Neither a bang nor a whimper
The final chapter in the Boston Blackie saga starts off briskly and without surprises: Blackie drops off his laundry just moments before the laundry proprietor is discovered murdered; Inspector Farraday arrives on the scene to investigate and quickly deduces that Blackie is involved; Blackie chuckles along with Farraday but realizes he is going to have to find the real killer to clear himself. –That's all in the first five minutes, of course. The rest of the action includes stolen jewels, phony Chinatown underworld tours, and a couple of large piles of tea. It's all quite enjoyable
not the best in the series, but an adequate if unspectacular finale.
Chester Morris is as steady as ever as Blackie--smart, smooth and snappy. Richard Lane's Inspector Farraday is still (Wile E. Coyote-like) confident in the face of all previous experience that he will sooner or later make something stick to Blackie. The only real sign that the series was ending was the absence of George E. Stone as the Runt; Sid Tomack is passable in the role but not really a replacement.
The film's most shocking moment comes when Frank Sully's Detective Matthews has perhaps his first bright idea in fourteen films—noting that the gunshots just heard from inside the movie theater could not have been part of the movie playing, because it's a movie about Robin Hood! (And here he points out the movie poster for The Prince of Thieves; also coming soon to that theater, I noticed, was The Mating of Millie—nice advertising for a couple of 1949 Columbia features that I suppose I will have to put on my long list .)
One great moment: The Chinese "gamblers" dropping their act and resuming their real game when the door closes on the peeking tourists—"All right, fellas," one says, "let's pick up the bridge game where we left off."
It would have been a huge surprise if Blackie and the Runt had not disguised themselves as Chinese in at least one scene .Overall, it's a fair mystery with a few unique moments: a solid finish to the series.
Chester Morris is as steady as ever as Blackie--smart, smooth and snappy. Richard Lane's Inspector Farraday is still (Wile E. Coyote-like) confident in the face of all previous experience that he will sooner or later make something stick to Blackie. The only real sign that the series was ending was the absence of George E. Stone as the Runt; Sid Tomack is passable in the role but not really a replacement.
The film's most shocking moment comes when Frank Sully's Detective Matthews has perhaps his first bright idea in fourteen films—noting that the gunshots just heard from inside the movie theater could not have been part of the movie playing, because it's a movie about Robin Hood! (And here he points out the movie poster for The Prince of Thieves; also coming soon to that theater, I noticed, was The Mating of Millie—nice advertising for a couple of 1949 Columbia features that I suppose I will have to put on my long list .)
One great moment: The Chinese "gamblers" dropping their act and resuming their real game when the door closes on the peeking tourists—"All right, fellas," one says, "let's pick up the bridge game where we left off."
It would have been a huge surprise if Blackie and the Runt had not disguised themselves as Chinese in at least one scene .Overall, it's a fair mystery with a few unique moments: a solid finish to the series.
- csteidler
- 13 oct 2011