Galería de espejos

In Terence Young's first movie, Edana Romney is a society girl whiling her time away while the young man she's going to marry is overseas. She falls in with Eric Portman, who seems terribly rich and terrible arty.... but is obsessed with a 300-year-old painting of a young woman and reincarnation. When he gets around to showing it to Miss Romney, it's the spit and image of her, and he thinks he's the reincarnation of the Borgia she left for another man.

The remainder is part 18th Century Gothic literature, part war-weary spiritualism, and part obsessive behavior that Hitchcock would revisit in VERTIGO. Young directs it as a movie about madness, but it could have easily been tilted in favor of spiritualism, especially given the ornate palace sets, a wild medieval party, and the shafts of light that cinematographer Andre Thomas lays among Serge Pimenoff's Cyclopean sets. It's French realism gone mad, and the film makers knowing it. It's terribly arty, and almost self-congratulatory in its excesses. While it takes itself too seriously for my taste, it will certainly appeal to many people.

A recommendable film if you'll overlook and forgive certain elements (the dialog and acting are rather stiff by today's standards). The twisting plot unfolds satisfactorily: in the introduction a woman travels to keep an ominous meeting and recalls a previous love affair. In flashback we learn of her lover's strange obsession to transform her into the image of another woman. He himself seems to belong to another time and place, lost in the past. Is he sane, is he safe to trust? Only after keeping her appointment, do we learn the true nature and motivations of the man.. and of others. This film predates "Vertigo" by a decade, but the similarities are eerie. Enjoy the lush sets and costumes. The score does much to set the tone of mystery and fantasy. And finally, Edana Romney is gorgeous (I think I once knew someone who looked JUST like her... )

Terence Young made his directorial debut with Corridor of Mirrors, a strange Gothic romantic fantasy drama.

Mifanwy (Edana Romney) a married mother is travelling from Wales to London to meet her lover.

She goes to the Chamber of Horrors in Madame Tussaud's, her lover turns out to be one of the wax exhibits. We go to a flashback when Paul Mangin (Eric Portman) first meets young Mifanwy. Mangin is a man out of his time. Dressed in Edwardian clothes, goes about in a hansom cab and thinks he and Mifanwy were lovers in Renaissance Italy.

Mifanwy is Mangin's ideal fantasy woman, a seducer who has spent centuries looking for his perfect muse. There has been others but he is obsessed with Mifanwy who is the closest to his desires. We see the steps that lead to him being accused of murder.

There is an element of creakiness and archness in the acting that lets the film down. Portman is fine but Romney is the weak link. The production values are very good, the story is a little offbeat but it just does not come together well.

Corridor of Mirrors is directed by Terence Young and adapted to screenplay by Rudolph Cartier and Edna Romney from the novel written by Chris Massie. It stars Eric Portman, Edana Romney, Joan Maude, Barbara Mullen, Alan Wheatley, Hugh Sinclair and Bruce Belfrage. Music is by Georges Auric and cinematography by Andre Thomas.

A woman travels from Wales to Madame Tussauds in London for a rendezvous with her lover. The rest will be told in flashback…

Laughter had a strange effect on him…

Corridor of Mirrors is a hypnotic and nightmarish experience, not in that scared to death kind of way, but in a nightmare where nothing allows you to be comfortable, keeping you in a realm of purgatory, what is real – imagined – or otherwise? The crux of the story concerns a man, Paul Mangin (Portman), who lives in the past and is obsessed with Mifanwy Conway (Romney), who not only looks like the portrait of a lady that hangs in the Mangin palace, but on Mangin's insistence was his lover centuries in the past.

Would you care to continue the adventure?

What follows during the course of the story are subjects ranging from reincarnation, obsessive madness, fetish kinks, seduction, fantasist leanings and murder. To passionate romance, heartfelt regret and soul cleansing. The unusual story, unique maybe? Enjoys toying with audience expectations, even taking famous literary inspirations and fusing them into this Baroque world, with seasoning of the macabre for added spice. As the Mangin/Conway relationship develops, the tension becomes palpable, fear and trepidation vie for control over wistful yearnings. What will win out in the end?

What's behind the curtain?

The look, sound and feel on offer here is quite simply magnificent. This is Gothic noir nirvana. Young and Thomas shoot the film in what I think is an average of 99% shadows and low lights, it's the darkness in daylight effect as shards of light struggle to pierce the gloom through the Venetian blind slats. Candlelight, Scotch mist, moonbeams, canted angles and otherwise all play their atmospheric part, and then there is the backdrop and props…

The Mangin palace is vast in its opulence, complete with the titular corridor of mirrors. Behind each mirror is something that links Mangin's obsession with the past, it is eeriness personified. Mannequins, wax work figures and dolls feature prominently, the Tussauds connection is the Chamber of Horrors, naturally. Spooky harp, spooky housekeeper (again, naturally), and Auric's musical score is a blend of the sinister with poetic whimsy. And the crowning sequence is a Venetian costume ball, a decadent soirée that looks magnificent, but craftily it asks just what is beneath the costume facade of it all?

It's a little too bonkers and creaky in plot development at times, but it knows this and embraces the short comings to keep with the unstable off-kilter vibe. Unfortunately it's a difficult film to track down in good quality home format form, but if you can find a reliable source and you love Gothic noir or Baroque fantasies, then this is for you. 8/10

I saw that one of my favorite film critics Eddie Muller insisted that this be shown at one of his Noir City Film Festivals even though it wasn't a noir. He said it was too good looking and had been obscure for far too long to not show to film lovers. I have to agree that it looks fantastic.

A woman who is already cheating on her husband decides to flirt with another man who is a weird dandy hipster obsessed with horse buggies and mirrors and speaks in obtuse quips. To up his weirdness, he's convinced he's a reincarnation of a 15th century member of the Borgias family.

Apart from the standard 40s silly melodrama and the very strange flashback that is most of the movie, the cinematography was outstanding. Especially during the 15th century Venetian party where most of the interesting action occurs. The overall look felt very French and sure enough when I looked to see who had lensed it, it was a Frenchman named Andre Thomas who worked in pre WWII France and Germany before fleeing to England to work in the film industry.

Watched on YouTube.