Nunca es tarde

This is among my favorite "little movies"--movies that were small budget and about everyday people with everyday problems. The lead is played by the crotchety but very erudite Monty Woolley. Monty is forced to retire from his job as a printer due to his age, even though he still feels young and vigorous. Everyone around him seems to agree that retirement shouldn't be forced upon you if you are still able and willing to work, but no one in this large company where he works seems to be able to anything about this rule--especially since the company is actually controlled by a huge corporation. They just keep saying it's company policy and they would change it if they could--maybe he should talk the the guy in charge to get the rule changed someone suggests. Unfortunately, no one seems to know exactly who that is or how to find him. Out of sheer frustration, he hatches a plot to impersonate the company's CEO and make the changes himself! Unfortunately, this relatively simple plan snowballs and lots of unforeseen problems arise.

This is a brisk, cute movie that it sure to please. The acting is superb (I just love Woolley in films), the story well written and the film leaves you smiling.

PS--Get Marilyn Monroe OFF the Video Cover!!! She's barely in the movie at all--if you expect her, expect to be disappointed. Stupid advertising folks!

I really enjoyed this fine screwball comedy, from a very clever story by Paddy Chayefsky, about a man forced to retire from a beloved printing job because he turned 65. He decides to go straight to the president to question the ageist policy, discovers no one knows what the president looks like, decides to impersonate him, and hilarity ensues. Wonderful roles for Monty Woolley, Thelma Ritter, Constance Bennett and Marilyn Monroe. Heartily recommended if you're in the mood for a few good laughs at the expense of American big business. Still a relevant question that wrangles society today: Whether or not capable people should have to stop doing what they love because of age. I wonder if many instances are simply excuses to incorporate age-related discrimination.

This is a likeable little comedy/drama. It has a good cast, and a fairly interesting plot. One thing, though. The movie jacket for "As Young As You Feel" has a large photo of Marilyn Monroe and her name is printed on the top. Don't let that fool you, though. Marilyn only has a small part in this movie, portraying a secretary, although she makes the most of her scenes.

Though released on DVD as part of Fox's "Marilyn Monroe Collection", her role – playing the spirited, though obviously dumb, secretary at a printing factory headed by Albert Dekker – is actually very brief. The film is an amusing, Capraesque comedy about 65 year-old printer Monty Woolley who refuses to accept the age imposition which sends him into retirement. The plot involves him impersonating the President of the corporation which owns the factory, paying them an unexpected visit and making a speech in which he retracts the current policy – thus enabling Woolley the printer to get back his job! Complications arise when David Wayne (fiancé of Woolley's niece Jean Peters), who also works at the factory, recognizes him – but also with the attentions given Woolley by Dekker's neglected wife Constance Bennett. The film features a solid supporting cast which includes Allyn Joslyn (as Woolley's son), Thelma Ritter (as his wife, who's proud of her Brooklyn origins), Clinton Sundberg (as Wayne's ambitious colleague at the plant who could blow Woolley's cover at any moment), Minor Watson (as the real President of the conglomerate) and a young Russ Tamblyn (playing Dekker and Bennett's confused son). It's a pleasant enough diversion – adapted by Lamar Trotti from a Paddy Chayefsky(!) story – given Fox's typically polished (if fluffy) treatment.

This film was indeed a mildly amusing comedy and one's acceptance of it will depend on one's affection for Monty Wooley. But I was fascinated by the credits. It's part of the feel-good type of movies of the early 1950s. The story is by a young Paddy Chakevsky, who would later write Marty, A Catered Affair, The Goddess, The Americanization of Emily, Hospital, Network, and Altered States, and the screenplay is by Lamar Trotti, who wrote the screenplays for John Ford's Young Mr. Lincoln and Drums Along the Mohawk, for Ox Bow Incident, and won the screenplay Oscar for Wilson in 1944. A lot of talent in a thimble. It might be interesting to compare this screenplay to their other works for similarities. Chakevsky's work later became sharp and hard and even bitter. But his Marty, Catered Affair, and maybe even this show a gentle, humorous side. Trotti would die the next year, so this is one of his last screenplays