They Were Not Divided

Starting 'today' with Princess Elizabeth riding behind her late father on Horse Guard's Parade, and then flashing back to 1941. Harry Waxman's atmospheric black & white photography facilitates the use of copious amounts of actuality footage (including both Montgomery & Eisenhower), rather at odds with Lambert Williamson's lush score.

Director Terence Young later hit the big time with the James Bond films; hence the reappearance in them of several of this film's supporting cast (including 'Q' himself).

The BBC recently aired this on a lazy Monday afternoon in mid-August when probably not many were watching. But as this was made by Terence Young (future director of some prolific Bondmovies) I happened to tape it.

What a great surprise this proves to be. Probably about the sole movie account of a (chiefly) British tank battalion journey into France and Belgium after D-Day.

I will admit it's all very "stiff British upperlip" (jolly good show boys and so on)and especially the romance segments have dated badly, but there is a true feel of authenticity, not only that it's made about 4 years after WWII, but the director gives a realistic and almost documentary-like style to the battle scenes.

It all moves along at a brisk pace, and being a bit of WWII buff, it gave me a very rare insight and almost 'behind the scenes' view of a tankbatallion in action in 1944.

I'll doubt if it is available on DVD so you will maybe have to wait till the BBC airs it again, in 10 years or so !

I was hoping for a more compelling film; but there was far too much dialogue, and not enough action. Especially, after the basic training section of the film, which is actually the better part of the movie.

There were just too many bromides and cliches that were continually interfering with the natural evolution of the film. The actors did a competent job, as did the director, but the production values, to say the least, were slipshod. Maybe it was because it was an armored division. Armored division films of WW all seem to suffer from similar shortcomings; with the exception of Patton. Films like The Battle of the Bulge, The Battle of Alamein, Desert Fox, Rommel, and even the modern Fury with Brad Pitt, all had character development problems, action sequence problems, and pacing problems.

Doing dialogue for these types of films is very difficult to accomplish; that is why very few of them are highly praised compared to infantry, naval, and air force films. The natural confining aspect of a tank does not lend itself to good development of dialogue. However, to be fair, the film is watchable and entertaining, and will satisfy most WW 2 genre fans.

It's life in a tank division of the Welsh Guards -- writer-director Terence Young's unit during the Second World War -- from training through the Battle of the Bulge. It centers on an American volunteer, Ralph Clanton, and Edward Underdown, but it's a movie of flashes and vignettes, impressions of war closely realized, where a battlefield has a dead cow amid the advancing tanks, and crews are briefed in barns, where cockerels strut about.

There's little doubt in my mind that Young drew the threads of this movie from his own experience, and hewed to the dictum that drama is life with the dull parts cut out. The result is a series of closely drawn individuals, including Michael Trubshawe in his screen debut and Christopher Lee in a small role in his eighth movie: to some a career, but he would appear in 188 more.

The only times when the movie slows down, when scenes last minutes instead of seconds, is when Underdown is with his wife, Helen Cherry, and Clanton with his English girlfriend, Stella Andrew. These, the film tells us, are life. The rest of it, the entire war, is some weird, senseless dream.

This is an early work of Terence Young, the director, but a well-made, engrossing and ultimately very moving British war drama of World War II. Interestingly a very young Desmond Llewelyn has a cameo role as a Welsh tank commander, and when it came time for Young to find a new Q for the second James Bond movie, the original no longer being available, he remembered Llewelyn and cast him in what is now the longest running continuous role in the James Bond saga.