all supposed to come from the slapstick; in truth, there's not too much of a script, and what's there is predictable and derivative. The cast is likable, and Russell proves she can do just about anything. In the end, it's not much of a movie.
Russell rivals Luculle Ball in what she'll do for a laugh. It works and this is a cute movie that is pure escapist pleasure. It's not one of my very favorites, but I enjoy it enough to watch it whenever it comes on TCM.
¿Sabías que…?
- Trivia"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on October 23, 1950 with Rosalind Russell reprising her film role.
- Citas
Susan Middlecott: What sort of razor do you plan to use?
Jerome: Electric.
Susan Middlecott: Oh. Are you... are you A.C. or... D.C.?
Selecciones populares
- How long is A Woman of Distinction?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 25 minutos
- Color
- Relación de aspecto
- 1.37 : 1