Camino de perdición

The 25 year old Tony Curtis went on to act alongside Rock Hudson and James Stewart in films like 'Winchester 73' and 'I Was A Shoplifter' in 1950. Although this film was dull, Curtis was part of a stock of actors whose close friends included Hudson and Stewart.

When the daughter of a judge is caught shoplifting, she has to sign a confession in order to go free. "Faye" (Mona Freeman) is not the only one in the shop who's been apprehended in this annual $100m scam - "Jeff" (Scott Brady) has also been arrested and he is determined to befriend his new rookie friend. She works in the library and receives a visitor summoning her to a bar where she meets up with the manipulative "Ina" (Andrea King) and now she finds herself involved in a blackmail plot to ensure she continues to lift goods to order for the gang. Luckily for all, "Jeff" isn't quite what he seems and what now ensues is a decently enough paced drama that illustrates just how easy it is to steal and just how lucrative a business it is for the perpetrators. There's a strangely miscast, and rather weedy, Tony Curtis aboard here as the rather un-menacing enforcer "Pepe" and at times it adopts a slightly documentary approach to the polling techniques used to ensnare these criminals, but there's enough chemistry between Brady and Freeman and King reminds me of a baddie from a Rathbone/Bruce "Sherlock Holmes" film. The ending is a bit rushed, but it's still worth a watch if you want to know how easy it is to sell-on a dodgy three-blade electric razor!

Principal roles in I Was A Shoplifter fell to Scott Brady (Lawrence Tierney's brother), the evergreen Mona Freeman, Andrea King and the young `Anthony' Curtis. Smaller, almost invisible parts go to Charles McGraw, Peggie Castle and Rock Hudson. That's not a dream cast, but all had done and would do better work in far better vehicles than this dead-serious and deadly dull documentary-style look at `boosters' – organized shoplifters.

Mousy librarian and prominent judge's daughter Freeman saunters through a big department store absently filling her pockets with trinkets, like a magpie flying off with anything that glitters. She's spotted, hauled into the manager's office and forced to sign a confession. Also caught in this retail dragnet is Brady, a professional booster as opposed to Freeman, who's written off as a `klepto' – a basically harmless nuisance.

But later Freeman has visitors. The first is hard case King, who has a photocopy of Freeman's confession and blackmails her into joining the her nest of boosters; the second is Brady, who works undercover on a police task force trying to crack the ring. He falls for her, as does, more brutally, Curtis, one of King's torpedoes. The `action,' such as it is, moves south to San Diego then crosses the border to Tijuana for an (almost) final reckoning.

Laughably, the shoplifting syndicate operates on a level of ruthlessness and secrecy on a par with the Nazis in The House on 92nd Street, the heroin smugglers in To The Ends of the Earth, or the Communists in The Woman On Pier 13. But I Was A Shoplifter has been picked clean of wit, style and suspense; it stands as a grim example of a particular post-war posture of humorless self-importance, passing itself off as entertainment.

How about, "I became a Hollywood has been in five films or less."

Andrea King and Scott Brady were up and coming stars after World War II. By 1950, Brady was on the booze and it showed. No more A features for him. I don't think Hollywood knew what to do with Andrea King. She ended up on Dragnet 1969 in a turban.

Mona Freeman did nothing but play put upon whiners. When she is listed among the cast you know it is going to be a Stinker.

You are never clear about how their racket is run and you stop caring.

Look out for small roles by Tony Curtis and Rock Hudson during their Universal International starlet days paying their dues on the casting chair.

Or at least the only film noir in movie history speaking of shoplifting and not bank robbers, drug traffic, racketeers., pimps. The story itself is very easy and predictable to follow, not that unusual on the scheme itself. It is a rare film to catch and directed by Charles Lamont, not used to crime, film noirs, or some lousy ones in the thirties, but more comedy movies, light hearted dramas, such as the Abott and Costello series, or ven FRANCIS the talking mule. Useless to say that Charles Lamont was not a great director, but a prolific one, providing rare gems, which some are available on you tube. Not a bad little movie, I repeat, because of the shoplifting element. It could have been question of folks stealing gasoline in car tanks on parking lots. Why not? Another cute crime film speaking of shoplifting before Andrew Stone's CONFIDENCE GIRL.